Jail

It's a great movie, it deserves at least 7/10..........................

Some may call him pretentious, exploiting, sensationalist and heavily biased but that doesn't change that Bhandarkar dares to tackle themes that others would hesitate to think twice about. That said, 'Jail', sadly, offers nothing new. It's pretty much the familiar story of how a wrongfully accused man spends his years in prison. Bhandarkar could have pushed the boundary by portraying the horrors that take place within the three walls but he has opted for a safer formula this time. Moreover the background score makes the atmosphere melodramatic rather than adding anything positive. Neil Mukesh shows improvement as an actor. With a well-written role and maybe good direction, he might be a competent actor but there are a few sequences where his acting is formulaic. Manoj Bajpai is underused but he manages to outshine anyone who shares his screenspace. Arya Babbar is first rate. This actor shows great potential. Mughda Godse makes the best of her small role. The music is foot-tapping (but much of the songs aren't even needed). 'Jail' is average at best.

Madhur Bhandarkar is getting too repetitive and as a result, Jail turned out to be a drag.

Bhandarkar's banal way of storytelling has lost its appeal and originality. Consequently, Jail is boring, tediously slow, extremely clichéd (the bane of our movies) and way too predictable.

The story doesn't need an elaboration, but the situation Neil Nitish Mukesh's character finds himself in isn't one that garners sympathy. You feel sorry for him because he is falsely accused, but the cops don't know that and they gotta investigate. Only he and his roommate (who goes into a comma) know that the drugs found in his car weren't his. But it was his car; hence, he is an offender. So his having to go to prison makes sense. You don't feel the kind of sympathy for him that the director wants you to feel.

Life in prison is shown at its worst, but then being in prison is supposed to suck. What was ironic was showing inmates getting together to pray to God. OK, we have killed a few people but now please get us out of this hellhole so that we can be nice for a week and then start killing again.

Performance-wise, Neil Nitish Mukesh (all three of them ;-)) is very good. His previous films have proved that he is a good actor, and Jail vindicates that. The dude if felt sorry for was Manoj Bajapayee. It was totally sad to see him in a single-expression side role, although it's good to see that he's back in the movies at least. Mughda Godse is unglamorous for a change but doesn't get enough screen time to show her acting prowess. The other characters are the usual bunch of Bhandarkar's real-life-type actors.

Overall, you won't miss anything if you don't go for Jail.

Yesterday when I went to see this movie , I didn't expect a lot ; but what I got was a spectacular vision of the true life inside the jail. Very satisfied and much mire than my expectations. The performances by all the actors were good ; a very strong performance by Neil Nitin Mukesh. Moreover a very strong and powerful script. Jail delves into the darker side of reality , the reality what lies within the walls of a prison. Even today there are many people who have still not yet been found guilty are facing the grim reality of the life inside the prison wall; which Jail brings to light. Excellent,Transcendent and Highly Distinguished cinema. One of the top 10 movies of 2009.

With Jail, Madhur Bhandarkar continues his take on reality. This time, he looks behind the closed bars of a jail to look at the stories that reside there.

Parag Dixit (Neil Nitin Mukesh), a financial whiz- makes money by the plenty and lives life to the fullest with his air-hostess girlfriend Mansi (Mugdha Godse) in tow. Unfortunately for him, his roommate turns out to be a drug peddler and operates without his knowledge. The police catch Neil and accuse him of co-conspiring with his roommate, who lies in an ICU, in a coma.

Falling prey to the notoriously slow judicial system, Parag ends up in jail, still pending trial. How he handles this new environment, and the stories of other individuals that inhabit the world behind bars, makes up the crux of the story.

The basic premise of 'Jail' is one that can be claimed to have been lifted from a Jeffrey Archer novel, or the countless masala movies that are churned out of Bollywood every year. Where it differs is in the portrayal of the jail, forever consigned to be fairly open cells housing 1-2 prisoners, 'Jail' shows them for being what they really are. But unlike some of his earlier ventures, the exposes and the inside look ends there. There is nothing new that Madhur uncovers here: the underworld, the wrongfully-in-jail characters, the politicians holding court have all been seen before. Another problem is that the characters are too stereotypical. The good boy, the bhai's henchman, the gay couple seem out of a story and not real life. And that is where 'Jail' falters.

Madhur Bhandarkar is known for his brilliant direction that keeps us motivated to sit through potentially depressing themes and stories. While this is his least depressing venture till date, he fails to deliver the same brilliant speed and sense as always.

Neil Nitin Mukesh does a good job of portraying Parag, the man who is wrongfully incarcerated. It takes an immensely brave man to take up a role which is so challenging in nature. He's on screen for more than 90% of the screen time, going through so many different emotions, and also the much-talked about nude scene. He makes Parag believable. Kudos to Neil.

Mugdha Godse gets very less scope as Mansi, but manages to do a decent job. Manoj Bajpayee as Parag's sympathizing co-inmate is the narrator of the movie, but somehow gets only a perennially sad expression to work with. He manages to still pitch in a good performance. His performance in the flashback sequence is his high point. This has to be expected though, with the film showcasing and focusing on Neil throughout.

The music in 'Jail' is simply there to make up the numbers. Even the legendary Lata Mangeshkar's 'Daata Sun Le', though rendered as well as her songs are, could have been done without. 'Bareily ke Bazar mein' is absolutely useless placement wise and is only just bearable in terms of song quality.

Kalpesh Bhandarkar captures the jail well on screen, giving the viewer as if he's looking at a sea of humanity and brings home the gruesomeness of the jail. Nitin Desai should bag the award for the best art direction unless a Sawariya or Devdas like set comes up in the movies coming up in the next month. The jail is incredibly well etched out, right down to the wall carvings.

Final Verdict: Overall, Jail is only slightly above average. Watch it on the big screen only if you must. Wait for a TV release in my opinion.