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Sigue la vida imaginaria de la rebelde e incomprendida Emily, famosísima autora que falleció a los 30 años, su admiración a Branwell, su hermano, la relación con sus hermanas Charlotte y Ann... Leer todoSigue la vida imaginaria de la rebelde e incomprendida Emily, famosísima autora que falleció a los 30 años, su admiración a Branwell, su hermano, la relación con sus hermanas Charlotte y Anne y su mal logrado primer amor.Sigue la vida imaginaria de la rebelde e incomprendida Emily, famosísima autora que falleció a los 30 años, su admiración a Branwell, su hermano, la relación con sus hermanas Charlotte y Anne y su mal logrado primer amor.
- Dirección
- Guión
- Reparto principal
- Premios
- 5 premios y 11 nominaciones en total
Reseñas destacadas
This is is well-directed and well acted with beautiful photography. It is loosely based on Emily Bronte's life and depicts events which are mirrored in Wuthering Heights. It is not hard to find factual errors eg.it was Anne who had the relationship with William Weightman, but if you just treat as a story in its own right, it is a great piece of film-making. I was reminded that the films: Becoming Jane and Shakespeare in Love, were also about famous authors used failed romances as the impetus to write. I noticed that the first edition of her book had her own name inside the cover. Like her sisters she wrote under a pseudonym: Ellis Bell.
Emma Mackey is really quite strong in this imagining of the life (and love) of "Wuthering Heights" author Emily Brontë. Portrayed as a rather shy and reluctant woman, she lives in the shadow of her successful teacher sister Charlotte (Alexandra Dowling) with her somewhat wayward brother Bramwell (Fionn Whitehead) under their outwardly imperious father Patrick (Adrian Dunbar). Remember this is set at a time when women were little more than chattels, and her father hoped that she would follow her sister into one of the few professions readily available to ladies of the day. The arrival of curate "Weightman" (Oliver Jackson-Cohen) causes many an heart to flutter and after a rocky start, the two begin to bond... This is a great looking film, shot at the original West Yorkshire home of the Brontë family and together with the almost biblical amounts of thunder and rain, the whole setting is effective in delivering a sense of just how this family lived their life in rural 19th century England. The cast work well together, there is an increasingly engaging - if somewhat bamboozling towards the end - chemistry between Mackey and OJC and there is a sparing degree of dialogue. The story is very much of the woman, and not so much of her writing, and it develops using a potent combination of the powerful score, bleak scenery, some humour - usually deriving from the antics of Bramwell - and from our own imagination, to make this so very different from many similar style period bio-dramas. I didn't think that pace was a problem, but it is a slow burn. The establishment of the characters takes it's time, so don't expect it to hit the grass running. That said, though, I found it a thoughtful and characterful depiction that smacks well of plausibility, love and of mortality, too.
Emily is a great period drama that announces writer/director Frances O'Connor as someone with clear talent and one to watch and further proves lead actress Emma Mackey's burgeoning stardom with a story that's funny, tragic and full of natural beauty.
Emma Mackey gives a true tour de force performance, earnestly portraying Emily's shy nature and vivid imagination whilst also having an infectious rapport with Fionn Whitehead (great) and some truly fiery chemistry with Oliver Jackson-Cohen (also great).
Frances O'Connor's direction is excellent, utilising handheld camera work to great effect with some very stylish framing but it does overuse cutting to black. The music by Abel Korzeniowski is amazing, beautifully balancing moments of whimsy with a more classical score.
Emma Mackey gives a true tour de force performance, earnestly portraying Emily's shy nature and vivid imagination whilst also having an infectious rapport with Fionn Whitehead (great) and some truly fiery chemistry with Oliver Jackson-Cohen (also great).
Frances O'Connor's direction is excellent, utilising handheld camera work to great effect with some very stylish framing but it does overuse cutting to black. The music by Abel Korzeniowski is amazing, beautifully balancing moments of whimsy with a more classical score.
What a wicked, wicked film this is and the depths to which non-academics misunderstand Wuthering Heights reeks throughout this lush and engaging period drama.
Emily Bronte never had an affair, she never married, and she is quoted in an earlier biopic from 1979 in her preference for friendship over the fleeting illusion of romance, in her preference for holly over wild dog's roses.
Wuthering Heights is many things but it has never been a silly romance novel. The first thirty pages or so are hilarious pitch black comedy, making a mockery of middle class manners in the rudeness and brutal company of "the inmates of Wuthering Heights."
As the story of Heathcliff and Cathy unfolds, it becomes readily apparent that Heathcliff is a full blown sociopath and Cathy is criticized for throwing her life away on him. The last 200 pages of the book feature a psychopathically evil Heathcliff, a dead Cathy, and a rather obvious derision of their unholy union in favor of other characters like Nelly Dean and Cathy's daughter Catherine.
Someone who doesn't have the background in literature to understand the novel should definitely not be making a movie about Emily Bronte's life, but it's a fun film if you can get over the horror of the blatant lies.
Emily Bronte never had an affair, she never married, and she is quoted in an earlier biopic from 1979 in her preference for friendship over the fleeting illusion of romance, in her preference for holly over wild dog's roses.
Wuthering Heights is many things but it has never been a silly romance novel. The first thirty pages or so are hilarious pitch black comedy, making a mockery of middle class manners in the rudeness and brutal company of "the inmates of Wuthering Heights."
As the story of Heathcliff and Cathy unfolds, it becomes readily apparent that Heathcliff is a full blown sociopath and Cathy is criticized for throwing her life away on him. The last 200 pages of the book feature a psychopathically evil Heathcliff, a dead Cathy, and a rather obvious derision of their unholy union in favor of other characters like Nelly Dean and Cathy's daughter Catherine.
Someone who doesn't have the background in literature to understand the novel should definitely not be making a movie about Emily Bronte's life, but it's a fun film if you can get over the horror of the blatant lies.
"Emily", the debut directorial effort of English-Australian actor, Frances O'Connor, is focused on Emily Bronte from the late teens to the finishing of her only novel "Wuthering Heights". She was the middle of the three remarkable young ladies who made a mark on English literature in the mid 18th century. The movie is worth seeing for the trip back to the time and place, aided by the authentic Yorkshire setting and the excellent cinematography by Nanu Segal. Acting was generally good and Frances shows potential as a director. I felt it could have been a bit shorter and tighter. Music was pleasant and unobtrusive apart from a couple of times it built up to a portentous rumble
--and nothing happened.
Emma Mackey looked the part as the introverted but then wilful and free spirited Emily, the 'smouldering' nearing 11. Fionn Whitehead was fine as the wayward artist brother Branwell who was expected to be the shining light. The 'close' relationship between brother and Emily may be largely fiction as was the romance between Emily and the curate. There apparently was some sibling rivalry as suggested in the film, but that is endemic where there are siblings. And Charlotte did value Emily's work.
Despite the liberties with the story, I gained some feeling of the place and time, and more admiration for the achievements of those three young ladies in their brief allotted time. I shall re-read "Wuthering Heights".
Recapping the Brontes; There were 5 progeny. The 2 eldest girls died as children, probably from Tb and possibly helped by the privations of a dodgy 'charity school' for parsons' children. The famous trio were- Charlotte, 1816-1855, -"Jane Eyre"- died at 39.
Emily -"Wuthering Heights"-1818-1848, 30, Tb.
Anne -"Tenant of Wildfell Hall"- 1820-1849, 29, Tb.
One son, Patrick Branwell 1817-1855, 31, Tb.
Their mother died young. They were raised by the widowed parson father and an aunt.
Emma Mackey looked the part as the introverted but then wilful and free spirited Emily, the 'smouldering' nearing 11. Fionn Whitehead was fine as the wayward artist brother Branwell who was expected to be the shining light. The 'close' relationship between brother and Emily may be largely fiction as was the romance between Emily and the curate. There apparently was some sibling rivalry as suggested in the film, but that is endemic where there are siblings. And Charlotte did value Emily's work.
Despite the liberties with the story, I gained some feeling of the place and time, and more admiration for the achievements of those three young ladies in their brief allotted time. I shall re-read "Wuthering Heights".
Recapping the Brontes; There were 5 progeny. The 2 eldest girls died as children, probably from Tb and possibly helped by the privations of a dodgy 'charity school' for parsons' children. The famous trio were- Charlotte, 1816-1855, -"Jane Eyre"- died at 39.
Emily -"Wuthering Heights"-1818-1848, 30, Tb.
Anne -"Tenant of Wildfell Hall"- 1820-1849, 29, Tb.
One son, Patrick Branwell 1817-1855, 31, Tb.
Their mother died young. They were raised by the widowed parson father and an aunt.
¿Sabías que...?
- CuriosidadesActress Frances O'Connor's feature-film directorial debut.
- PifiasA first edition of "Wuthering Heights" is shown as being attributed to Emily Brontë. It was originally published under the pen name Ellis Bell and only appeared under her real name after her death.
- Citas
Emily Brontë: I do wonder though... how does God squeeze himself into all that rain? Won't he get wet?
- Banda sonoraNocturne No. 2 in C Minor, H. 25
Written by John Field
Performed by Elizabeth Joy Roe
Courtesy of Decca Music Group Ltd
Under licence from Universal Music Operations Limited
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Detalles
Taquilla
- Presupuesto
- 6.000.000 GBP (estimación)
- Recaudación en Estados Unidos y Canadá
- 1.097.067 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 40.287 US$
- 19 feb 2023
- Recaudación en todo el mundo
- 4.304.588 US$
- Duración
- 2h 10min(130 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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