PUNTUACIÓN EN IMDb
6,7/10
50 mil
TU PUNTUACIÓN
La historia se centra en un año en la vida de tres hombres que intentan sobrevivir a los recortes en su compañía, y en cómo les afecta a ellos y a sus familias.La historia se centra en un año en la vida de tres hombres que intentan sobrevivir a los recortes en su compañía, y en cómo les afecta a ellos y a sus familias.La historia se centra en un año en la vida de tres hombres que intentan sobrevivir a los recortes en su compañía, y en cómo les afecta a ellos y a sus familias.
- Premios
- 2 premios y 11 nominaciones en total
Reseñas destacadas
Having been in these shoes, I appreciated this movie even more.
This is a solidly entertaining and believable film about professional men (and women) who lose their identities as they lose their jobs in corporate America economic decline.
Some folks rebound, others can't. I grew attached to the characters. Every performance was believable and tight.
I found myself rooting for success, even though it wasn't always in the cards.
The ending wrapped everything up in a tidy ball, which I like.
Bottom line: Solid entertainment with very few explosions.
This is a solidly entertaining and believable film about professional men (and women) who lose their identities as they lose their jobs in corporate America economic decline.
Some folks rebound, others can't. I grew attached to the characters. Every performance was believable and tight.
I found myself rooting for success, even though it wasn't always in the cards.
The ending wrapped everything up in a tidy ball, which I like.
Bottom line: Solid entertainment with very few explosions.
Is this really the nearest Hollywood comes to understanding the real world - and the economic 'downturn' ?
A bunch of more corporate, unsympathetic characters you could not hope to imagine but they are all forced to embark on a voyage of discovery by heartless, cost-cutting conglomerates who have the audacity to fire executives further up the chain.
Chris Cooper (normally brilliant) discovers that more elderly people may struggle to find employment in the workplace whilst Ben Affleck (not normally brilliant) is made to realise that people wear gloves at work, have to carry heavy things and don't even go out to lunch on their breaks. Tommy Lee Jones just looks surly and grouches a lot... though his millions of dollars of shares increase in value, thank goodness.
The huge house and top-of-the-range German cars are on the line though as times get truly 'slightly uncomfortable' but thankfully it's Afflecks' sons' X-Box that goes first and the awful step down to manual labour doesn't seem so bad when you can master the wielding of a nail-gun in five minutes flat.
Corporate America is often an ugly thing, and this trite, patronising offering is no exception. It is almost nauseating in its' attempt to extract some sort of audience feeling for these greedy, grasping corporate 'executives'.
Who cares ?
A bunch of more corporate, unsympathetic characters you could not hope to imagine but they are all forced to embark on a voyage of discovery by heartless, cost-cutting conglomerates who have the audacity to fire executives further up the chain.
Chris Cooper (normally brilliant) discovers that more elderly people may struggle to find employment in the workplace whilst Ben Affleck (not normally brilliant) is made to realise that people wear gloves at work, have to carry heavy things and don't even go out to lunch on their breaks. Tommy Lee Jones just looks surly and grouches a lot... though his millions of dollars of shares increase in value, thank goodness.
The huge house and top-of-the-range German cars are on the line though as times get truly 'slightly uncomfortable' but thankfully it's Afflecks' sons' X-Box that goes first and the awful step down to manual labour doesn't seem so bad when you can master the wielding of a nail-gun in five minutes flat.
Corporate America is often an ugly thing, and this trite, patronising offering is no exception. It is almost nauseating in its' attempt to extract some sort of audience feeling for these greedy, grasping corporate 'executives'.
Who cares ?
"The Company Men" is one of those that really showcases what it's been like the last couple of years especially in the corporate world of how the layoffs and downsizing have affected many families and the lives of other people. It shows that it's tough when you fall down and that life is hard when you have to adjust economically really one has to rediscover their fate and way of living.
Set in Boston at the height of the economic crisis and collapse director John Wells paints a pretty and somewhat unpleasant picture of how the corporate world changes many lives by downsizing. It centers around the lives of three men who work at a corporate company GTX. And top sells leader Bobby Walker(Ben Affleck)all of a sudden one day is canned and let go as the company can't afford to pay his salary as demands and stocks fall along with the sales of GTX. Then next is a veteran manager Phil Woodward(Chris Cooper)a man who somewhat is cut in the back and let go in a harsh way. And this greatly affects the life of both it even drives Phil to a deadly depression. And Bobby's world is turned upside down as going from $120,000 a year to roughly $60,000 to maybe $80,000 is a big drop. As it affected Bobby's money world no more golf lessons, gone is the expensive car and maybe Patriot tickets.
Heartfelt and life changing is seeing Bobby take up working construction for his wife's brother(Kevin Costner)going from suit and tie to hard hat! The wild card and conflicted character in the movie is veteran GTX manager Gene McClary(Tommy Lee Jones)a man who's loyal yet hard headed for the company in the meantime deep down Gene knows what's going on at GTX is not right. Plus McClary is a very conflicted man he's stressed plus he's cheating on his wife with a company employee the sexy and elegant Sally Wilcox(Maria Bello).
During it all the trio of men feel the highs and lows of life and it's ever changing economic and social climates. Really it's a time to ponder and rediscover as it proves for both Bobby and Gene it's never late to start over even if it is less still it's a change and rediscovery of happiness. Overall good film that captures the reality of the corporate and economic recessions of the last few years it's so true of how companies do downsizing of their men which alters and changes lives forever.
Set in Boston at the height of the economic crisis and collapse director John Wells paints a pretty and somewhat unpleasant picture of how the corporate world changes many lives by downsizing. It centers around the lives of three men who work at a corporate company GTX. And top sells leader Bobby Walker(Ben Affleck)all of a sudden one day is canned and let go as the company can't afford to pay his salary as demands and stocks fall along with the sales of GTX. Then next is a veteran manager Phil Woodward(Chris Cooper)a man who somewhat is cut in the back and let go in a harsh way. And this greatly affects the life of both it even drives Phil to a deadly depression. And Bobby's world is turned upside down as going from $120,000 a year to roughly $60,000 to maybe $80,000 is a big drop. As it affected Bobby's money world no more golf lessons, gone is the expensive car and maybe Patriot tickets.
Heartfelt and life changing is seeing Bobby take up working construction for his wife's brother(Kevin Costner)going from suit and tie to hard hat! The wild card and conflicted character in the movie is veteran GTX manager Gene McClary(Tommy Lee Jones)a man who's loyal yet hard headed for the company in the meantime deep down Gene knows what's going on at GTX is not right. Plus McClary is a very conflicted man he's stressed plus he's cheating on his wife with a company employee the sexy and elegant Sally Wilcox(Maria Bello).
During it all the trio of men feel the highs and lows of life and it's ever changing economic and social climates. Really it's a time to ponder and rediscover as it proves for both Bobby and Gene it's never late to start over even if it is less still it's a change and rediscovery of happiness. Overall good film that captures the reality of the corporate and economic recessions of the last few years it's so true of how companies do downsizing of their men which alters and changes lives forever.
What a great story! The recession is not the story here - the different paths the characters take as they wrestle with reality and their own identities is the point, and their arcs are wonderfully developed.
This is the best performance I've seen from Ben Affleck. All of the main actors give textured, subtle portrayals that are natural and convincing despite familiarity with their faces.
This is the best performance I've seen from Ben Affleck. All of the main actors give textured, subtle portrayals that are natural and convincing despite familiarity with their faces.
Whether we like it or not the last couple of years have been incredibly tough, and TCM though not perfect at least tries to make an honest film about downsizing in corporate America.
We really really got this - we all know someone whose lost their home, their job, or just found that the money isn't there the way it was - and those who reviewed this and said the films doesn't work as the characters have still got it good just don't get the college payments, the mortgage, the fear of losing it all, and the horrendous amount of money it takes to maintain a life in the US now is astronomical - and TCM at least looks at this as no other film has in the past three years.
Solid performances from everyone and Affleck in particular echoing his roles in Man about Town or Jersey Girl does a solid job here as the man who has it all and then has nothing.
It it does try to record something which otherwise seems to be in danger of being swept under the carpet - this is a well-made film that rings true and for our money was actually one of the more memorable and yes, even moving, films of the year - it is accessible and a likable film.
We really really got this - we all know someone whose lost their home, their job, or just found that the money isn't there the way it was - and those who reviewed this and said the films doesn't work as the characters have still got it good just don't get the college payments, the mortgage, the fear of losing it all, and the horrendous amount of money it takes to maintain a life in the US now is astronomical - and TCM at least looks at this as no other film has in the past three years.
Solid performances from everyone and Affleck in particular echoing his roles in Man about Town or Jersey Girl does a solid job here as the man who has it all and then has nothing.
It it does try to record something which otherwise seems to be in danger of being swept under the carpet - this is a well-made film that rings true and for our money was actually one of the more memorable and yes, even moving, films of the year - it is accessible and a likable film.
¿Sabías que...?
- CuriosidadesJohn Wells included real sentences and explanations from CEOs and their wives gathered from his research for the screenplay.
- PifiasThe shipyard visited by Ben Affleck and Tommy Lee Jones was supposedly closed only a few months before. However, it is obvious that it has been abandoned for many years.
- Citas
Phil Woodward: Dress code pretty lax around here?
Bobby Walker: You should see casual-Friday...
- Créditos adicionalesMidway through the credits, financial reports from various news sources can be heard for a minute.
- ConexionesFeatured in Richard Roeper & the Movies: Fall Preview 2010 (2010)
- Banda sonoraSwept Inside
Written by Future Islands
Performed by Future Islands
Courtesy of Thrill Jockey Records
By arrangement with Bank Robber Music
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Hombres de negocios
- Localizaciones del rodaje
- Daisy Buchanan's - 240A Newbury Street, Boston, Massachusetts, Estados Unidos(bar where Gene finds Phil)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 15.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 4.441.272 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 647.797 US$
- 23 ene 2011
- Recaudación en todo el mundo
- 8.087.000 US$
- Duración
- 1h 44min(104 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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