Dos jovenes conspiranoicos secuestran a la CEO de una empresa multimillonaria, convencidos de que es una extraterrestre malvada que planea acabar con la raza humana.Dos jovenes conspiranoicos secuestran a la CEO de una empresa multimillonaria, convencidos de que es una extraterrestre malvada que planea acabar con la raza humana.Dos jovenes conspiranoicos secuestran a la CEO de una empresa multimillonaria, convencidos de que es una extraterrestre malvada que planea acabar con la raza humana.
- Director/a
- Guionistas
- Estrellas
- Premios
- 3 premios y 17 nominaciones en total
Momma Cherri
- Tina
- (as Charita 'Momma Cherri' Jones)
Janlyn Bales
- Andromedan
- (as Janlyn Mallis Bales)
- Director/a
- Guionistas
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
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Reseñas destacadas
A darkly funny and surreal thriller
Bugonia is a classic Yorgos Lanthimos movie as it examines the darkest parts of human nature in a characteristically darkly comedic fashion but it also offers something different when it operates as a tense thriller. It's a neatly structured film that only gets better once things properly escalate in a genuinely shocking way and it reaches a satisfying conclusion. This is another recent release which really feels of the moment.
Jesse Plemons is amazing by being fully committed to the naivety of his character which makes him equally threatening and gullible. Emma Stone is effortlessly confident and funny as she slowly begins to control the situation, continuing her winning collaboration with Yorgos in a way that shows her full potential once again. It's the constantly shifting power play between these two that keeps it so investing and unpredictable.
Director Yorgos Lanthimos delivers one of his strongest films to date where the trademark surrealism feels more appropriate thanks to the premise whilst working with some of his most consistent collaborators behind the camera. Robbie Ryan's cinematography knows how to make each scene look beautiful and surreal at the same time, complimented by Jerskin Fendrix's suitably paranoid score ensuring everything feels ominous when needed.
Jesse Plemons is amazing by being fully committed to the naivety of his character which makes him equally threatening and gullible. Emma Stone is effortlessly confident and funny as she slowly begins to control the situation, continuing her winning collaboration with Yorgos in a way that shows her full potential once again. It's the constantly shifting power play between these two that keeps it so investing and unpredictable.
Director Yorgos Lanthimos delivers one of his strongest films to date where the trademark surrealism feels more appropriate thanks to the premise whilst working with some of his most consistent collaborators behind the camera. Robbie Ryan's cinematography knows how to make each scene look beautiful and surreal at the same time, complimented by Jerskin Fendrix's suitably paranoid score ensuring everything feels ominous when needed.
A wonderfully acted cynical fable
London Film Festival review
For a moment BUGONIA is like watching "Misery" or "Funny Games" through the lens of 1950s Hollywood dystopian paranoia films. Yorgos follows the sadistic path he started in The Killing of a Sacred Deer and Kinds Of Kindness playing with Kubrick-like visuals and sounds to deliver a fairly straightforward cynical fable until it's not.
Emma and Jesse explore a violent theatricality and beautiful expressionism to great success. Both are harrowing and spectacular (this is Plemons best part ever) but are also limited by the linearity of it all. The last act reconnects Lanthimos with his subversive, unpredictable and absurd poetry but I guess Media, Politics and Truths are this year's true topics. Not surprising this film shares common grounds with Eddington.
I wanted to love it but I just really really liked it.
For a moment BUGONIA is like watching "Misery" or "Funny Games" through the lens of 1950s Hollywood dystopian paranoia films. Yorgos follows the sadistic path he started in The Killing of a Sacred Deer and Kinds Of Kindness playing with Kubrick-like visuals and sounds to deliver a fairly straightforward cynical fable until it's not.
Emma and Jesse explore a violent theatricality and beautiful expressionism to great success. Both are harrowing and spectacular (this is Plemons best part ever) but are also limited by the linearity of it all. The last act reconnects Lanthimos with his subversive, unpredictable and absurd poetry but I guess Media, Politics and Truths are this year's true topics. Not surprising this film shares common grounds with Eddington.
I wanted to love it but I just really really liked it.
BIZARRE and I LOVED IT!!!
Not for everyone, but definitely for me! To start, the acting was unbelievable from the three main characters. Emma Stone was amazing, and Jesse Plemons and the actor who plays his cousin are just outstanding. The hair and makeup were very creative - from bald on Emma, to HELP - PLEASE GET THIS MAN SOME SHAMPOO! The story was the fun part - who doesn't like twists, turns, ups, downs and inside outs??? This was just a fun movie that made me want to see it a couple more times, just like Poor Things. BRAVO!
8Ehi7
Lanthimos-stone tackles sci fi, horror, comedy and drama
This movie is a really good mix of genres in typical lanthimos styles, there's especially a lot of his sicked black humour as well as unexpected drama, horror and sci fi. Performances are all great but it's the finale that for me really elevates the movie. Funny, coherent, surprising, visually amazing.
The soundtrack was great too, looking forward to its general release to see the audience reaction.
The soundtrack was great too, looking forward to its general release to see the audience reaction.
Why Bugonia Is Lanthimos' Boldest Film in Years
Watching *Bugonia* felt strange in the best possible way. Lanthimos throws you into a world where nothing feels entirely normal - the rules are odd, people react in unpredictable ways, and yet something about all this chaos feels oddly familiar. You laugh, but there's always tension underneath it, like you're waiting for something to go wrong. The emotions hit harder than expected, even in moments that seem absurd on paper.
The story follows two conspiracy-obsessed men who kidnap Michele (played by Emma Stone), a corporate figure they believe is an alien trying to destroy Earth. It sounds ridiculous - and it is - but Lanthimos uses that absurdity to dig into paranoia, power, and the strange ways people cling to belief when faced with uncertainty.
Visually, the film looks beautiful and a bit unsettling. Shooting on 35mm gives it texture - the kind of imperfections, shadows, and lighting you don't get with digital. It makes the world feel alive, slightly out of sync, and that's exactly what this story needs. The camera work feels intentional without being flashy, every frame adding to the unease.
The tone is darkly funny but emotionally sharp. Lanthimos doesn't offer easy answers or explanations. He just builds tension through behavior - through silence, through glances, through moments that should be funny but end up being uncomfortable. Emma Stone stands out; she plays Michele with a mix of calm control and quiet menace that holds the film together.
It's one of those films that doesn't fully explain itself, and maybe that's the point. You either go along with its strange rhythm or you don't. For me, it worked - not because everything made sense, but because it felt honest in its chaos. Lanthimos doesn't tell you what to think, he just lets the madness unfold, and somehow, that's what makes it stick.
**Verdict:** 9/10 - not as tight as *The Favourite*, but easily Lanthimos's boldest and most unpredictable work since *The Lobster*.
.
The story follows two conspiracy-obsessed men who kidnap Michele (played by Emma Stone), a corporate figure they believe is an alien trying to destroy Earth. It sounds ridiculous - and it is - but Lanthimos uses that absurdity to dig into paranoia, power, and the strange ways people cling to belief when faced with uncertainty.
Visually, the film looks beautiful and a bit unsettling. Shooting on 35mm gives it texture - the kind of imperfections, shadows, and lighting you don't get with digital. It makes the world feel alive, slightly out of sync, and that's exactly what this story needs. The camera work feels intentional without being flashy, every frame adding to the unease.
The tone is darkly funny but emotionally sharp. Lanthimos doesn't offer easy answers or explanations. He just builds tension through behavior - through silence, through glances, through moments that should be funny but end up being uncomfortable. Emma Stone stands out; she plays Michele with a mix of calm control and quiet menace that holds the film together.
It's one of those films that doesn't fully explain itself, and maybe that's the point. You either go along with its strange rhythm or you don't. For me, it worked - not because everything made sense, but because it felt honest in its chaos. Lanthimos doesn't tell you what to think, he just lets the madness unfold, and somehow, that's what makes it stick.
**Verdict:** 9/10 - not as tight as *The Favourite*, but easily Lanthimos's boldest and most unpredictable work since *The Lobster*.
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The Big List of Fall Movies 2025
The Big List of Fall Movies 2025
See a full list of all the movies coming to theaters this fall.
¿Sabías que...?
- CuriosidadesAidan Delbis, who had never acted professionally before, was cast as Don after Yorgos Lanthimos decided to find a non-professional neurodivergent actor to provide a different dynamic alongside Emma Stone and Jesse Plemons.
- PifiasWhen Teddy mispronounces "shibboleth," Michelle mocks him for using poor grammar. But grammar is the set of rules for how a language is structured (e.g. order of words in a sentence, inflection of words etc.), a mispronunciation is not a grammatical error.
- Créditos adicionalesThe Focus Features, Element Pictures and CJ ENM production companies are mentioned at the start of the film in cursive font without their production logos.
- Banda sonoraGood Luck, Babe
Performed by Chappell Roan
Written by Dan Nigro (as Daniel Leonard Nigro), Chappell Roan (as Kayleigh Rose Amstutz) and Justin Tranter
Courtesy of Island Records
Under license from Universal Music Operations Limited
Published by Sony Music Publishing and Old Mine Cut Publishing pub designee (BMI)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Bugonia Bugonia
- Localizaciones del rodaje
- Sarakiniko Beach, Milos Island, Grecia(beach in the end)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 17.374.275 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 709.848 US$
- 26 oct 2025
- Recaudación en todo el mundo
- 34.800.847 US$
- Duración
- 1h 58min(118 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.50 : 1
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