Nuevo orden

Michel Franco's NEW ORDER assaults the viewer, and that's not completely 'out of order' for a movie about a Mexican revolution. Unfortunately, Franco mostly delivers body blows with little attention given to feed the heads of his audience.

The initial scenes of the underclass trying to overthrow the bourgeoisie (at a rich wedding, no less) have a certain kick. Sadly, Franco (who also wrote) does very little with that advantage. The wedding family is decently sketched out, but, the characters aren't used very well once the siege fully takes hold. They, like the Mexican people as a whole, become pawns in Franco's rage game.

What gives the opening at the wedding it's effectiveness is that you have come to know them as individuals (Naian Gonzalez Norvind is particularly good as the Bride), but, by the end (actually, significantly earlier), they are just part of the bloody landscape. The various 'sides' are murkily drawn. Whatever political thoughts Franco might have are negligible, if not downright cynical. There is no sign of wit, little dramatic tension and a lack of humanity. The final act should have been devastating, but instead just becomes another nasty set-piece. In a movie full of violence, abuse and torture, Franco's biggest offense is that he has nothing to say.

Despite the title and in-your-face political overtones, "New Order" doesn't really say anything much about class struggle, conflict, or wealth distribution with any specificity or insight. It just takes the ruthless divide between the haves and the have-nots in Mexico (I totally agree with criticisms that whatever it does try to say is shown from the point of view of the 1%) and uses it as a pretext to showcase expert craft in creating tension and bathing the screen in blood. I know that it seems like it has something political to say, but aside from a kind of undeveloped (and generally cheap) cynicism about the corruption of the ruling elites (kind of undermined by zero development of the oppressed), this is just a taut, expertly directed thriller that happens to be set during a fictional uprising and coup. The sights of Mexico's flag waving occasionally onscreen are part of the exploitation of political symbols for what is ultimately an entertaining, tense B-movie thriller, with stylistic flourishes of Michael Haneke. If you watch it with that in mind, you can admire its craft.

The revolution will be bathed in, uh, green. An odd choice, and one that may excite environmentalists until it becomes quite clear that "New Order" is all about class struggle, and not climate change.

In his visceral dystopian Mexico City tale, director Michel Franco pushes buttons, many, many buttons. Class discrepancy is on crystal clear display via the glamourous wedding reception opening, interrupted by a former employee's desperate plea of funds to save his dying wife. Greeted with faint empathy, some not so well-disguised contempt, and an unsatisfactory handout, he is briskly and discretely ushered off the premises. When the heart of gold princess bride to be gets a whiff of the events, she bolts the mansion to save the day. The disrupted nuptial festivities is soon the least of the elites' niggling problems, as revolutionaries storm the grounds and matters get nasty mighty quick.

Touching similar themes (and cinematic flare) as "Parasite", "New Order" captures the explosive desperation when the haves meet the have-nots on level ground. Digging deep to turn the classes upside down, the focus is on the inherent greed and situational compassion dichotomy lurking in most everyone. It is uncomfortable, disruptive, vicious, anxiety inducing, and bluntly shocking. But unlike "Parasite", there are no moments of levity. No amusing interludes. No time to digest the revolving, evolving struggle. Barely time to take a breath. Many factions are involved, taking turns ruling the day, with corruption and merciless brutality the only common threads. It is a bleak, ninety minute commentary on a world that doesn't seem too far away, creating a provocative, powerful film.

The dystopia of fiction past is unfortunately an unsettling present day proposition in many parts of the world. How it plays out is anyone's guess. Franco's is now on the big screen.

• hipCRANK.

The film is shown pretty much through the eyes of a young woman from a rich family. There is not much explanation of the situation in a country, you just see one after another events happening to the main character and build your own story out of it. The problem with this film is, you have a rich family which sort of doesn't care about anyone except the main character and you have the poor which are pretty much shown as mindless monkeys with weapons. Then there is the third side the military puppetmasters which are actually taking over the power forming a new dictatorship. So from the perspective of the creator of this film, there is just a constant struggle of who will be in power at the top and nothing can be changed about it, we are just supposed to comply or our corporate overlords will make it all even more dystopian. When in fact what is wrong with current society is that you have giant corporations and the rich totally avoiding taxes, governments maintaining inflation, so that the poor always stay poor. So when you get a film like this it's more like a message to the poor, just keep working for nothing or it will be even worse, which makes it a depressive film is it offers no ideas on the solution, it just shows a mindless wheel we are all running in...

As "New Order" (2020 release from Mexico; 86 min.) opens, there is upheaval in a hospital, as lot of wounded and dead are brought in, resulting from social protests in the streets. In a parallel story, an upper class family is getting ready for a wedding, and the guests are arriving, but the judge who will officiate the wedding is late due to the protests. Things are becoming increasingly chaotic... At this point we are 10 min. Into the film but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the latest film from Mexican writer-director Michel Franco ("After Lucia"). Here he brings a "what if" social and political tale, set in Mexico City: what if social unrest leads to a violent military coup? The film observes the chaos of it all, and also what it means for the class inequities. Beware: there are a number of very disturbing scenes including torture, rape and execution-style murders. Yet the film also is incredibly well paced and it all flies by in no time. When the end titles started rolling, I thought to myself, "holy crap, what did I just watch?".

The movie premiered at the 2020 Venice Film Festival, where it won one of the top prizes, and it wasn't long before NEON snapped up the US distribution rights. Then COVID-10 changed the world... The film finally was released this weekend, and my art-house theater here Cincinnati had it on it schedule. The Sunday early evening show where I saw this at turned out to be a private screening: I was literally the only person in the theater. (Please note that upon its release in Mexico, this film was rebuked critically by many for being "classist and racist". I must admit it never crossed my mind while watching this.) If you are in the mood for a disturbing social and political "what if" from Mexico, I'd suggest you check this out, be it in the theater (while you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.