PUNTUACIÓN EN IMDb
4,8/10
2,3 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaTeenage twins Rachel and Theo travel to Auckland to stay with relatives after their mother suddenly dies. They find an alien environment and overhear Mr. Wilberforce talking about something ... Leer todoTeenage twins Rachel and Theo travel to Auckland to stay with relatives after their mother suddenly dies. They find an alien environment and overhear Mr. Wilberforce talking about something stirring beneath the ground - the fire-raiser.Teenage twins Rachel and Theo travel to Auckland to stay with relatives after their mother suddenly dies. They find an alien environment and overhear Mr. Wilberforce talking about something stirring beneath the ground - the fire-raiser.
- Dirección
- Guión
- Reparto principal
- Premios
- 3 premios y 5 nominaciones en total
Micheala Rooney
- Aunt Kay
- (as Michaela Rooney)
Reseñas destacadas
First, find a highly original story such as a book by Maurice Gee.
Second, get a named actor (Sam Neill would do and he's a pretty good sport). Some aspiring young amateurs will come cheaply -- and they'd probably like an excuse to get out of school. If the young ones are meant to be sympathetic characters, so much the better if they're good looking.
Third, leave out all the originality of the story, and replace it with your favourite Hollywood formula, particularly ones with truculent teenagers. Keep most of the character names or you might be accused of originality of your own. Keeping the location might be useful, but not necessarily. Maybe not a good idea to change the location to New York because too many people know what it looks like, and it would cost too much to film there.
Fourth, get some nifty special effects. Fire always makes a good spectacle.
Fifth, get some cheap hair-dye to make some of the main characters' hair red, but don't mention what red hair has to do with the story -- maintain a bit of mystery.
And there you have it.
Easy.
Second, get a named actor (Sam Neill would do and he's a pretty good sport). Some aspiring young amateurs will come cheaply -- and they'd probably like an excuse to get out of school. If the young ones are meant to be sympathetic characters, so much the better if they're good looking.
Third, leave out all the originality of the story, and replace it with your favourite Hollywood formula, particularly ones with truculent teenagers. Keep most of the character names or you might be accused of originality of your own. Keeping the location might be useful, but not necessarily. Maybe not a good idea to change the location to New York because too many people know what it looks like, and it would cost too much to film there.
Fourth, get some nifty special effects. Fire always makes a good spectacle.
Fifth, get some cheap hair-dye to make some of the main characters' hair red, but don't mention what red hair has to do with the story -- maintain a bit of mystery.
And there you have it.
Easy.
I remember reading the book and watching the TV series as a child, so when I saw this was out in the DVD stores I was excited to revisit a part of my childhood.
Unfortunately, this film compares poorly to the 80s TV series. The 80s TV series had a darkness and chill surrounding the Wilberforces that had shades of Doctor Who about it. A lot of the darkness and suspense is lost in this film. It spends a good 40-50 minutes before Rachel and Theo (and the audience) is even let in on the plot. Now this might be excused in some films, if the buildup is engaging enough, but it simply comes across as disparate events that seem to have no real bearing on the story. I felt that they felt obliged to include certain scenes because they were iconic from the TV series, yet they were divorced of all context in this film. Given the length of the film, the twins needed to meet Mr Jones earlier to bring everyone into the plot earlier and allow the suspense to build.
Overall, I would advise anyone to give this a miss and try to find the original TV series - some of the episodes are on google video.
Unfortunately, this film compares poorly to the 80s TV series. The 80s TV series had a darkness and chill surrounding the Wilberforces that had shades of Doctor Who about it. A lot of the darkness and suspense is lost in this film. It spends a good 40-50 minutes before Rachel and Theo (and the audience) is even let in on the plot. Now this might be excused in some films, if the buildup is engaging enough, but it simply comes across as disparate events that seem to have no real bearing on the story. I felt that they felt obliged to include certain scenes because they were iconic from the TV series, yet they were divorced of all context in this film. Given the length of the film, the twins needed to meet Mr Jones earlier to bring everyone into the plot earlier and allow the suspense to build.
Overall, I would advise anyone to give this a miss and try to find the original TV series - some of the episodes are on google video.
I attended the North American Premiere of "Under the Mountain" at the 2009 Toronto International Film Festival. The film is a love song to New Zealand's volcanoes. Jonathan King's fantasy tale is "Lord of the Rings" meets "Alien" -- it may be a bit scary for younger kids, though. Sam Neill does a star turn here as an aging wizard-like Fagan. Only he has the knowledge to help save the world from the evil Gargantua. But it's up to teenage twins Theo and Rachel (young newcomers Tom Cameron and Sophie McBride) to wield the power. The charming kids steal the show here and couldn't be more engaging. The multi-layered story more than held my interest -- there's plenty here for adults and youth alike. Production values are stellar with mind-boggling visual and special effects, and "Under the Mountain" boasts one of the best scores I've heard in a long time. The lush cinematography amounts to a New Zealand travelogue. The film is dazzling and puts many others of its ilk to shame. "Under the Mountain" should do well among family audiences.
I saw Under the Mountain at the cinema and recently purchased the DVD. My teenage sons loved the film as did I. New Zealand is on a roll lately and Under the Mountain shows what can be done with a load of kiwi talent and a cracker story.
Sam Neill is fantastic, as always, but what really stood out for me were the two leads. Gone are the days of stage acting in our movies, a perfectly pitched performance from all. I'm looking forward to seeing what Mr King makes next, he is clearly an incredibly talented man.
The visual effects are amazing, as expected from having WETA involved.
I recommend this movie to anyone who loves to be entertained, suitable for the entire family. The DVD has a great making of as well.
9 out of 10
Sam Neill is fantastic, as always, but what really stood out for me were the two leads. Gone are the days of stage acting in our movies, a perfectly pitched performance from all. I'm looking forward to seeing what Mr King makes next, he is clearly an incredibly talented man.
The visual effects are amazing, as expected from having WETA involved.
I recommend this movie to anyone who loves to be entertained, suitable for the entire family. The DVD has a great making of as well.
9 out of 10
Remake of the old 80s TV series isn't anywhere as creepy. The Mr Wilberforce of the original TV series cameos as an old man working in his backyard. The fact that it is movie length though, means that a lot of the less interesting scenes from the TV show have been omitted and there is more action.
¿Sabías que...?
- CuriosidadesThe elderly neighbour Mr Carpenter was played by William Johnson who played the villain Mr Wilberforce in the original 1981 TV series of the story.
- ConexionesFeatured in Making Under the Mountain (2010)
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- How long is Under the Mountain?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Sihirli volkan
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 662.879 US$
- Duración
- 1h 30min(90 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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