Una actualización de la película de 1996 «Twister», que se centró en un par de cazadores de tormentas que arriesgan sus vidas en un intento de probar un sistema experimental de alerta meteor... Leer todoUna actualización de la película de 1996 «Twister», que se centró en un par de cazadores de tormentas que arriesgan sus vidas en un intento de probar un sistema experimental de alerta meteorológica.Una actualización de la película de 1996 «Twister», que se centró en un par de cazadores de tormentas que arriesgan sus vidas en un intento de probar un sistema experimental de alerta meteorológica.
- Dirección
- Guión
- Reparto principal
- Premios
- 36 nominaciones en total
Resumen
Reviewers say 'Twisters' is a mixed bag, drawing comparisons to the original 'Twister'. Praise is given for its visual effects, Glen Powell and Daisy Edgar-Jones' performances, and updated technology. However, criticisms include lack of originality, shallow plot, and underdeveloped characters. Action sequences and special effects are well-received, but the film's pacing and lead chemistry receive varied feedback. Despite its flaws, 'Twisters' is considered an entertaining, though not entirely satisfying, experience.
Reseñas destacadas
Have you noticed an epidemic of movies that don't take themselves seriously? They often involve knowing looks/winks at the camera and meta-jokes that break the fourth wall. (And maybe a Ryan Reynolds appearance.) Twisters is not that. In fact, it is the opposite of that. Twisters is a throwback to when summer blockbusters just went for it, and it is ridiculous in all the best ways. This movie builds on what made the original Twister fun, dials all of it up to 11, and makes absolutely zero apologies for it. Not coincidentally, I had an absolute blast. Everybody who walked into that theater knew what they were signing up for, and we all got it. Not only that, but these characters were way more well rounded than the original, so I understood their choices and cared more when the winds started swirling. It isn't perfect, and it certainly strains credulity throughout, but it was a thrill ride that treated its setting, characters, and audience like they deserved some respect. What's not to like about that?
PS - Powell and Edgar-Jones were absolutely tailor-made for this one.
PS - Powell and Edgar-Jones were absolutely tailor-made for this one.
I want to keep this brief because there really isn't so much to say about this film. The plot is beat to death, with the emotional and plot pivot beats being as predictable as a marvel movie. The film doesn't take itself all that seriously, which is certainly an upside considering how mediocre it is. Every now and then the humor is pretty good and Glen Powell's performance easily is the best out of the two leads. One huge shining mark for the film are the gorgeous wide shot visuals and awesome destruction and effects of the tornados. They did a great job of capturing the beauty of the American midwest.
Beisdes these things, it is an entirely predictable and forgettable film about finishing the job after a haunting tragedy. Despite how average it was, I still enjoyed the film, at least enough for a random Wednesday.
Beisdes these things, it is an entirely predictable and forgettable film about finishing the job after a haunting tragedy. Despite how average it was, I still enjoyed the film, at least enough for a random Wednesday.
Nowhere near as good as the original. Why did they feel the need to remake this? Why can't studios come up with their own new ideas instead of remaking past great movies? What has happened to Hollywood? Where has creativity gone to? It's like they fired or all the best creators quit in Hollywood. I just don't get it. Why are so many movies so horrible today? It's so sad what's been going on lately.
I would highly recommend just watching the original again instead of this mess. The visuals are OK (sometimes), but the original's effects were really good as well, and that was decades ago. The acting and story was subpar at best.
2 out of 10 - save yourself some money and watch the original instead.
I would highly recommend just watching the original again instead of this mess. The visuals are OK (sometimes), but the original's effects were really good as well, and that was decades ago. The acting and story was subpar at best.
2 out of 10 - save yourself some money and watch the original instead.
Recently saw the 90s version with the same title starring Hunt & Paxton which was an epic disaster thriller. It was better than this one in every sense be it casting, acting, emotional connect or gravity & intensity of scenes. One thing though seemed to have improved is the visual effects and why not, it's been 30 years since the previous one got released. It's the least they could have done.
Kate, a former tornado chaser is lured back to study a series of tornados expected to hit Oklahoma. Still haunted by a devastating encounter with a tornado during her college years, she crosses paths with fearless Tyler Owens, a modern day tornado chaser cum blogger and his awesome team. In 1996 version they had this alert system called Dorothy which was supposed to track the nature of the tornado. In this film they go next level to mitigate the tornado itself.
Daisy Edgar Jones looks great but disappoints with her portrayal of Kate. Her performance lacked the vigor and magnitude that Hunt's character had. Glen Powell carries the whole movie with his ever-charming role. Though this movie lacked the thrill that the other Twister had, maybe because of the better cast involved in the earlier installment, current version excels in the visual department. Those Tornados looked realistically awesome on the big screen.
Kate, a former tornado chaser is lured back to study a series of tornados expected to hit Oklahoma. Still haunted by a devastating encounter with a tornado during her college years, she crosses paths with fearless Tyler Owens, a modern day tornado chaser cum blogger and his awesome team. In 1996 version they had this alert system called Dorothy which was supposed to track the nature of the tornado. In this film they go next level to mitigate the tornado itself.
Daisy Edgar Jones looks great but disappoints with her portrayal of Kate. Her performance lacked the vigor and magnitude that Hunt's character had. Glen Powell carries the whole movie with his ever-charming role. Though this movie lacked the thrill that the other Twister had, maybe because of the better cast involved in the earlier installment, current version excels in the visual department. Those Tornados looked realistically awesome on the big screen.
Twisters is odd because it's not really a sequel to the original Twister (1996), nor is it a remake. It's its own thing. And that's kind of a good thing. This film is highly predictable, which takes away a lot of the suspense, but it still manages to present a few exciting moments. Also, I expected the visual effects to far surpass the ones from the 90s, but they honestly seem about the same. And there are far too many characters for me to care about any of them individually, except for Glen Powell, who is a whirlwind of charisma. Even with all its eye-rolling moments, I enjoyed watching Twisters.
¿Sabías que...?
- CuriosidadesJames Paxton: The son of Bill Paxton, appears during the rodeo scene as the angry hotel guest.
- PifiasIn the movie, tornadoes kept popping up and catching crowds unaware.
In Oklahoma TV stations compete aggressively to offer the best severe weather coverage. When conditions are right for potential severe each station would have at least three - if not more - teams of trained spotters deployed, a helicopter for each station, and multiple forms of advanced radar to track storms.
While there are a number of amateur, academic and even weather-tourism spotters around, the majority of spotters would be affiliated with television stations, and citizens know to be following weather reports, resulting in significant advanced notice of approaching storms.
- Créditos adicionalesThe Warner Bros and Amblin Entertainment logos have stormclouds in the background.
- Banda sonoraSalio el sol
Written by Paul Irizarry, William Rivera, and Armando Rosario
Performed by Don Omar
Courtesy of Machete Music / VI Music
Under license from Universal Music Enterprises
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- How long is Twisters?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 155.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 267.762.265 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 81.251.415 US$
- 21 jul 2024
- Recaudación en todo el mundo
- 372.262.265 US$
- Duración2 horas 2 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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