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Lucky

  • 2020
  • Not Rated
  • 1h 23min
PUNTUACIÓN EN IMDb
4,9/10
3 mil
TU PUNTUACIÓN
Brea Grant and Hunter C. Smith in Lucky (2020)
Life takes a sudden turn for May (Brea Grant, After Midnight), a popular self-help book author, when she finds herself the target of a mysterious man with murderous intentions. Every night, without fail he comes after her, and every day the people around her barely seem to notice. With no one to turn to, May is pushed to her limits and must take matters into her own hands to survive and to regain control of her life. Written by Brea Grant, directed by Natasha Kermani (Imitation Girl).
Reproducir trailer1:41
2 vídeos
9 imágenes
DramaFantasíaTerrorThriller

Una mujer acomodada intenta que la crean cuando explica que la persigue una figura todas las noches. Tras comprobar que nadie la cree, decide solucionar el problema por su propia cuenta.Una mujer acomodada intenta que la crean cuando explica que la persigue una figura todas las noches. Tras comprobar que nadie la cree, decide solucionar el problema por su propia cuenta.Una mujer acomodada intenta que la crean cuando explica que la persigue una figura todas las noches. Tras comprobar que nadie la cree, decide solucionar el problema por su propia cuenta.

  • Dirección
    • Natasha Kermani
  • Guión
    • Brea Grant
  • Reparto principal
    • Brea Grant
    • Leith M. Burke
    • Dhruv Uday Singh
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    4,9/10
    3 mil
    TU PUNTUACIÓN
    • Dirección
      • Natasha Kermani
    • Guión
      • Brea Grant
    • Reparto principal
      • Brea Grant
      • Leith M. Burke
      • Dhruv Uday Singh
    • 59Reseñas de usuarios
    • 90Reseñas de críticos
    • 75Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 nominación en total

    Vídeos2

    Official Trailer
    Trailer 1:41
    Official Trailer
    Lucky
    Trailer 1:40
    Lucky
    Lucky
    Trailer 1:40
    Lucky

    Imágenes8

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    + 3
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    Reparto principal38

    Editar
    Brea Grant
    Brea Grant
    • May
    Leith M. Burke
    Leith M. Burke
    • Rob
    • (as Leith Burke)
    Dhruv Uday Singh
    Dhruv Uday Singh
    • Ted
    Hunter C. Smith
    Hunter C. Smith
    • The Man
    Chivonne Michelle
    Chivonne Michelle
    • Officer Mercy
    Yasmine Al-Bustami
    Yasmine Al-Bustami
    • Edie
    Kausar Mohammed
    Kausar Mohammed
    • Sarah
    Larry Cedar
    Larry Cedar
    • Officer Pace
    Grace Yee
    Grace Yee
    • Moderator
    Kristina Klebe
    Kristina Klebe
    • Marie
    Carmen Angelica
    Carmen Angelica
    • Alice
    Tara Perry
    Tara Perry
    • Elizabeth
    Chase Williamson
    Chase Williamson
    • Charlie the Medic
    Susan Kemp
    Susan Kemp
    • EMT
    Shelly Skandrani
    Shelly Skandrani
    • Social Worker
    Nikea Gamby-Turner
    Nikea Gamby-Turner
    • Detective
    • (as Nikea Gamby Turner)
    Jesse Merlin
    Jesse Merlin
    • Officer Erwin
    Sarah Purdum
    • Tall Officer
    • Dirección
      • Natasha Kermani
    • Guión
      • Brea Grant
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios59

    4,92.9K
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    Reseñas destacadas

    7swatter

    A little satirical horror about individualism and other things

    Although this is billed as a thriller/horror film, I'd place it more in the category of Black Mirror or Twilight Zone in that it's a satire about the state of things in the world, told with surreal/absurd elements. For example there were themes of people being disbelieved, while holding to an every-person-for-themselves attitude, further preventing people from getting support. There's much more to it than that (gender and class) so I'm summarizing very briefly.

    Other points: Some of the acting was stiff at times but that became an advantage during brief kafkaesque scenes of the protagonist attempting to communicate. With surreal elements, it often comes with the territory in any case. The music was minimal and rather than announcing everything that was about to happen, it left space for the imagination to fill in the blanks, only containing a few themes that repeated, along with a few key visual leitmotifs.

    I can see how a person following this as a literal story with a straightforward protagonist might expect things to go differently, but I felt a definite tension leading up to the end, wondering how the director would play out the themes presented in the story. Perhaps intentionally on the part of the director, while I felt sympathy for the main character, I felt even more for a few of the side characters, especially toward the end of the movie.

    Overall I enjoyed the movie, found the themes timely, and will look up other movies by this director.
    5med-01081

    Happy death day & groundhog day had a woke baby!

    I dont get all the really bad reviews for this film. It wasnt that bad but it wasn't amazing either just ok. Yes it doesnt explain a lot and yes its a looped plot film but it tries to hard for the deaper meaning than just a typical looped slasher although it probably would have been better if stuck to the loops without the deepness. The acting isnt great and can seem a bit b movie ish at times but they get the job done well enough. It did have potential to be a hell of a lot better but overall it was different from what i expected and i didn't mind that. The direction is the best part of this film. Some good shots and a mellow score with synth elements bring a nice welcomed atmosphere and help set the tone. Its not the best film ever made or the best looped style movie but its worth a watch nonetheless.
    4MisterBlahBlah

    An Impressive Concept in a Bad Film

    I really like the concept of this movie. I saw it described as kafka-esque and that's fair. I also especially appreciated the physicality of The Man--great slasher movie articulation. However, the movie's message is a mess. It's neither subtle or blatant in a consistent way, and I think it was meant be disorienting but mainly comes off as poorly hashed out. The main character is another weak part of the concept, made even more rough by the fact that she's portrayed by the film's writer, leaving little room to think it wasn't acted exactly as intended. May isn't likeable or smart, and portraying people trying to help (especially social workers) as useless and dumb isn't a great look. Also, muddling the luck-fear message with the (paraphrasing) "I'm not lucky, I'm great" insert line to the publisher was painful. Finding a solid publisher who will let it ride after your commonplace self-help book bombs is pretty lucky. All writers go through the process she rants about, and luck most certainly plays a part. Lucky isn't awful, but what I believe hurts it the most and contributed to the wealth of bad reviews is that it could have been a phenomenal film.
    4bangel3322

    Didn't quite work

    I appreciate directors and writers who try to do things a little differently to the constant identical horror movies we see everyday. And I like the fact we get presented with movies that aren't as straightforward as others. This movies reminds me of Mother! While I like the ideas behind the movies and trying to get people to think outside the box, the execution of these films needs to be a little tidier. They start off really interesting and as a viewer, you're really intrigued and excited....and then they just go to a weird place and don't come back, and you're sitting there thinking...'huh?'

    There were several plot holes in this film and many things that were introduced were not explained at all. Not everyone who watched will be able to deduce certain clues brought up. It doesn't need to be a blatant in your face explanation that takes away from the mystery of the film, but it does need to be addressed in a way the viewer is like, 'ah, ok...I see what they did there.' It felt unfinished at 1hr 20mins. Could have packed a bit more in to wrap things up.
    4Horror_Flick_Fanatic

    Yawn Fest

    I forced myself to see it through the end. But I was bored with it.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Pifias
      At 19:32, when May is talking to Ted's sister Sarah, her iPhone isn't compatible with the case she's using.
    • Conexiones
      Featured in Dead Meat Podcast: Interview with Brea Grant (2021)
    • Banda sonora
      Sign of the Times
      Written by Hannah Fairlight

      Produced by Michael Wagener

      Performed by Hannah Fairlight

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    Preguntas frecuentes

    • How long is Lucky?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 4 de marzo de 2021 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Official Amazon Link
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Şanslı
    • Empresa productora
      • Epic Pictures Group
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 23 minutos
    • Color
      • Color
    • Relación de aspecto
      • 2.39 : 1

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