La memoria de un asesino

As far as modern Liam Neeson action thrillers go this one is defiantly up there with the better ones. He plays an aging assassin who is tasked with a target who winds up being a young girl, he later discovers that the family that hired him runs a child prostitution ring, and the girl was a part of it. As expected, he goes after them, but with the catch he's slowly suffering from Alzheimer's. The final act takes a few twists and turns one wouldn't expect and the additions of Guy Pearce and Monica Bellucci along with some solid gore defiantly help. The underlining theme of there's no justice for the rich is pretty good too.

I guess Marty Campbell wished to do the same with Neeson as he did for Mel Gibson, back in 2010, with EDGE OF DARKNESS. Same kind of lead role, gloomy, desperate, so that's a perfect character for a more than aging actor as Liam Neeson. But EDGE OF DARKNESS was much better however, and Martin Campbell is maybe here not so dedicated or inspired as he probably was twelve years ago. The topic of the aging contract killer is not new anyway and it's then always difficult to create surprises, but the ending, though being not that surprising, remains worth watching the whole film. That's my opinion. And for once, Liam Neeson is nearly shown as a supporting character, because in this movie, there is no real lead one, and no one could deny that Neeson as here the most interesting role he had since a long time; nothing to do with SCHINDLER'S LIST however; I mean since he began his action movies, since TAKEN actually.

Nothing revolutionary with this film, in fact, it's pretty much formulaic, predictable, and cliched of every action film Neeson has already done - hence the name Memory?, but poorly produced and lazily written, that it ends up as a B-film. Even the ending was cringeworthy and something I'd expect from a high school drama class. The few action scenes were decent, but lacked proper choreography and camera shots to give them any 'wow' factor. I don't even know why this film was made, we certainly have seen it all before, and much better. The 114 min runtime felt much longer - even with the decent pacing, due to much filler and little substance. Casting and performances were decent. It's a generous 7/10 from me.

Ok, I'm the first to hold up my hand and say that after Taken Liam Neeson keeps churning out movies that are so so and usually his movies recently have been straight to video movies that are light on story and action.

This one however took me by surprise and was great. The whole cast are invested in the film and take the work seriously and that portrays to the screen well, Guy Pierce is great as a grizzled FBI agent fiercely trying to reconcile his past as well as doing what's right within the law.

There were a few unanswered pieces that could have been answered but all in all a great movie and I'm glad this one was light on the shaky cam.

Memory is certainly an improvement over "The Marksman" and "Blacklight," as it does have more committed performances from Liam Neeson and Guy Pearce. Their resonant work makes this a breezily watchable experience.

There is also an attempt to take on its government corruption themes with a little more intelligence than lesser thrillers have shown in the past.

Unfortunately, none of this stops this film from being a largely dull, uninspired rehash of generic action movie plot points that have been done better in dozens of other, better movies.

The action sequences are almost completely bereft of thrills, just going for shot/reverse shot during shootouts and shoddy choreography during fights.

Each character is reduced to what they do for a living, not really having much of a personality or set of convictions beyond that.

Lastly, the "unreliable memory of the protagonist" concept is barely used in the story. It could have been used to create a mystery to the events that unfold and what is actually real, but it isn't. All the story's questions are provided with quick and easy answers, and it all results in a very disappointing story with no emotional or intellectual impact.

I ended up leaving the theater feeling nothing, because the movie just isn't bad enough nor good enough for anything to be felt or remembered.