La ley del más fuerte

This film is carried my the fabulous actors that starred in it. Having said that, it's worth watching. It could have been better but it's a good, down to earth flick.

All star cast, probably one of the best that have come together in a film. Ever. Every one at the top of their game. Score fit perfectly. It's not a Hollywood action, Not over the top and not boring either. It doesn't fixate too much on anything in particular and just tells it's story coherently. You can't get too much better than that. A script with touch of sincerity, with a director whom knew exactly where to take it, and actors and actresses able to sink into the roles and bring it to life. It's not the most amazing movie I've ever seen but it's a masterpiece of sorts, for sure.

Scott Cooper takes a sharp turn from the school book tone of his last film Crazy Heart and brings us to a more dismal world in Out of the Furnace. Our hero, Russel Baze, (played smartly by Christian Bale), is a well intentioned and responsible man who in trying to protect his brother meets cruel and cold irony and is sent wayward in this ruined world. Meanwhile his brother returns from deployment with a terrible case of post traumatic stress disorder and brings his chaos into the "imbred" and lawless hills of New Jersey, led by the degenerate Harlan Degroat, (Woody Harrelson).

Now, the story in the vein of films like Deer Hunter and Winter's Bone, two films I personally admire for capturing the delicacy of people amid depressed communities. It's hard to say this film doesn't measure up. The lighting, sound, cinematography, editing, story, are all accomplished with the utmost professionalism. However, if the script fell into the wrong hands its flaws would easily be detected because the weakness of its integrity would show. The story takes too many short cuts to get where it needs to go. Some might already find it slow. It is after all a vignette of the decline of our hero.

However, what really made this movie work for me was the brilliant performances of the trait. William Dafoe as a local and smart small time boss. Sam Shepard as the uncle, a face of masculinity and integrity, Tom Bower as a complex and familiar bartender and gate man. Casey Affleck as the young and traumatized brother, Forrest Whitaker as the conflicted cop, Zoe Saldana as the girlfriend. Though, it's Harrelson who really steals the show, he's evil, beyond logic and powerful You can't wait to see him again and that antagonistic combination is rare and even more scarcely pulled off.

Out of the Furnace won't be nominated for best screenplay. However, in my eyes, it should get a nod for everything else.

The story was interesting and shows once again the injustice in life. The action was varied and it didn't get boring. Overall, a good drama with a fair ending.

Weeks before I took the time to see Out of the Furnace on its opening day today, I saw an interview with the cast where star Christian Bale made a comment about how the script and the character really stuck with him before he'd ever agreed to take the role. While I normally hate to see a film based on something ANY of the actors involved have said (because really, who WOULDN'T give their film a nice push to the press?), I had a gut feeling I'd want to see this one. It's a good thing I tend to go with my gut, because if you watch for two hours with an open mind, Out of the Furnace is certainly filled with dilemmas people across America STILL face on a daily basis -- and that alone is why it will hit too close to home. It is why some people will say it is "too" gritty, "too" depressing, "too" much of something.

I'm a New Jersey native, and my state is filled with many towns that are run down and haven't seen anything positive happen in them in decades. A town not far from me lost its heart when a tea factory was forced out and jobs outsourced to China in the 90s. Just across the border, 20 minutes into Pennsylvania, is an old steel town (not the one in the film) that drove workers out of their mills in the 80s, the old blast furnaces still towering over the "south side" of town that is dotted with row homes. If you've ever driven through Michigan, at least a handful of cities there would paint the same picture as anything you'll see in Out of the Furnace. In Indiana, the same. I point this out because several moviegoers in the theater where I saw the film were saying that Out of the Furnace paints an unrealistic portrait of the "worst" parts of America, making them seem worse than they are. But until people have lived that lifestyle, it's easy to say that it doesn't still exist. What I appreciated about Furnace is that Cooper had the guts to make a gritty film that points out that there are towns filled with good people who can never get beyond their "hard times".

Is it unrealistic, perhaps, to assume that bare-knuckle fighting rings are organized nationwide? Perhaps. It doesn't mean, however, that there aren't plenty of illegal activities happening at the hands of "desperate" men (many of our nation's veterans are homeless, don't forget). Cooper chose Braddock as a great setting for this film, and he chose great actors to portray "everyman". And honestly, I see why he waited for Christian Bale to come around to making this film; nobody could have pulled off Russell Baze the way that Bale does -- with his quiet desperation, his eyes telling you everything that is churning in his gut, the weariness settled into his body making him sometimes appear aged beyond his years. Where Bale brings a quietness to Russell, Casey Affleck brings the loud emotive bursts and the scrappiness of his youth to Rodney Baze, and the two work wonderfully in balancing the "brotherhood" aspect of the film. While I fault Cooper for failing to tell us more of the relationship between the two, I feel that both actors worked hard to bring the familial bond to the forefront of the story.

There are several aspects to the storytelling that are to be admired. For one, the juxtaposition between Russell out hunting while his brother is being driven to what could potentially be his death match -- a "hunt" of his own -- was brilliant in its pacing. The same can be said for the scene where we assume the "bad" guy (Woody Harrelson taking a terrifying turn as the film's antagonist) is going to finally be caught by the law enforcement swarming his home. And finally, the bridge scene between Russell and Lena (Baze's girlfriend played admiringly well by Zoe Saldana) is one that gives a heart to a film that is otherwise dark and depressing. It's because of moments like these that I was able to overlook the film's obvious flaws. There is patchy storytelling (blame the script writers), but the actors all grab hold of the material they've been given and work well with it despite its shortcomings. What I ultimately applaud Out of the Furnace for is the fact that these characters could still represent many people in this country and throughout the world. How far would we ALL go, trying so hard to be "good" day in and day out, waiting for a break, trying to earn the extra dollar...before we got tired of the rest of the world getting ahead without us, and we take matters into our own hands?

Out of the Furnace poses this thought-provoking question and lets the viewer see how you can go down either path. Everyone wants to say that they'd still stay on the straight and narrow, but until you can put yourselves into the shows of these characters, you just truly never know. Ask yourself what you would do if Rodney Baze was YOUR brother? How far would you go for family -- for a family member who had put his own life on the line for this country? How far would you go in a town where everything else had shut down around you? Cooper doesn't give us the best film of the year with Out of the Furnace, but he and this cast give you plenty to think about long after the credits roll.