Whitney Houston: I Wanna Dance with Somebody

Let's start with the most important fact: Naomi Ackie kills it as Whitney Houston in "I Wanna Dance with Somebody." When her casting was announced, some were put off by their lack of close physical resemblance. No matter: Ackie handily disappears into the role. She is particularly expert in capturing the cadence of Whitney's speech, conveying her fiercely independent personality in all its charisma and occasional prickliness.

This is a movie that puts Whitney's career front and center, with a special emphasis on her relationship with Arista records founder Clive Davis. Stanley Tucci makes for an impressively spot-on Davis, although perhaps his portrayal is a bit too reverent. The scene where he confronted her over her spiraling drug addiction was tough to watch. I appreciated the lack of cheap psychological gimmicks to explain away her troubles.

Whitney's important, long-lasting lesbian relationship with creative director Robyn Crawford is finally given its fair shake here. Crawford is a deeply fascinating figure in her own right, and their scenes together pop. Apparently, Crawford has written a book on her experiences and I'm very curious to check it out.

The musical highlight is the near superhuman medley of "I Loves You Porgy", "And I Am Telling You I'm Not Going" and "I Have Nothing" from the 1994 American Music Awards. Whitney's original voice is thankfully used for the singing parts, as if any other choice was possible for the greatest vocalist of the 20th century!

Music biopics do seem to bring out a special kind of snobbery and faux-cleverness from critics at times. Were you really not expecting to see Whitney singing in church or signing her first record deal? These are the facts of her life! They are told beautifully and compellingly here.

For those of us who grew up listening to Whitney Houston as her story was splashed across the news and into our lives as it happened, there is nothing new here. We would have been better served if the filmmakers just did a documentary with the real Whitney Houston spliced into it here and there, as I didn't find the actress believable in the role. She may have studied her mannerisms etc. But it didn't work. Whitney was a very good looking woman, who could sing, she had style (or her stylist had) but she carried it off. Usually with Biopics you forget that its an actor playing a part but this didn't happen and it was distracting. Save yourself the time and just watch the real Whitney in a few videos on YouTube.

Whitney Houston was truly the voice of her generation and one of the greatest voices of all time. I have been a fan of Whitney Houston my whole life. It is always hard to do a biopic and sum up someone's life in a single film. But the film does justice to Whitney's life and career. Naomi Ackie is the embodiment of Whitney and gives a great performance. No one could ever replicate Whitney's voice but Naomi certainly looks the part. She deserved an Oscar nod, it is shocking she did not get nominated.

The film did not shy away from the struggles Whitney faced in her life. Drugs were always in the picture, it is for a number of celebrities. But Whitney sadly got involved with very bad company. Bobby Brown spelt the downfall of this hugely talented songbird. If only she stayed away from that talentless waste of space she might have been alive and going strong. It is absolutely tragic to see the fate Whitney suffered. Like so many celebrities before her she became a prisoner of her own fame and indulged in substances that were too easy to obtain.

This film is underrated and deserves more credit. Overall a decent film and homage to this beautiful legend (Nippy) who has left us with timeless music that is in a league of its own.

If you can overlook the fact that she looks nothing like Whitney Houston, Naomi Ackie manages the impressive task of channeling the icon in a manner that feels both authentic and respectful. My problem with this overlong 2022 biopic is the Wikipedia-level approach that director Kasi Lemmons and screenwriter Anthony McCarten took in telling Houston's story with one familiar scene or performance moving to the next with little sense of dramatic transition. It comes as no surprise that McCarten wrote the similarly elliptical "Bohemian Rhapsody". Some moments (like the "How Will I Know?" video and the national anthem at the Super Bowl) were captured faithfully and with conviction by Ackie who lip-syncs to Houston quite effectively. Other moments felt like they belonged on Lifetime with honest revelations few and far between.

"I will always love you."

No matter that the bio of Whitney Houston: I Wanna Dance with Somebody is riddled with pop-singer-tragic-bout with drugs, leading to her death because she remains the highest grossing singer of all time, not bad when you consider she keeps the fame fellowship with Barbra, Aretha, and Judy.

From Gospel to R & B, the Jersey-girl Whitney gradually becomes known as "The Voice." Therein lies a potential rub in the picture as the glamorous Naomi Ackie, an acceptable singer but apparently qualified to lip-synch only to Houston's transcendent voice. Knowing this before I entered the theater, I was won over within minutes: Ackie's lip-synching is flawless, the best I have ever seen. Houston's cool modulation and momentous key changes are here in reality.

I fretted not, for I accepted Ackie as Whitney, looks and voice, in a stunning interpretation of the pop princess turned queen. In a veritable flash of a moment after being discovered at Sweetwater's, she is shepherded by the estimable Arista Records president Clive Davis (Stanley Tucci in his most urbane role ever) through her career, respectful as he was about what she liked to sing, and uncanny in offering her songs that catapulted her to fame.

When Davis introduces her on The Merv Griffin Show, she stops hearts with "Home" from The Wiz and allows director Kasi Lemmons to set up the operative heart-breaking motif of her longing for a home life that Bobby Brown (Ashton Sanders-remember him from Moonlight?) will never give her.

Whitney's character arc is well known from "America's Sweetheart" (an appellation she hated) to drug-addled has-been, not unlike Winehouse and Spears. (Her unconventional love with Robyn Crawford (Nafessa Williams) brought her misery as well). Because so many singers, male and female, fell under the sway of narcotics, it's possible this biopic has been undersubscribed because of the almost cliched story line.

In addition, Whitney Houston: I Wanna Dance with Somebody downplays the abusive role Bobby Brown, probably because of his attorneys threatening lawsuits. Although I am uncomfortable with graphic violence on the screen, some of it would have given an authentic edge to her troubled story. As would have scenes depicting her actual encounter with drugs.

This Whitney biopic may soften the effects of her addictions, but it never fails in featuring and interpreting the music that brought wealth and fame. Kudos to Naomi. Not so to the drug overdose that led to her drowning.

Take heart, this story lingers frequently on full songs in her real voice. It can't get better than that.