Drama familiar basado en la próxima novela de Rumaan Alam.Drama familiar basado en la próxima novela de Rumaan Alam.Drama familiar basado en la próxima novela de Rumaan Alam.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 12 nominaciones en total
Alex Barber
- Kid Beachgoer
- (sin acreditar)
Madison Jessica Bennett
- Kid Beachgoer
- (sin acreditar)
Sebastian Deerkop
- Beach Goer
- (sin acreditar)
Resumen
Reviewers say 'Leave the World Behind' delivers a suspenseful experience with standout performances from Julia Roberts and Mahershala Ali, and striking cinematography. The film's examination of societal themes, like technology dependence and racial tensions, is highlighted, though some find these elements overly pronounced. The ending sparks debate; some commend its ambiguity and realism, while others deem it unsatisfying and abrupt. Despite varied opinions, the film's tension and atmosphere are widely appreciated, making it a compelling, thought-provoking watch.
Reseñas destacadas
Facing the apocalypse in a unique way is not an easy thing to do in movies, but director/screenwriter Sam Esmail takes Rumaan Alam's 2020 novel and turns it into an unrelenting 2023 psychological thriller that captures the current extremist political landscape and isolationist world view with sharp acuity. No one real is explicitly mentioned, but so much of the threat presented in the spiraling plot felt not only relevant but palpable. It starts with a last-minute family vacation in a Long Island mansion and the two strangers who enter their lives. Julia Roberts plays an unapologetically mistrustful woman with familiar conviction, while Ethan Hawke does what he can as her laid-back husband. As the mysterious stranger, Mahershala Ali has to play it close to the vest, while Kevin Bacon has an effective turn late in the story. I could've done without some of the contrived camera angles and predictable music cues, but overall the film got me thinking what I would do under similar circumstances.
This movie was a case of throwing some many angles against the wall to see if any of them stuck. None did! This, at first, drew me in with it's trailer. It claimed it was a thriller and I was intrigued. I've never been dissapointed from an Ethan Hawke, Julia Roberts or Kevin Bacon film performance. This movie, however, changed that! The concept, of this film, seemed interesting in an 'end of the world' way but there were so many different elements going on and none of them seemed to have any linear connection (Perhaps the chaos of the script was intended to be an enhancement of the chaos of the plot) anyhow if you're looking to be dissapointed in a movie this film is for you.
After just a few minutes, we (wife and I) were pulled into the suspense and drama of this movie. For over two hours we followed the tense, taut events with several 'whoa!!' moments.
And then it just ended. With all the effort in building up the complex, intriguing plot, I can see how a definitive ending would be difficult or impossible to create. It felt like rather than make any attempt, they just chose an abrupt, inexplicable stopping point versus an actual ending. Many plot elements were developed and left hanging.
The first two hours I'd rate this an 8 or a 9. The last 10 minutes a 2 at most.
And then it just ended. With all the effort in building up the complex, intriguing plot, I can see how a definitive ending would be difficult or impossible to create. It felt like rather than make any attempt, they just chose an abrupt, inexplicable stopping point versus an actual ending. Many plot elements were developed and left hanging.
The first two hours I'd rate this an 8 or a 9. The last 10 minutes a 2 at most.
People will cry about the ending, but the ending is the best part of the film. I won't go into details but the ending isn't the ending, it's the beginning. How people can't see that is beyond me.
The film is apocalyptic horror comedy essentially. Also a dive into what makes us human and how we judge others but in reality we're just living in our own delusion. It's very meta and most people won't get it. That's fine.
I really liked the tension, the acting, the score and the comedic break scenes (dancing, etc). The other way this film excels is how it uses exposition. They use character, dialogue and subtleties to slowly bring the plot. It's not for everyone but if you like cinema that's not made to be easily digested, you will like it. Well done! 7.3/10.
The film is apocalyptic horror comedy essentially. Also a dive into what makes us human and how we judge others but in reality we're just living in our own delusion. It's very meta and most people won't get it. That's fine.
I really liked the tension, the acting, the score and the comedic break scenes (dancing, etc). The other way this film excels is how it uses exposition. They use character, dialogue and subtleties to slowly bring the plot. It's not for everyone but if you like cinema that's not made to be easily digested, you will like it. Well done! 7.3/10.
A prophetical nightmare about the inevitable consequences of our way of living in the 21st century.
A dysfunctional family with emotionally drained bonds between them, with patterns of social arrogance, mistrust and racism in their relation to another couple, each trapped in a doom-like situation, without a point of return to normal. The way they successfully describe the evolution of a global apocalypse here is disturbing, but absolutely true. It's likely that it won't come with a Big Bang, but with a whimper, a creeping process, which no one is able to understand or control, during everything looks like normal, but under the surface, invisible, everything has already changed with fatal consequences. The occuring events are enigmatic and the uneasiness resulting from that is perfectly shown by camera movements, montage of sequences and sound design.
Nature is out of balance, natural and technical ressources come to an end, our total slavish dependance on digital gadgets makes us vulnerable, a perfect target. Ignorance won't help us out. It's devastating that many of the viewers are already unable to get the crystal clear message of this movie. They prefer to continue, ignore and entertain themselves with stupid sitcoms.
That's what the end is telling us! And that's why they don't get it.
A dysfunctional family with emotionally drained bonds between them, with patterns of social arrogance, mistrust and racism in their relation to another couple, each trapped in a doom-like situation, without a point of return to normal. The way they successfully describe the evolution of a global apocalypse here is disturbing, but absolutely true. It's likely that it won't come with a Big Bang, but with a whimper, a creeping process, which no one is able to understand or control, during everything looks like normal, but under the surface, invisible, everything has already changed with fatal consequences. The occuring events are enigmatic and the uneasiness resulting from that is perfectly shown by camera movements, montage of sequences and sound design.
Nature is out of balance, natural and technical ressources come to an end, our total slavish dependance on digital gadgets makes us vulnerable, a perfect target. Ignorance won't help us out. It's devastating that many of the viewers are already unable to get the crystal clear message of this movie. They prefer to continue, ignore and entertain themselves with stupid sitcoms.
That's what the end is telling us! And that's why they don't get it.
¿Sabías que...?
- CuriosidadesThe picture of the waves in the upper bedroom changes during the movie. The tide is rising. Same applies for the black and white picture in the living room which resembles a changing Rorschach' picture.
- PifiasAiring on the television is the outdated Emergency Broadcast System (EBS). This was an emergency warning system used in the United States from 1963 to 1997, at which point it was replaced by the Emergency Alert System (EAS) which became operational on January 1, 1997.
However, it is against FCC regulations to use the EAS and its related tones in TV and movies. NBCUniversal was fined $530,000 in 2014 for airing an Olympus Has Fallen trailer that used real EAS alerts.
Its likely the movie used the old EBS alerts to get around that issue.
- Citas
Amanda Sandford: We fuck each other over all the time, without even realizing it. We fuck every living thing on this planet over and think it'll be fine because we use paper straws and order free-range chicken. And the sick thing is, I think deep down we know we're not fooling anyone.
- Banda sonoraThe Rev3nge
Written by Joey Bada$$ (as Jo-Vaughn Virginie Scott), Powers Pleasant, Sucuki (as Tim Friedrich), Adam Pallin, and Gregor Sperzel
Performed by Joey Bada$$
Courtesy of Pro Era/Cinematic Music Group and Columbia Records
By arrangement with Sony Music Entertainment
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
- How long is Leave the World Behind?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Leave the World Behind
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración
- 2h 18min(138 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta