W.

With his "in the moment" biopic "W." the normally volatile Oliver Stone wisely saves his judgments for history when hindsight will be 20/20. Achingly subdued and slightly satirical, Stone plays it straight and to the bone. Here he presents us with the early years of our current lame duck president, showing Dubya rushing a frat-house at Yale, meeting Laura at a barbecue, living in the shadow of his father and brother, his troubles holding down a job, his failed bid to become baseball commissioner, and his defining moment when he gives up drinking and becomes born-again. All of which leads us to his first term and the Iraq War quagmire, where Dubya honest-to-goodness truly believes "God" wanted him to become president and that Iraq did have those rascally WMD.

In the lead role, Josh Brolin is an endearingly bumble-headed Dubya, and Stone presents him as a simple-minded man with good intentions who has been crippled by his "daddy issues" and has surrounded himself with the most cynical, self-serving, and corrupt administration in modern American history. The supporting cast is a hoot, with highlights including Thandie Newton eliciting big laughs just with her facial expressions as a wicked and moronically faithful Condi Rice, Elizabeth Banks giving a winning portrayal of Laura Bush, and Richard Dreyfuss playing Cheney as the most insipid megalomaniac American politics has ever seen.

Stone accomplishes three major coups here that should surprise those who expected a one-sided liberal smear job. First, he humanizes George W. Bush. The director does this with savvy editing showing the back-story of why Dubya does the things he does (i.e. why he uses nicknames for everyone or why running three miles every day is so important to him), and then juxtaposing that with the inane decisions he has made as president. By utilizing actual transcripts from press conferences, news coverage, and meetings, Stone and scribe Stanley Weiser allow Bush and his administration to speak for themselves, and it's both comically cathartic and occasionally frightening to see it dramatized so well. Second, he redeems the presidency of George "Poppy" Bush (a somewhat miscast but still effective James Cromwell) by showing what a restrained and thoughtful Commander in Chief he was compared to his naive and too-eager-to-please son. Thirdly, he redeems the legacy of Colin Powell (a surprisingly good Jeffrey Wright), who is shown here as the only person in the administration with any hindsight or foresight, and the only sane voice who questioned the motives for entering Iraq, though he eventually caved in and played along. His "f-you" to Cheney towards the film's final act is priceless.

As the actual presidency still has a few months to go at the time of the film's release, Stone's biopic was never written a true ending, leaving us with a symbolic image of Dubya looking up to the sky in center field waiting to catch a ball that will never drop. It may be another twenty years before we can pass any accurate judgment on Dubya's legacy, and likewise, Stone's film will have to wait. It's going to be a long time before anyone catches all those balls George W. Bush's administration threw up in the air.

Two of my least favorite people in one project! A president with a blunt intellect, but a remarkable ability to project a simple story. And a filmmaker with the same qualities. Each would be relatively harmless as clerks who amuse at lunch breaks, but these are men whose inadequacies break worlds.

It is no wonder that this portrays Bush respectfully. No wonder that it is all about intent: the man is a good, honest, unselfish man whose only weakness was a vision of an unrealistic utopia and the accident of being surrounded by fools and devils. I believe that all of Stone's projects are autobiographical and he impresses on them his own story. Its Woody Allen, except instead of placing himself in the cosmic forces of personal relationships and self, he wanders among what he sees is a cosmos of global conspiracy. That he is able to make a living in Hollywood is, I think, because our notions of noir are close enough to this so that he (and Spike Lee) can bloviate and make a living.

As time goes on, he worries more and more about himself, so he makes his heroes basically good men, lost.

But this time history bucks him. The culpability of this man cannot be explained away by blaming Rove and Cheney. His qualms about torture are known to not have happened. We know that he pushed for policies that will be evaluated in time as war crimes. Now, he may have done that with noble intent, but more ruthless and scheming than this golden Rube we see here.

This is a disaster for history. Because so few Americans read books, instead getting their history from films and blogmobs.

The cinematic values of Stone's prior work are not even visible. The energy of "Platoon," the craft of "JFK" are gone. We have normal TeeVee movie framing here.

I think we should vote Stone out.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

A chronicle on the life and presidency of George W. Bush (Josh Brolin).

The worst thing about this film is the awful casting, with many people looking nothing like who they should be. Karl Rove looks like a doofus and Condoleeza Rice sounds worse than Fran Drescher. Some are pretty good, and at least you can usually tell who each person is supposed to be. But, my goodness, maybe the casting director needed more time.

The film is fun and enjoyable so long as you understand it is satire. Yes, Oliver Stone is a left-leaning guy, sometimes to an extreme. But this is obviously not meant to be a serious biopic, but more a look at the foibles of George W. Bush. Surprisingly, there are moments that really humanize the guy, and for that Stone deserves credit for pulling punches.

Me and my girlfriend are both staunch democrats and we both thoroughly enjoyed. Love or hate him, the guys lived an interesting life. You see a transformation from a spoiled frat boy begging his dad to buy him a baseball team to a competent public servant who genuinely wants to do right by his country. Definitely watch.

The last of Stone's "Presidential" trilogy after JFK (which was better) and Nixon (which wasn't), "W" relates the days of the USA's 43th President, George W Bush.

It came up as the heat about the subject's presidency was still felt, while opinions were still hot, and yet the movie is surprisingly subtle and empathic, walking a fine line between biopic and comedy. Also, it is neither an attack on the Bushes, or on the Republican party - what would have been expected from rather liberal Stone. In fact, Bush the father's sole term is even referenced as a time of sober wisdom and sound management. Despite Stone's haste, the film stands the test of time admirably.

Actors are absolutely remarkable and well-directed, everyone of them. Photography is expertly executed. Music is, however, of some curiosity, and its circus-like presence does a big part in lightening the tone. That odd tonal dysphoria makes the film quite hard to classify, and even for the interested, a second viewing might be necessary once the expectations are out of the way.

All in all, what we have here is a fine movie. If you are an American conservatives, or even someone who voted Bush in, I really don't think you'll be outraged by anything here, to the contrary, maybe, as Bush is made human beyond the drama/comedy of his administration. I heard Clinton personally gave Bush a copy of the movie, saying he'd like it.