La vida mentirosa de los adultos

This series is spellbinding. The narrative of coming of age is been done, but not like this series. It's filled with passion, loss, betrayals and pain. Director Angelis takes you on a journey that is exacting in adult hypocrisy concerning life and the chasms of growing up. The aunt played by Valeria Golino, spectacular performance as a jaded woman who lives her life fully but with pain brings her niece played by Giordana Marengo, who by the way is the female Timothy Chalamet brings a freshness to her role as tormented teenage figuring out her loyalties. Netflix did a wonderful job on this one.

This series provides a rare opportunity to experience something real while watching Netflix.

You will find complex characters that develop, rather than resolve; moral dilemmas that are not black and white; a study on hypocrisy; theme of forgiveness/moving on/acceptance of humanity in all its flawed glory.. and all of it is set against the backdrop of grimy, sketchy Naples in the 90s - which looks pretty much opposite to the "eat-pray-love" kind of Italy.

Each episode was thought provoking for multiple reasons, and I devoured the series the way I devour cold coconut water on a hot summer day.

I docked a star for the horrendous musical score.

I watch Italian series for entertainment and to learn Italian (I watch all shows anyway in the original language with English subtitles). This series is meticulously put together, and features solid locations, great set designs, and an interesting choice of music (Italian pop hits from the 1990s, is my guess). The characters are all intriguing, and are presented for our viewing through the eyes of the main protagonist, diffident teenager Giovanna- hence the "mystery" or "alienation" about them some viewers say they could not cope with: these characters are as mysterious to Giovanna as they are to us. She is 16, curious, and she discovers, searches, experiments, and in the process hurts herself and others. But she wants a life worth living. It does not matter whether we like these characters or even Giovanna: everyone in the show feels real, and the ride is compelling (almost too short- 6 episodes only!)

When reading Elena Ferrante's books I had a feeling of shame, as I became increasingly conscious of the fact that what I was reading is bad literature well written. The same happens with this series.

Good cinematography, beautiful photography, effective soundtrack, spot on casting. And yet... It doesn't work.

The problem is the backbone of the story, the characters. Why is everyone in this so confused about everything? Like, all the time, constantly confused, tense, lost. Why? Why are the main characters doing what they do? What are their reasons? We don't know and we are not given a chance to know, to understand them at least a bit. We don't learn about them, we just see them being erratic and confused, all of them, all the time during the six episodes the season lasts. Boh.

Transferring Elena Ferrante's books onto the screen is not an easy endeavour; they are not plot driven stories, actually the plot is at times so thin to be barely perceivable. There's a lot of soul searching, introspection, her prose is harsh as sandpaper, her characters are flawed, tormented (and sometimes tormenting) people. All these - and many more - fine ingredients conjure up pretty unique and atmospheric ambiences. And, as I said, transferring this complex bundle of intangible elements into a movie is hard.

The operation has worked wonderfully once already (with The Lost Daughter, with a superb Olivia Colman) and it is working partially in The Lying Life Of The Adults. The are several remarkable things in this production: the acting is pretty good across the board and it succeeds in bring to life a gallery of strong characters. The portrayal of Naples is very realistic, never falling into clichés of caricatures. And finally, the underlying feeling of uneasiness which pervades the story is rendered very well.

On the less positive side, a good editing would have cut down significantly this production to 4 episodes max. Lastly, I thought the presence of the soundtrack was rather intrusive, it was one song after the other, and I found it detracted from the pensiveness of some situations.