Vampir

I saw this film at Sitges International Film Festival and was pleasantly surprised. This film reminded me of earlier horror classics like Carnival of Souls and especially of contemporary European auteur cinema. This is a different kind of horror film, not a typical vampire horror movie with loud bangs and cheap tricks what we have been used to seeing in recent years.

Vampir takes place in modern times in rural Serbia. We follow the protagonist as he arrives from London to this place and is confronted by local habits, traditions and superstitions.

Tomovic does a great job by telling the story by staying close to the character and showing everything subjectively through the main character's eyes. The lack of subtitles for the Serbian dialogue spoken by the locals enhances the paranoia and fear. The film is very creepy and atmospheric, cinematography and sound design go hand in hand in creating this beautiful yet very haunting picture. The acting throughout is superb as it's very authentic, subtle and naturalistic.

Tomovic as a writer/director succeeds in creating a very Kafkaesque story that has a much deeper meaning than an ordinary vampire movie. It is full of metaphors and has themes of returning as an immigrant child to your ancestor's country and belonging.

I genuinely can't understand the bad reviews. This is a really thought provoking horror that mixes the psychological with the hairs on the backs of the arms creepy. It's well paced, exquisitely acted from our lead and all supporting, including non speaking parts. It also places the genre in an unfamiliar environment of the countryside of Serbia which in many ways acts almost as another character. We manage slowly slip into this Groundhog Day world, where even the use of one outfit that doesn't change much on our lead actor gives us a sense of being trapped in a world we are desperate to escape. 10/10.

I saw this not knowing what to expect. And I was pleasantly surprised to see something so different from what's currently being offered in mainstream cinemas. This film is art, beautiful cinematography, haunting soundtrack, original directing ideas, no CGI and very subtle and honest performances.

Above all, this film will take you on a journey and suck you in deeper and deeper into this small Serbian village and its dark secrets.

The atmosphere and suspense that Tomovic creates in his film will get under your skin.

A very promising film with great locations, and a decent story.

However the camerawork is shaky at best, and except for one or two acceptable locations it never shines or manages to pull off anything remotely scary.

Most of the scenes are shot in the daylight which does confuse the overall nature and intent of the film.

There are a plethora of vampire films out there to choose from, but this fails in almost every department which is a real shame.

The main characters performance is so wooden he could've staked the entire village in one sentence.

A shame really as this could've been something special.

Vampir is grounded in Serbia and this country side. The pace is slow, and the land is sparse. The film is somewhat silent given the main character doesn't speak Serbian, and no one in the village speaks English.

The main character suddenly arrives in Serbia from London, and he is taking a position to be the caretaker for a cemetery.

But, as he tries to settle in, the main character finds that the village and villagers are odd. Then, he starts experiencing odd disturbing dreams. At this point, the reality of this character starts to be questioned.

Small subtle details can be found that relate to some points in Dracula. These are little hints to show where the story is heading. The main acotr does well in his role as his past unfolds into his present.

This doesn't have the typical shock and gore of a horror vampire film. Instead, it has a steady and quiet sense that overpowers by the end.