PUNTUACIÓN EN IMDb
6,4/10
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TU PUNTUACIÓN
Después de convertirse en el principal sospechoso de múltiples asesinatos, Fletch se esfuerza por demostrar su inocencia mientras busca simultáneamente la colección de arte robada de su prom... Leer todoDespués de convertirse en el principal sospechoso de múltiples asesinatos, Fletch se esfuerza por demostrar su inocencia mientras busca simultáneamente la colección de arte robada de su prometida.Después de convertirse en el principal sospechoso de múltiples asesinatos, Fletch se esfuerza por demostrar su inocencia mientras busca simultáneamente la colección de arte robada de su prometida.
- Dirección
- Guión
- Reparto principal
- Premios
- 3 nominaciones en total
Reseñas destacadas
I was dead set against seeing this - not because I hold the original in such high regard. I'm indifferent to it. It was fine at the time but re-watching it a couple of years ago, it just didn't hold up for me. And with all of the great movies to re-watch over and over again (Goodfellas, Heat, anything Tarantino), why would I bother watching this? Well, to begin with: Greg Mottola. And then the cast. And I have to say, this movie didn't disappoint - as cynical as I was. It kept the spirit of Fletch, and the book, but exceeded what I thought I'd get. It's not at all a throwaway comedy - I will probably rewatch this again sooner rather than later. I could yammer on even more but what's the point - it was a good movie and worth watching. So just watch it.
I'm a huge fan of Fletch and also of Jon Hamm but this movie doesn't really work. The writers have made a grave error by making most of the supporting cast quirky weirdoes with funny dialogue but this is the wrong way round - the reason the first two movies worked is that FLETCH is that guy and most everyone else is the straight man.
Here, Fletch is just kind of sleepy as he goes from scene to scene (don't look for a plot, there isn't one) being upstaged by other characters - again, literally the opposite of what makes these movies work. Hamm does have comic timing but is just too damn handsome to believe. Re-casting the role is basically impossible but while I get that Hamm would probably have looked silly in the scruffy gear that Chase wore, he's nonetheless just too stylish.
I was interested to read that the third Fletch movie was at one time going to star Jason Lee and be directed by Kevin Smith - I'd imagine that would have been a far better - and funnier - take on the character.
Here, Fletch is just kind of sleepy as he goes from scene to scene (don't look for a plot, there isn't one) being upstaged by other characters - again, literally the opposite of what makes these movies work. Hamm does have comic timing but is just too damn handsome to believe. Re-casting the role is basically impossible but while I get that Hamm would probably have looked silly in the scruffy gear that Chase wore, he's nonetheless just too stylish.
I was interested to read that the third Fletch movie was at one time going to star Jason Lee and be directed by Kevin Smith - I'd imagine that would have been a far better - and funnier - take on the character.
I was uncertain about Jon Hamm taking over the role made famous by Chevy Chase, not sure he could pull off the funny sarcastic charm the way Chase pulled it off. But after seeing the movie I gotta say Hamm really knocked it out the park, now he is no Chevy Chase, but does play the part in his own funny way.
The film has a fun little mystery that keeps you invested. And there are other characters that Fletch joyfully plays off of. It's well directed by Greg Mottola (Superbad, Adventureland). Now is it anywhere near a classic like the original Fletch (1985), not quite. But still a fun film, that does not take itself seriously.
The film has a fun little mystery that keeps you invested. And there are other characters that Fletch joyfully plays off of. It's well directed by Greg Mottola (Superbad, Adventureland). Now is it anywhere near a classic like the original Fletch (1985), not quite. But still a fun film, that does not take itself seriously.
Sadly, and surprisingly, mediocre film. All sorts of plot gaps, weak character development, thin plotting, etc. Seems like the folks in charge couldn't decide if they were aiming for a comedy, a thriller, or a mystery and instead ended up with none of the above.
The plotline is so muddled it's hard to know who was responsible for what.
My wife and I "enjoyed" it, because who doesn't like Jon Hamm, but we couldn't recommend it to anyone else. And even Hamm is largely wasted in this role, with his ironic/humorous sense of self completely lost in the mix. It could have been a wonderful movie, a tentpole for a franchise, but instead was just a waste. They end with a set-up for a sequel and we can only hope it's better.
The plotline is so muddled it's hard to know who was responsible for what.
My wife and I "enjoyed" it, because who doesn't like Jon Hamm, but we couldn't recommend it to anyone else. And even Hamm is largely wasted in this role, with his ironic/humorous sense of self completely lost in the mix. It could have been a wonderful movie, a tentpole for a franchise, but instead was just a waste. They end with a set-up for a sequel and we can only hope it's better.
Freelance reporter Irwin "Fletch" Fletcher (Jon Hamm) is in Boston investigating stolen artwork for his friend Angela (Lorena Izzo) the daughter of an Italian count who's been kidnapped with the kidnappers demanding the artworks as ransom. Upon his arrival in Boston, Fletch discovers his townhouse rented on his behalf has been the site of a murder which detectives Monroe (Roy Wood Jr.) and Griz (Ayden Mayeri) are all too eager to believe Fletch is the perp despite him calling the police in the first place. Unphased by the possibility of taking the fall for a frame-up, Fletch travels around Boston interacting with various quirky characters and using his unconventional investigative skills to find the artwork and the true killer.
Confess, Fletch is an adaptation of the second in the Fletch series of books written by author Gregory Mcdonald that had previously been adapted with Chevy Chase with an adaptation of the first book in 1985's Fletch, and a wholly original story with Chase reprising his role in Fletch Lives in 1989. In the time since the release of Fletch Lives, there've been attempts at reinvigorating the comic mystery series with various creative teams and stars including Jason Lee, Zach Braff, and Jason Sudeikis, until eventually Mad Men star Jon Hamm landed the role with Superbad and Paul director Greg Mottola writing and directing with the two having previously collaborated on Keeping Up with the Joneses. The end resulted is a nicely entertaining piece of comic mystery fare that maintains the core appeal of the earlier incarnations while still putting its own spin on it.
Jon Hamm is really solid playing the titular Fletch and his laid back slightly sardonic attitude is captured by the pitch perfect timing of Hamm's performance and Greg Mottola's direction who keeps the gags and exchanges quick and rapid fire with the various quirky characters we meet established and utilized without letting them run rampant with line-o-rama or unstructured improvision. Actors such as Marcia Gay Harden, Kyle MacLachlan, and fellow Mad Men alum John Slattery show up to put their own stamp on these character and the exchanges are quite amusing particularly a running gag with Harden's countess where she keeps giving mixed signals as to her intentions when she invites herself to Fletch's borrowed townhouse.
Confess, Fletch is a welcome bit of light hearted escapism and the only downside is the fact that Paramount seems to not have any faith in this film dumping it as a day and date release before premiering it on Showtime later this October. In prior years this is the kind of smaller film that would've come out in late August or early September and been a modest adult skewing theatrical performer, but in this climate where theatrical audiences are more skewed towards "event" and "tentpole" releases meaning smaller films like this are relegated to streaming. Hopefully enough people discover the movie because it's a solid addition to the series. I'm not sure I like it as much as Fletch, but I definitely like it more than Fletch Lives.
Confess, Fletch is an adaptation of the second in the Fletch series of books written by author Gregory Mcdonald that had previously been adapted with Chevy Chase with an adaptation of the first book in 1985's Fletch, and a wholly original story with Chase reprising his role in Fletch Lives in 1989. In the time since the release of Fletch Lives, there've been attempts at reinvigorating the comic mystery series with various creative teams and stars including Jason Lee, Zach Braff, and Jason Sudeikis, until eventually Mad Men star Jon Hamm landed the role with Superbad and Paul director Greg Mottola writing and directing with the two having previously collaborated on Keeping Up with the Joneses. The end resulted is a nicely entertaining piece of comic mystery fare that maintains the core appeal of the earlier incarnations while still putting its own spin on it.
Jon Hamm is really solid playing the titular Fletch and his laid back slightly sardonic attitude is captured by the pitch perfect timing of Hamm's performance and Greg Mottola's direction who keeps the gags and exchanges quick and rapid fire with the various quirky characters we meet established and utilized without letting them run rampant with line-o-rama or unstructured improvision. Actors such as Marcia Gay Harden, Kyle MacLachlan, and fellow Mad Men alum John Slattery show up to put their own stamp on these character and the exchanges are quite amusing particularly a running gag with Harden's countess where she keeps giving mixed signals as to her intentions when she invites herself to Fletch's borrowed townhouse.
Confess, Fletch is a welcome bit of light hearted escapism and the only downside is the fact that Paramount seems to not have any faith in this film dumping it as a day and date release before premiering it on Showtime later this October. In prior years this is the kind of smaller film that would've come out in late August or early September and been a modest adult skewing theatrical performer, but in this climate where theatrical audiences are more skewed towards "event" and "tentpole" releases meaning smaller films like this are relegated to streaming. Hopefully enough people discover the movie because it's a solid addition to the series. I'm not sure I like it as much as Fletch, but I definitely like it more than Fletch Lives.
¿Sabías que...?
- CuriosidadesThis film is based on the book by Gregory McDonald, which is the second book in the Fletch series. Fletch, el camaleón (1985) starring Chevy Chase was based on the first book.
- PifiasWhen Fletch sneaks into the country club, there's a party with a band. The movements of the woman playing the drums does not match what's being heard.
- Créditos adicionalesFletch repeats a recurring line at the end of the closing credits.
- ConexionesReferenced in Saturday Night Live: Miles Teller/Kendrick Lamar (2022)
- Banda sonoraNessuno
Written by Edilio Capostosti, Antonietta De Simone
Performed by Mina
Courtesy of Carosello Records, Milano
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- How long is Confess, Fletch?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Confess, Fletch
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 20.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 538.842 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 266.744 US$
- 18 sept 2022
- Recaudación en todo el mundo
- 656.613 US$
- Duración
- 1h 38min(98 min)
- Color
- Relación de aspecto
- 1.85 : 1
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