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Sigue la vida imaginaria de la rebelde e incomprendida Emily, famosísima autora que falleció a los 30 años, su admiración a Branwell, su hermano, la relación con sus hermanas Charlotte y Ann... Leer todoSigue la vida imaginaria de la rebelde e incomprendida Emily, famosísima autora que falleció a los 30 años, su admiración a Branwell, su hermano, la relación con sus hermanas Charlotte y Anne y su mal logrado primer amor.Sigue la vida imaginaria de la rebelde e incomprendida Emily, famosísima autora que falleció a los 30 años, su admiración a Branwell, su hermano, la relación con sus hermanas Charlotte y Anne y su mal logrado primer amor.
- Dirección
- Guión
- Reparto principal
- Premios
- 5 premios y 11 nominaciones en total
Reseñas destacadas
Emma Mackey gives a strong performance as the central character in this drama; she is charismatic and beguiling, an emotional display (though at times this does stray into the histrionic). Whilst the director's intention is to provide a portrayal of the character and inspiration behind Emily Bronte, rather than a straight biopic, the amount of artistic licence used does undermine the credibility of the story. It is implied that the failed romance between Emily and the local curate provided the inspiration for Wuthering Heights, yet this romance did not happen; the characters in the story do not question the idea that the girls might want to become published writers - but society's prejudice at the time meant that they (and Mary-Anne Evans - George Eliot), all had to publish under male pseudonyms. Charlotte is portrayed as a prissy school ma'am - it's hard to imagine this person writing a classic like Jane Eyre. Ann, also a published novelist, is virtually written out of the story. It's a visually attractive film, but unconvincing, and ultimately, rather disappointing.
Emily is a real shame as it is a film that had some great promise but failed to engage me.
This is largely because I felt like I was never actually let behind the curtain, and was kept at a frustrating distance from the characters. I never got under the skin of Emily, or any of the Bronte's really, and left the film with far more questions than answers. For a biopic, even a highly embellished one, this is unforgivable.
Given what the film was trying to achieve and the angle it took, I was surprised by how little emotion was stirred in me. I wanted to feel more watching this film but just never felt like I was part of it.
This lack of connection and emotion wasn't helped by the fact that the colour palette (whilst appropriate) was very bleak, the runtime was quite unforgiving, and the acting was rarely noteworthy.
Unfortunately all this adds up to create an unremarkable film about a remarkable woman. Which in itself is an impressive feat I suppose.
This is largely because I felt like I was never actually let behind the curtain, and was kept at a frustrating distance from the characters. I never got under the skin of Emily, or any of the Bronte's really, and left the film with far more questions than answers. For a biopic, even a highly embellished one, this is unforgivable.
Given what the film was trying to achieve and the angle it took, I was surprised by how little emotion was stirred in me. I wanted to feel more watching this film but just never felt like I was part of it.
This lack of connection and emotion wasn't helped by the fact that the colour palette (whilst appropriate) was very bleak, the runtime was quite unforgiving, and the acting was rarely noteworthy.
Unfortunately all this adds up to create an unremarkable film about a remarkable woman. Which in itself is an impressive feat I suppose.
Emily is a great period drama that announces writer/director Frances O'Connor as someone with clear talent and one to watch and further proves lead actress Emma Mackey's burgeoning stardom with a story that's funny, tragic and full of natural beauty.
Emma Mackey gives a true tour de force performance, earnestly portraying Emily's shy nature and vivid imagination whilst also having an infectious rapport with Fionn Whitehead (great) and some truly fiery chemistry with Oliver Jackson-Cohen (also great).
Frances O'Connor's direction is excellent, utilising handheld camera work to great effect with some very stylish framing but it does overuse cutting to black. The music by Abel Korzeniowski is amazing, beautifully balancing moments of whimsy with a more classical score.
Emma Mackey gives a true tour de force performance, earnestly portraying Emily's shy nature and vivid imagination whilst also having an infectious rapport with Fionn Whitehead (great) and some truly fiery chemistry with Oliver Jackson-Cohen (also great).
Frances O'Connor's direction is excellent, utilising handheld camera work to great effect with some very stylish framing but it does overuse cutting to black. The music by Abel Korzeniowski is amazing, beautifully balancing moments of whimsy with a more classical score.
Frances is a decent actress ..and technically she is semi decent director so far..but as a creator of art..she is far from it
we had many of those ( reimagining of famous authors lives ) in which these authors were seen through their works and made part of it.. the results were absurd always from ( shakespeare in love ) to ( becoming jane )..till this one.. these fictional works suggest a writer can not write anything not autobiographical ..that there is no such thing as imagination ! Or simply these authors lives were so boring unless we spice it up by a spicy love affair...that has no source in real life
actually the handsome curate in question has never been linked to this bronte AT ALL in any source.. rather it was the other tow who were allegedly connected to him ( as he was alleged to have been interested in anne in a platonic sort of way ) but alas .. all of this is so boring for todays public and creators.. so we make emily bronte something of a DH lawrence INSTEAD
I cant wait for tolstoy biography inspired by anna karenina ..next.
First. The things I liked:
the music
the costumes
the fact that it was filmed in Haworth and roundabouts
it's beautifully shot.
However, it veered so far away from anything known about about Emily's character or known facts about the Brontes as to be hilarious!
Snogging your employer's wife in church in Victorian Yorkshire? I don't think so!
Some events and even names lifted straight from Wuthering Heights and presented as real life.
The extremely reserved Emily transformed into a raving hysterical nutter with attachment issues.
Emily and Wuthering Heightskerp inspiring film makers, but anything that does do either justice remains sadly elusive.
However, it veered so far away from anything known about about Emily's character or known facts about the Brontes as to be hilarious!
Snogging your employer's wife in church in Victorian Yorkshire? I don't think so!
Some events and even names lifted straight from Wuthering Heights and presented as real life.
The extremely reserved Emily transformed into a raving hysterical nutter with attachment issues.
Emily and Wuthering Heightskerp inspiring film makers, but anything that does do either justice remains sadly elusive.
¿Sabías que...?
- CuriosidadesActress Frances O'Connor's feature-film directorial debut.
- PifiasA first edition of "Wuthering Heights" is shown as being attributed to Emily Brontë. It was originally published under the pen name Ellis Bell and only appeared under her real name after her death.
- Citas
Emily Brontë: I do wonder though... how does God squeeze himself into all that rain? Won't he get wet?
- Banda sonoraNocturne No. 2 in C Minor, H. 25
Written by John Field
Performed by Elizabeth Joy Roe
Courtesy of Decca Music Group Ltd
Under licence from Universal Music Operations Limited
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Detalles
Taquilla
- Presupuesto
- 6.000.000 GBP (estimación)
- Recaudación en Estados Unidos y Canadá
- 1.097.067 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 40.287 US$
- 19 feb 2023
- Recaudación en todo el mundo
- 4.304.588 US$
- Duración2 horas 10 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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