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Sputnik

  • 2020
  • 16
  • 1h 53min
PUNTUACIÓN EN IMDb
6,4/10
29 mil
TU PUNTUACIÓN
POPULARIDAD
4121
3159
Oksana Akinshina in Sputnik (2020)
Official Trailer
Reproducir trailer2:01
6 vídeos
99+ imágenes
Ciencia ficciónCiencia ficción espacialDramaHorror corporalMisterioTerrorTerror monstruosoThriller

El único sobreviviente de un incidente espacial regresa a casa con algo escondido que resulta ser una criatura peligrosa.El único sobreviviente de un incidente espacial regresa a casa con algo escondido que resulta ser una criatura peligrosa.El único sobreviviente de un incidente espacial regresa a casa con algo escondido que resulta ser una criatura peligrosa.

  • Dirección
    • Egor Abramenko
  • Guión
    • Oleg Malovichko
    • Andrey Zolotarev
  • Reparto principal
    • Oksana Akinshina
    • Fedor Bondarchuk
    • Pyotr Fyodorov
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,4/10
    29 mil
    TU PUNTUACIÓN
    POPULARIDAD
    4121
    3159
    • Dirección
      • Egor Abramenko
    • Guión
      • Oleg Malovichko
      • Andrey Zolotarev
    • Reparto principal
      • Oksana Akinshina
      • Fedor Bondarchuk
      • Pyotr Fyodorov
    • 310Reseñas de usuarios
    • 171Reseñas de críticos
    • 61Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 premio y 16 nominaciones en total

    Vídeos6

    Sputnik
    Trailer 2:01
    Sputnik
    Official Trailer
    Trailer 2:02
    Official Trailer
    Official Trailer
    Trailer 2:02
    Official Trailer
    Sputnik: Hero Of The Soviet Union
    Clip 3:01
    Sputnik: Hero Of The Soviet Union
    Sputnik: Parasite Or Symbiote
    Clip 1:29
    Sputnik: Parasite Or Symbiote
    Sputnik: Creature Feeding
    Clip 1:51
    Sputnik: Creature Feeding
    Sputnik: Crash Landing
    Clip 1:46
    Sputnik: Crash Landing

    Imágenes306

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    + 301
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    Reparto principal14

    Editar
    Oksana Akinshina
    Oksana Akinshina
    • Tatyana Klimova
    Fedor Bondarchuk
    Fedor Bondarchuk
    • Colonel Semiradov
    Pyotr Fyodorov
    Pyotr Fyodorov
    • Konstantin Veshnyakov
    Anton Vasilev
    Anton Vasilev
    • Yan Rigel
    Aleksey Demidov
    Aleksey Demidov
    • Kirill Averchenko
    Anna Nazarova
    • Nurse
    Aleksandr Marushev
    • Convict Ruben
    Albrecht Zander
    • Convict Seryj
    Vitaliya Kornienko
    Vitaliya Kornienko
    • Rebyonok v detdome
    Vasiliy Zotov
    • Biologist
    Irina Byakova
    Oleg Malovichko
    Natalya Shvets
    Natalya Shvets
    Pavel Ustinov
    • Convoy
    • Dirección
      • Egor Abramenko
    • Guión
      • Oleg Malovichko
      • Andrey Zolotarev
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios310

    6,429K
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    10

    Reseñas destacadas

    8Sleepin_Dragon

    It's a quality film.

    I'll be honest, I was really excited to see this, I don't have much experience with Russian Cinema unfortunately, but I'd this was anything to go by, then I am keen to see more.

    A very good start, it's creepy, it's imaginative, I can truly believe that this is set in The Cold War USSR in the 1980's.

    Well acted, well produced, I'm no film expert, but in terms of the visuals, it feels more American cinema than European cinema to me, it looks great.

    I just love how Russian it is, from the name, to the Russian dolls that pop up.

    It's chilling, it looks great, it exceeded my expectations, I perhaps didn't enjoy the ending quite to much, but that's a minor quibble, all in all, I thoroughly enjoyed it. 8/10.
    8siderite

    Very good slow burn Russian scifi

    I am happy to see that Russian scifi films are finally moving towards the Russian scifi literature that I loved so much as a child. This is a wonderful little gem, a Russian version of Life, but with more focus on the people and less on the special effects and action scenes. Not perfect, mind you, but so far the best Russian science fiction film I've seen them make recently. And the special effects were very good, too, which makes the decision to keep them in the background so much more laudable.

    The weakest link is the main character, unfortunately, who does things that make little sense for a scientist. Yet her contribution is not that of a character, but as a carrier of the audience, so what she does is really not that relevant.

    I hope Russian cinema will start bringing back the intellectual slow burn story, the civilian scientists that have to solve problems without relying on strength or weapons, but on their own thinking.
    6Jim_Screechy

    The second half needs remaking

    This movie starts off well enough with an intriguing, if a little slow account of the aftermath of a Russian space craft's return to earth.

    There is a good deal of suspense throughout the movie and its well acted and reasonably well directed. The problems stem from the failing plot that surfaces about an hour into the screenplay where the focus shifts from the extra-terrestrial and scientific aspect of the events, to one of inter-Soviet self interest, coupled with professional ambition, deceit and posturing.

    This is all done fairly badly and is incongruous with the preceding story line. The result is a sudden and very disjointed feeling from what was a quite immersive film experience. I'm not sure why this was done, but I suspect it was a foolish attempt to add depth and dimension to a plot that really needed something extra to successfully bring it to conclusion.

    Though this isn't Alien, or anything like a number of other titles involving extraordinary beings coming into contact with humanity, its a well trodden path that doesn't deal with the subject mater particularly successfully. Finding a unique path for development isn't always easy and though it begins well, the plot becomes messy, the scenes and dialog delusive, and progression of the story becomes dependant on the characters making unrealistic decisions, poor choices, and atypical behaviour.

    I definitely liked it initially, but sadly I began rolling my eyes with the later developments and by the end I was fairly disappointed with what really should have been a good film.

    Old Hollywood movies always had romance in them. It mattered little if it was a thriller, Sci-Fi, Comedy, or some other genre. There was always some romantic subplot thrown in for completeness. Similarly, Bollywood films necessitate scenes where the cast dance around in the street like some sort of expression of national pride. This movie had its own throwbacks of this dated approach with the professional posturing, the vying for position, and the excessive engagement in political skulduggery. The results made it feel stilted and hackneyed, especially because it was done so obtusely. It really spoils the film.

    I can't recommend it in all honesty, though I think a six is a fair enough score given it did have some good aspects.
    7shakal_marko

    Finally something new and refreshing...

    I have to say,I really liked it. The story was tense from the beggining and the acting was quiet good. This is how every sci-fi movie should be...Entertaining,good plot, new and fresh ideas...Overall a good sci-fi movie... well done
    6kuarinofu

    Felt this movie was weird? Let me explain

    I know something about Russian cinema (I live near Russia and I speak Russian).

    Let me explain why this movie is not what it could've been.

    First of all, modern big-budget Russian cinema is desperately trying to copy Hollywood-style productions and franchises, they even borrow some scripts and ideas (which is fine, many European filmmakers do this). Indie Russian filmmakers mostly do other types of films and there are lots of great Russian films out there, like Durak (2014), Leviathan (2014), Zhit (2010), Zavod (2018) and many more.

    This film is not an exception in terms of Hollywood copy-pasting. Up to around 1 hr mark, they just copy scenes and concepts from popular films like Annihilation, Venom, Gravity (opening scene), Arrival, After Earth, and Alien Covenant. This is a common practice since sometimes they just straight-up rip off scripts and whole films like Nochnye strazhi (2016) (MIB rip-off with vampires), Den D (2008) (Commando scene-by-scene ripoff), Voin (2015) (a rip-off of Warrior (2011) and many, many more.

    They do this copy-paste pretty well, the cinematography is great, the 80ties Soviet-era setting works although they never really dive deep into it since this film was made for international release and most of the more complicated stuff just wouldn't be understood. In this film though they re-create those scenes not exactly knowing what they are meant to establish. Many scenes are supposed to be emotional but not in this film, they clearly misunderstood the tone of some of those since the music is heavily misused in this. Like the scene where the doctor is transported to the facility, which was taken from the Arrival, but they play military-style music which does not fit well into the "delving into the unknown" style of the scene, more like an action film build-up.

    Right around 1hr mark, they run of these and just start making their own stuff up, making really big stretches in terms of the script. Since the premise was a mix of other films they didn't really know where to go with this and thus, the film transformed into a mess of unbelievable scenes and random unnecessary subplots. Character motivation is completely dropped and all the things the characters do make absolutely no sense, nobody knows what and why they are doing.

    The kid subplot was so incredibly unnecessary and disconnected that removing it from the story would change absolutely nothing. I have absolutely no idea why it was even included (probably because of using this mix of ideas they didn't really know what genre the film is supposed to be, a sci-fi horror? a family drama? who knows).

    The ending is very messy and kind of defeats the purpose of most of the unmotivated character actions, which is a staple of these types of films.

    We will surely see more of these since foreign markets are very profitable, and since most of these big productions are co-funded by Fond Kino (Cinema Fund, Russian governmental organization), the creators are not really scared of losing money and are just trying to build up better visuals and more recognizable imagery to sell their product worldwide.

    Even though this film was quite a mess, I still want to give props to the filmmakers (one of which is the son of a great Soviet director Sergei Bondarchuk (the author of many great films and even an oscar-winning Voyna i mir (1966-67), who plays the commander in this one) for achieving a technical level of a good Hollywood production.

    Too bad they had no original concept or a general idea of what they are trying to show.

    Hope this review makes it easier for foreign viewers to understand and appreciate this film for what it is.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Around 70% of the film's scenes were shot at the Shemyakin-Ovchinnikov Institute of Bio-organic Chemistry in Moscow. It was built in 1959 and is a good example of brutalist Soviet architecture.
    • Pifias
      When Tatyana is first arriving at the facility in Kazakhstan, the guards are watching the car convoy arrive through a window and press the button to open the gate. In the next scene, the gate opens and the convoy enters the facility. A dog is walking near the fence by the gate, but was not visible in the area in the previous scene from the guardhouse.
    • Citas

      Tatyana Klimova: Are you allergic to Buspironum?

      Security guard: Me? I don't think so...

      [Tatyana stabs him in the neck with a sedative syringe]

    • Conexiones
      Featured in WhatCulture Horror: 8 Creepiest Horror Movie Monsters In Disguise (2020)

    Selecciones populares

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    Preguntas frecuentes

    • How long is Sputnik?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 15 de febrero de 2021 (España)
    • País de origen
      • Rusia
    • Sitios oficiales
      • Art pictures RU
      • Official directors website
    • Idiomas
      • Ruso
      • Latín
    • Títulos en diferentes países
      • Sputnik: extraño pasajero
    • Empresas productoras
      • Art Pictures Studio
      • Hype Film
      • Vodorod
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 190.000.000 RUR (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 18.853 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 11.024 US$
      • 16 ago 2020
    • Recaudación en todo el mundo
      • 354.023 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 53 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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