En un futuro Los Ángeles postapocalíptico, los ciudadanos deben vivir en búnkeres subterráneos para protegerse de la radiación, los mutantes y los bandidos tras la aniquilación nuclear.En un futuro Los Ángeles postapocalíptico, los ciudadanos deben vivir en búnkeres subterráneos para protegerse de la radiación, los mutantes y los bandidos tras la aniquilación nuclear.En un futuro Los Ángeles postapocalíptico, los ciudadanos deben vivir en búnkeres subterráneos para protegerse de la radiación, los mutantes y los bandidos tras la aniquilación nuclear.
- Ganó 1 premio Primetime Emmy
- 14 premios y 74 nominaciones en total
Explorar episodios
Resumen
Reviewers say 'Fallout' TV series is acclaimed for its faithful post-apocalyptic setting, dark humor, and intricate characters. The show is celebrated for its meticulous attention to detail, immersive world, and compelling performances. However, some critics note pacing problems, underdeveloped characters, and inconsistent tone. The series delves into survival, morality, and human consequences, generally regarded as a successful adaptation that respects the original material while providing new narratives.
Reseñas destacadas
10L_H-20
Exposition-minimum, doesn't spoon feed, mostly show don't tell, pieces of story from flashbacks, interactions between characters, and visually presented, create a set of clues pointing to things being not exactly what may seem to be, including what some characters want us to believe, due to bias, agenda, goals, or simply lacking information..
Characters try impossible or unlikely that by progression of the plot turns exactly that, and in some cases in character, in other for character development.
Events that happen earlier seemingly with no explanations, or seem implausible, have explanations pre-added, as shown later..
The show requires perceptiveness, similar to how Fallout games do, but still works as easy-going, entertaining and well made, while one can, instead getting distracted by what is made to both tell and distract from told, ask a number of questions, for which answers are the guidelines..
First season is very good, with some good, some excellent. Likely we will see another good and improved season, and for that case, regarding mentioned, expect "plot twists", especially seen as such by those who didn't pick up on often storytelling clues and hints..
Characters try impossible or unlikely that by progression of the plot turns exactly that, and in some cases in character, in other for character development.
Events that happen earlier seemingly with no explanations, or seem implausible, have explanations pre-added, as shown later..
The show requires perceptiveness, similar to how Fallout games do, but still works as easy-going, entertaining and well made, while one can, instead getting distracted by what is made to both tell and distract from told, ask a number of questions, for which answers are the guidelines..
First season is very good, with some good, some excellent. Likely we will see another good and improved season, and for that case, regarding mentioned, expect "plot twists", especially seen as such by those who didn't pick up on often storytelling clues and hints..
I started this show by curiousity, and it was so cool. The show start with some context of how all happened and why all the people are in vaults, but then, it start to go more dark and misterious. The way the different plotlines go connecting little by little is wonderful, and it´s so entertaining. One of the best things of the show (that also, is based on the Fallout games) is that you can enjoy it without playing the games before. The main characters (Lucy, Maximus, The Ghoul) are very solid and likeable. The best thing for me, the last two episodes. Specially the last. The way it connects all the plotlines in the show with a very shocking revelation is perfect. So,¿I recommend this show? Yes. If you like the games or want to watch a good show, this is a very good option.
As someone who approaches big franchise adaptations-especially those based on beloved video games with a healthy dose of skepticism, I was genuinely surprised by how much Fallout exceeded my expectations. Rather than falling into the trap of shallow fan service or incoherent plotting, the series delivers a story that is both tightly woven and refreshingly witty. The writing is sharp, balancing dark humor and genuine emotion, and the show isn't afraid to poke fun at the absurdities of its own post-apocalyptic world.
The cast is uniformly excellent, but Walton Goggins' performance as "The Ghoul" stands out as a career highlight. He brings a unique blend of menace, charm, and vulnerability to the role, making the character instantly iconic and, for me, an all-time favorite. Ella Purnell's Lucy and Aaron Moten's Maximus are also strong leads, each offering their own perspective on survival and morality in the Wasteland.
One of Fallout's greatest strengths is its exploration of moral ambiguity. The show doesn't shy away from the ethical gray areas that define life after the bombs fall. Instead, it leans into the complex, often conflicting motivations of its characters-survivors, opportunists, and idealists alike-creating a world where right and wrong are rarely clear-cut.
Visually, the series is a feast for fans and newcomers alike. The production design is meticulous, capturing the retro-futuristic aesthetic and grimy charm that have defined the Fallout games for decades. From the rusted-out cars to the Vault-Tec jumpsuits and Pip-Boys, every detail feels lovingly crafted. The show is packed with Easter eggs and references, but never at the expense of storytelling.
What's most impressive is how accessible Fallout is for viewers unfamiliar with the games. I first watched the show with little knowledge of the source material, and found myself completely engrossed. After diving into the games, I was even more impressed by the show's respect for the lore and its clever integration of iconic elements-like bottle caps as currency and the ever-present threat of mutated creatures.
In short, Fallout is that rare adaptation that honors its roots while standing firmly on its own. It's a must-watch for fans and a fantastic entry point for newcomers, blending sharp writing, memorable performances, and a world that's as richly detailed as it is darkly funny. If this is the future of video game adaptations, I'm all in.
The cast is uniformly excellent, but Walton Goggins' performance as "The Ghoul" stands out as a career highlight. He brings a unique blend of menace, charm, and vulnerability to the role, making the character instantly iconic and, for me, an all-time favorite. Ella Purnell's Lucy and Aaron Moten's Maximus are also strong leads, each offering their own perspective on survival and morality in the Wasteland.
One of Fallout's greatest strengths is its exploration of moral ambiguity. The show doesn't shy away from the ethical gray areas that define life after the bombs fall. Instead, it leans into the complex, often conflicting motivations of its characters-survivors, opportunists, and idealists alike-creating a world where right and wrong are rarely clear-cut.
Visually, the series is a feast for fans and newcomers alike. The production design is meticulous, capturing the retro-futuristic aesthetic and grimy charm that have defined the Fallout games for decades. From the rusted-out cars to the Vault-Tec jumpsuits and Pip-Boys, every detail feels lovingly crafted. The show is packed with Easter eggs and references, but never at the expense of storytelling.
What's most impressive is how accessible Fallout is for viewers unfamiliar with the games. I first watched the show with little knowledge of the source material, and found myself completely engrossed. After diving into the games, I was even more impressed by the show's respect for the lore and its clever integration of iconic elements-like bottle caps as currency and the ever-present threat of mutated creatures.
In short, Fallout is that rare adaptation that honors its roots while standing firmly on its own. It's a must-watch for fans and a fantastic entry point for newcomers, blending sharp writing, memorable performances, and a world that's as richly detailed as it is darkly funny. If this is the future of video game adaptations, I'm all in.
Probably the best video game adaptation so far, or definitely, and probably beyond so far. Also adapts and uses the source material in general very well.
True to Fallout games, the vibe is genuine, the feel is genuine, encompasses the essence, has the core of, and knows how to stay at the core. All combined, Fallout show is the definition of understanding the assignment.
Season 1 sets the story and puts things to motion, so the wait for ultimate resolution will be that of several seasons. In addition to that, Fallout isn't of those every-day shows, instead it's different and refreshing. Thumbs Up!
True to Fallout games, the vibe is genuine, the feel is genuine, encompasses the essence, has the core of, and knows how to stay at the core. All combined, Fallout show is the definition of understanding the assignment.
Season 1 sets the story and puts things to motion, so the wait for ultimate resolution will be that of several seasons. In addition to that, Fallout isn't of those every-day shows, instead it's different and refreshing. Thumbs Up!
Literally felt like I was on the Truman show watching my own campaign. Whenever I had a criticism of them not implementing a facet of the game I was pleasantly surprised later on. Only thing I'm confused on are the water monsters? Are they murlurks? Don't remember them in the game but maybe I just don't remember. I seriously cannot wait for season 2 and then for this franchise to become 10 times what star wars became. There is seriously not as many imperfections as there are fingers on my hand. If they continue this series of bringing the greatest games to life they might just save the theaters🤣
Renewed, Canceled, or Ending?
Renewed, Canceled, or Ending?
Check out our list of renewals and cancellations to see if your favorite show made the cut.
¿Sabías que...?
- CuriosidadesThe oversized pack the Squires carry for the Knights is a joke at the games where carrying too many items can overencumber your character.
- Créditos adicionalesEach episode, Geneva Robertson-Dworet and Graham Wagner alternate top billing as series creators. For episodes that they also wrote, the second-billed creator is the first-billed writer.
- ConexionesFeatured in Tyrone Magnus: Fallout - Teaser Trailer | Prime Video | Reaction! (2023)
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
Detalles
- Duración
- 1h(60 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta