Tras vivir con el estrés de la enfermedad crónica de su madre y ser mordido por una rata en su casa, un joven autista empieza a convertirse lentamente en una rata.Tras vivir con el estrés de la enfermedad crónica de su madre y ser mordido por una rata en su casa, un joven autista empieza a convertirse lentamente en una rata.Tras vivir con el estrés de la enfermedad crónica de su madre y ser mordido por una rata en su casa, un joven autista empieza a convertirse lentamente en una rata.
- Premios
- 13 premios y 15 nominaciones en total
Hilary Bass
- Dr. Decanthian
- (as Hilary Schwartz)
Reseñas destacadas
I was impressed by the cinematography of the film. The colors and camera angles really added a lot to the story. The writing was so thought-out and impressive. The son's telling of the characters he created was so in depth and creative...I'd love to see a movie about that, as well! The scene where the mother (Lynn Lowry) was watching her favorite tv show and "laughing" was one of the best. I immediately was impressed by it and replayed the scene a few times to REPEATEDLY feel creeped out by her laugh! One of my favorites! The relationship between the mother and son is both caring and creepy. Love that! Can't wait to see more.
Richard Burgin delivers with Fang on all levels. Engaging story, great cinematography, killer sets and phenomenal acting by all especially the lead and Lynn Lowry. The chemistry between these two was excellent and kept you on edge. The rest of the cast was great. Very impressive score and sound design helped to get the frantic and nerve wracking scenes across. The use of the lighting and colors helped tell the story especially in the bar scenes. I can't forget the gory and realistic practical Fx that was in the movie. I'm a big fan of practical Fx and glad to see this in this film. Check this out and share the love!!
I saw Fang at a festival in Madison and was blown away by this dark, twisted, but very entertaining movie which blends surreal body horror and domestic psychological dread, with a mother/son dynamic so dysfunctional, it rivals Norman Bates' maternal bond in Psycho. It helps that both performances by mother and son are electric and delightfully unpredictable, each tick and quirk feels earned. They are compulsively watchable and so is the film. I really felt transported into a subjective dreamscape that unravels into a nightmare. But despite some really immersive visuals and sound design, Fang never loses focus on its characters, keeping it grounded despite the fantastical premise. It's hard to believe this is a debut low-budget feature because it's already got such a distinct authorial voice and is so well put together in all aspects. It looks and sounds incredible and really sucks you in!
Like a combination of Requiem for a Dream, Donnie Darko, American Psycho, and Adam Wingard's films. It's rare to see such a strong and vivid madcap sense of humor in a low-budget indie film. The movie keeps progressing and escalating toward madness. You could take it as a metaphor for growing up and leaving the nest. The performances are all very much on point. And the camerawork, editing, and direction exhibit a level of impeccable craftsmanship that at times touches mastery. It operates with a strong cult classic vibe. There were hypnotic stretches where I was sitting there like, "Holy god almighty this is awesome." Very strong, strange trip that will absorb and zap you. Richard Burgin is definitely a filmmaker to watch.
Wow!
The performances here are first rate!
Dylan La Ray, as Billy Cochran, and Lynn Lowry, as Billy's mother, Gina Cochran, bring strong skill, believability and nuance to this small but important film. Jess Paul, as Myra Valenti, Mrs. Cochran's caretaker and Billy's friend, also delivers a first rate performance.
Billy Cochran is a lonely 23 year old whose dad died young. He works a mind numbing job at a meat packing plant and comes home to a dingy Chicago apartment, where he tends to his aging, ailing mother. Once free from work and home responsibilities, Billy likes to draw, building elaborate alternate worlds and species in his art-notebook. But Mother is never far away, and yes, there are shades of Psycho here, as Billy's creative time is constantly interrupted by Mom's extreme neediness.
As Billy's mother slips ever deeper int late stage Alzheimer's she becomes emotionally abusive. This emotional and verbal abuse, along with a plot device that I won't mention so not to reveal any spoilers, cause Billy to begin his own slow slide into despair.
Dylan's ability to show us Billy's growing torment is truly remarkable, and Gina is simply stunning in her seamless switches through a massive range of human emotions, sometimes all in the same scene, with a face that goes from sweet and maternal to twisted and sinister at the flip of a switch.
Mood and tone are ominous, pushed along by very creepy soundtrack. Setting and locations are gritty urban rust, and Billy's transformation into something "other" seems all too real.
My only beef would be with the hard nosed boss. I believe this plot line could have been better developed. That said, this is an indie horror film on a budget, there's never enough time/money for everything; concentrating on that which matters most is what works.
Fang is a worthy film from Richard Burgin, an important new writer/director. I look forward to seeing what he does next!
The performances here are first rate!
Dylan La Ray, as Billy Cochran, and Lynn Lowry, as Billy's mother, Gina Cochran, bring strong skill, believability and nuance to this small but important film. Jess Paul, as Myra Valenti, Mrs. Cochran's caretaker and Billy's friend, also delivers a first rate performance.
Billy Cochran is a lonely 23 year old whose dad died young. He works a mind numbing job at a meat packing plant and comes home to a dingy Chicago apartment, where he tends to his aging, ailing mother. Once free from work and home responsibilities, Billy likes to draw, building elaborate alternate worlds and species in his art-notebook. But Mother is never far away, and yes, there are shades of Psycho here, as Billy's creative time is constantly interrupted by Mom's extreme neediness.
As Billy's mother slips ever deeper int late stage Alzheimer's she becomes emotionally abusive. This emotional and verbal abuse, along with a plot device that I won't mention so not to reveal any spoilers, cause Billy to begin his own slow slide into despair.
Dylan's ability to show us Billy's growing torment is truly remarkable, and Gina is simply stunning in her seamless switches through a massive range of human emotions, sometimes all in the same scene, with a face that goes from sweet and maternal to twisted and sinister at the flip of a switch.
Mood and tone are ominous, pushed along by very creepy soundtrack. Setting and locations are gritty urban rust, and Billy's transformation into something "other" seems all too real.
My only beef would be with the hard nosed boss. I believe this plot line could have been better developed. That said, this is an indie horror film on a budget, there's never enough time/money for everything; concentrating on that which matters most is what works.
Fang is a worthy film from Richard Burgin, an important new writer/director. I look forward to seeing what he does next!
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- How long is Fang?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Richard Burgin's Fang
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 150.000 US$ (estimación)
- Duración
- 1h 38min(98 min)
- Color
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