PUNTUACIÓN EN IMDb
4,8/10
1,9 mil
TU PUNTUACIÓN
Grey es una cantante de indie que está teniendo visiones en las que es un lobo. Cuando recibe una invitación para trabajar con el reconocido productor musical Vaughn Daniels en su remoto est... Leer todoGrey es una cantante de indie que está teniendo visiones en las que es un lobo. Cuando recibe una invitación para trabajar con el reconocido productor musical Vaughn Daniels en su remoto estudio en el bosque, empieza a descubrirse.Grey es una cantante de indie que está teniendo visiones en las que es un lobo. Cuando recibe una invitación para trabajar con el reconocido productor musical Vaughn Daniels en su remoto estudio en el bosque, empieza a descubrirse.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 4 nominaciones en total
Hans Grossmann
- Fashion Photography Crew
- (as Hans Grossman)
Reseñas destacadas
I can smell something from you. Something primal.
Not sure how I found out about this movie, but it seemed promising with a high Rotten Tomatoes percent and critics saying that there's a lot of gore. And boy if that wasn't a big lie.
For an hour and 24 minutes runtime, this sure felt long. However, this slow pace made sense considering what the movie was aiming for. Some parts crept me out a bit, but the whole time I was hoping that this would lead to a crazy, bloody, and gory ending.
Sadly I didn't get that. Clearly this was a low-budget movie. Most of the gores were quickly edited and only the blood on the character's face was shown. Honestly if there's more dedication to the gore and designs, this movie could have been entertaining.
The acting was quite bad, especially from the actor that played the painter girlfriend. I did not buy her reactions at all. Also, one scene was incredibly cringe between her and the main character.
Overall, I was very disappointed with the boring ending and lack of real gore. 5/10.
Not sure how I found out about this movie, but it seemed promising with a high Rotten Tomatoes percent and critics saying that there's a lot of gore. And boy if that wasn't a big lie.
For an hour and 24 minutes runtime, this sure felt long. However, this slow pace made sense considering what the movie was aiming for. Some parts crept me out a bit, but the whole time I was hoping that this would lead to a crazy, bloody, and gory ending.
Sadly I didn't get that. Clearly this was a low-budget movie. Most of the gores were quickly edited and only the blood on the character's face was shown. Honestly if there's more dedication to the gore and designs, this movie could have been entertaining.
The acting was quite bad, especially from the actor that played the painter girlfriend. I did not buy her reactions at all. Also, one scene was incredibly cringe between her and the main character.
Overall, I was very disappointed with the boring ending and lack of real gore. 5/10.
It's most definitely not the best either, but it was watchable, at least for me. Was it good enough to go out and buy? No. However not many movies are these days especially when it comes to most in the horror genre for me. Once I have seen them thats usually it. There are some that I watch once every decade or so but not many. This one falls into the category of being worth watching once, especially if its free, but not worth going out and buying. The graphics are decent, not all cartoonish or anything. I would class it as one of the better done made for TV type movies. There wasn't much action (kind of hard with most of the movie being a cast of 4, only 3 of which have much screen time and only 7 people total in the cast) and it was slow till the end but the acting was decent, so, between those observations I can't really say the movie was terrible, just not impressive. I may be a bit prejudiced as a fan of Greg Bryk, I loved him in Bitten and in Frontier. He is really good at the odd character types. It was a different take on a werewolf movie, but not scary at all unfortunately, and average in the forgettable kind of way most movies like this are. However, I still feel like it was good enough to merrit 5 stars. For me 5 out of 10 would be average, not terrible but not great. Would I recommend giving it a shot? ... That mostly depends on the person. If they are just looking for something to pass the time and have nothing better to watch, are not looking for a diamond in the rough or nail biting suspense then maybe give it a try if they can see it for free. It kept my attention well enough even though it didn't have me holding my breath.
The cast has no quality, and ideas are very few. This movie of Canadian art-origin has no chance to frighten and has no suspense. Absolute lack of talent and all her songs are extremely poor.
...although I do appreciate the craftsmanship involved. That, along with Greg Bryk's strong screen presence -which seems to be an involuntary, natural aura that he projects even when his part asks for the kind of overly subdued performance that leaves little room for entertaining theatrics- and Michael Ironside's small part are the sole reasons why I'm giving this a three stars rating instead of the bare minimum that the site allows and my guts were stubbornly insisting on leaving.
Pedestrian, boring and unimaginative direction not only hampers an equally pedestrian, boring and unimaginative script but also exacerbates its flaws: soulless main characters, the most egregious one for starters, who engage in melodramatic and humorless conversations -peppered with an annoying over abundance of tired 'in-show-biz-dog-eats-dog' cliches-, that get increasingly redundant as the movie goes on and its overstretched plot runs out of wind. Meanwhile, a couple of criminally underdeveloped supporting characters meander around aimlessly looking for a purpose that the writers actively deny, which renders their predicament during the third, final act pointless to the emotionally detached viewer.
There's also, as I just mentioned, this dull and tired metaphor about the ruthlessness of entertaining industries running under this trainwreck's rails, but the less said about it the better; except, maybe, for the fact that everything this movie tried to tell, or imply, was better told and successfully implied almost three decades ago in Mike Nichols' vastly underrated "Wolf". A movie, by the way, from which this inferior copycat not only borrows most of its subtext but also dares to steal entire scenes, almost shot-by-shot, without understanding how and why those scenes worked perfectly in harmony with a coherent story, well-paced plot development and fully fleshed characters, both main AND secondary ones. In fact, it's better to enjoy your well-deserved leisure time revisiting -or experiencing for the first time, if you happen to be that lucky- Nichols' "Wolf" than wasting it on this self-important, derivative succedaneous. Don't make the same mistake I did and avoid it as much as you can.
Pedestrian, boring and unimaginative direction not only hampers an equally pedestrian, boring and unimaginative script but also exacerbates its flaws: soulless main characters, the most egregious one for starters, who engage in melodramatic and humorless conversations -peppered with an annoying over abundance of tired 'in-show-biz-dog-eats-dog' cliches-, that get increasingly redundant as the movie goes on and its overstretched plot runs out of wind. Meanwhile, a couple of criminally underdeveloped supporting characters meander around aimlessly looking for a purpose that the writers actively deny, which renders their predicament during the third, final act pointless to the emotionally detached viewer.
There's also, as I just mentioned, this dull and tired metaphor about the ruthlessness of entertaining industries running under this trainwreck's rails, but the less said about it the better; except, maybe, for the fact that everything this movie tried to tell, or imply, was better told and successfully implied almost three decades ago in Mike Nichols' vastly underrated "Wolf". A movie, by the way, from which this inferior copycat not only borrows most of its subtext but also dares to steal entire scenes, almost shot-by-shot, without understanding how and why those scenes worked perfectly in harmony with a coherent story, well-paced plot development and fully fleshed characters, both main AND secondary ones. In fact, it's better to enjoy your well-deserved leisure time revisiting -or experiencing for the first time, if you happen to be that lucky- Nichols' "Wolf" than wasting it on this self-important, derivative succedaneous. Don't make the same mistake I did and avoid it as much as you can.
2/10.
From the beginning of the plot, nothing new has happened from what is written in the description of the film, so it is monotonous and without plot. It is quite predictable and we wait all the time for something to happen but nothing. Also, they could at least find someone who sings better because this was scary to listen to. It's not horror.
From the beginning of the plot, nothing new has happened from what is written in the description of the film, so it is monotonous and without plot. It is quite predictable and we wait all the time for something to happen but nothing. Also, they could at least find someone who sings better because this was scary to listen to. It's not horror.
¿Sabías que...?
- CuriosidadesA hitchhiker shown in the movie is holding up a sign to "East Proctor". This also the fictional name of the village with The Slaughtered Lamb pub at the start of An American Werewolf in London.
- Banda sonoraBloodthirsty
Written by Lowell (as Lowell Boland), Evan Bogart & Justin Gray
Tail Credit Version Performed by Lowell
Produced by Adam Weaver and Lowell (as Lowell Boland)
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- How long is Bloodthirsty?Con tecnología de Alexa
Detalles
- Duración
- 1h 24min(84 min)
- Color
- Relación de aspecto
- 2.39:1
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