PUNTUACIÓN EN IMDb
5,9/10
6,6 mil
TU PUNTUACIÓN
Una historia de amor psicosexual, ambientada en Las Vegas y París, sobre el amor, la obsesión, el sexo, la traición, la venganza y, en última instancia, la búsqueda de la redención.Una historia de amor psicosexual, ambientada en Las Vegas y París, sobre el amor, la obsesión, el sexo, la traición, la venganza y, en última instancia, la búsqueda de la redención.Una historia de amor psicosexual, ambientada en Las Vegas y París, sobre el amor, la obsesión, el sexo, la traición, la venganza y, en última instancia, la búsqueda de la redención.
- Premios
- 1 premio y 2 nominaciones en total
Amy Argyle
- Rachel
- (as Amy Lawhorn)
Reseñas destacadas
I've heard of this film but never decided to check it out. Now that I sometimes go the library (who even does this?) to rent movies I saw it and picked it up. The first intriguing thing about this film were all the very positive reviews for the director, the cast, the style and the deliver of the plot. I don't see Imogen Poots in many things but there is definitely talent there. Don't get me started on Michael Shannon. He blows you away in Take Shelter, and did a fantastic job on Boardwalk Empire. The pairing seemed a little odd at first but you soon realize how greatly they are able to complement each other.
This film is about a jealous and possessive man and a damaged and lonely girl who fall for each other and their oft volatile relationship when its being tested. Frank (Shannon) starts suspecting Lola of an affair and it starts to consume him, while Lola (Poots) tries to cover what she's doing by not being straight up with Frank. Problems ensue, and we are in for a pretty riveting time. I'm not going to praise Shannon anymore but I do have to say he is great in a inquisitive and jealous lover role. Lies are exposed and you can't help but feel a connection with both leads despite their very overt flaws.
Director Matthew Ross is clearly influenced by a few directors works and it shows. I got a few Brian De Palma and Hitchcock feels although many others would probably claim different influences. The films is slightly erotic, moody, and makes you question what the truth is. Ross never really outwardly lays the plot in front of you and let it marinate. Each minute that goes by you can't help but second guess what you previously thought.
Its a really promising debut for someone that I've previously never heard of. The film is quite short but a satisfying portrayal of a relationship that is marred by jealousy, paranoia, and angst. It's not exactly what I expected but I did really enjoy this outlook. Relationships are not always easy peasy and sometimes its nice to get a take of a film that revolves around sex and the possibility of cheating, Seek this one out and watch it, its worth your time.
7.5/10
This film is about a jealous and possessive man and a damaged and lonely girl who fall for each other and their oft volatile relationship when its being tested. Frank (Shannon) starts suspecting Lola of an affair and it starts to consume him, while Lola (Poots) tries to cover what she's doing by not being straight up with Frank. Problems ensue, and we are in for a pretty riveting time. I'm not going to praise Shannon anymore but I do have to say he is great in a inquisitive and jealous lover role. Lies are exposed and you can't help but feel a connection with both leads despite their very overt flaws.
Director Matthew Ross is clearly influenced by a few directors works and it shows. I got a few Brian De Palma and Hitchcock feels although many others would probably claim different influences. The films is slightly erotic, moody, and makes you question what the truth is. Ross never really outwardly lays the plot in front of you and let it marinate. Each minute that goes by you can't help but second guess what you previously thought.
Its a really promising debut for someone that I've previously never heard of. The film is quite short but a satisfying portrayal of a relationship that is marred by jealousy, paranoia, and angst. It's not exactly what I expected but I did really enjoy this outlook. Relationships are not always easy peasy and sometimes its nice to get a take of a film that revolves around sex and the possibility of cheating, Seek this one out and watch it, its worth your time.
7.5/10
I'm a fan of Michael Shannon, but he is nobody's idea of a sex symbol. While a fantastic character actor, he doesn't do well in leading roles.
This film is full of cliche's yet manages to go exactly nowhere -- and slowly.
This film is full of cliche's yet manages to go exactly nowhere -- and slowly.
I'm a little surprised by the current 5.9 rating on here, so I really felt I needed to write a review.
The film is a little offbeat, definitely not your standard Hollywood fare. It's gritty, and fairly uncompromising. It takes place in Las Vegas and Paris, and the reason I mention that is because this sort of feels more like a French film than the American film that it actually is.
It is an American film that was selected for Sundance, and then was picked up by a Hollywood distributor.
For a person like myself who has literally seen thousands of films from all over the world, I understand and appreciate the rarity of realist films like this with very human characters and very real feelings.
I enjoyed the film entirely, and I definitely plan to watch it at least one more time in my life. It's a good film at the very least, and perhaps even better. I suspect that I may even rate this film a little higher upon a second viewing. It's one of those types of films that may be enjoyed even more with a less surprised viewer, because yes, the film like real life is a little unsettling at times. There was no doubt at the end of the film however that I definitely enjoyed it a lot.
I must mention that I thought both Shannon and Poots were nothing short of tremendous.
To end, let me just say that if you want something not so standard, or you're a huge film buff who's seen tons, definitely see this film!!
7.5/10
The film is a little offbeat, definitely not your standard Hollywood fare. It's gritty, and fairly uncompromising. It takes place in Las Vegas and Paris, and the reason I mention that is because this sort of feels more like a French film than the American film that it actually is.
It is an American film that was selected for Sundance, and then was picked up by a Hollywood distributor.
For a person like myself who has literally seen thousands of films from all over the world, I understand and appreciate the rarity of realist films like this with very human characters and very real feelings.
I enjoyed the film entirely, and I definitely plan to watch it at least one more time in my life. It's a good film at the very least, and perhaps even better. I suspect that I may even rate this film a little higher upon a second viewing. It's one of those types of films that may be enjoyed even more with a less surprised viewer, because yes, the film like real life is a little unsettling at times. There was no doubt at the end of the film however that I definitely enjoyed it a lot.
I must mention that I thought both Shannon and Poots were nothing short of tremendous.
To end, let me just say that if you want something not so standard, or you're a huge film buff who's seen tons, definitely see this film!!
7.5/10
"Beware, my Lord, of jealousy, it is the green-eyed monster that doth mock the meat it feeds on." Iago in Othello
Frank (Michael Shannon), a top-rated chef in Vegas, falls for young fashion designer Lola (Imogen Poots) and that's the beginning and end. That is, his uneventful life just became upended by a girl he needs to trust but doesn't appear to merit it. Such is the conflict and drama of this small, tense, and satisfying drama with just a hint of thriller.
While Frank & Lola is a modern romance fraught with uncertainty because the principals orbit by themselves hoping to collide with love rather than let it ripen. The not-so-likely love between this older man and younger lost soul doesn't so much move on lust as it does on the couple's passion to do the right thing in the face of their defaults.
Lola's one-night stand and her admission to Frank start him into a spell of mistrust that propels the film thereafter. The film's center is in Shannon's believably smart man tossed in jealousy and mistrust that leads to violence and uncertain rapprochement with her.
Poots is marvelous as a lost soul looking in the wrong places--her eyes are the most soulful and vulnerable in cinema today. Shannon's minimalistic acting relays the perfect hard-boiled hero of few words. But be careful, he can see into your heart and with a word or two tell the whole sordid details of your innocence lost.
Frank & Lola is heavy on engaging dialogue and light on thriller action. Its strength is relaying how little we know about the ones closest to us.
Frank (Michael Shannon), a top-rated chef in Vegas, falls for young fashion designer Lola (Imogen Poots) and that's the beginning and end. That is, his uneventful life just became upended by a girl he needs to trust but doesn't appear to merit it. Such is the conflict and drama of this small, tense, and satisfying drama with just a hint of thriller.
While Frank & Lola is a modern romance fraught with uncertainty because the principals orbit by themselves hoping to collide with love rather than let it ripen. The not-so-likely love between this older man and younger lost soul doesn't so much move on lust as it does on the couple's passion to do the right thing in the face of their defaults.
Lola's one-night stand and her admission to Frank start him into a spell of mistrust that propels the film thereafter. The film's center is in Shannon's believably smart man tossed in jealousy and mistrust that leads to violence and uncertain rapprochement with her.
Poots is marvelous as a lost soul looking in the wrong places--her eyes are the most soulful and vulnerable in cinema today. Shannon's minimalistic acting relays the perfect hard-boiled hero of few words. But be careful, he can see into your heart and with a word or two tell the whole sordid details of your innocence lost.
Frank & Lola is heavy on engaging dialogue and light on thriller action. Its strength is relaying how little we know about the ones closest to us.
Maybe mild spoilers... Thought provoking movie about relationships and adultery trust and love. It kept me wondering where it was going and had a lot of tension and the performances helped this never quite sure who was lying, it seemed like it was heading to an exciting conclusion then just kind of trailed off, maybe that was the point of it like they are doomed to do this cycle repeatedly, but yea unsatisfying when you just want this character to have happiness, maybe that is the point too he can't be helped he's either unhappy with or without her. Maybe it is about embracing your dark side maybe he is lying more by not doing that. Maybe everyone is flawed. I could be giving it too much credit but great cinematography and acting, worth it for that at least.
¿Sabías que...?
- CuriosidadesDirector Matthew Ross had been trying to make this film for ten years prior to its release in 2016. Imogen Poots (Lola) admitted that his dedication attracted her to the project and it was a large deciding factor in her signing on.
- PifiasFrank cuts his right hand in the kitchen, then when he is shown in the shower it's his left hand, and then in the next shot on the phone it's his right hand that is cut. In fact, the shower shot is seen through a mirror, so it is always his right hand the one he accidentally cut.
- Banda sonoraTell Me Why
Written by Phil Sanders
Performed by the Break of Day
Courtesy of Big Legal Mess Records
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- How long is Frank & Lola?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 9188 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 5747 US$
- 11 dic 2016
- Recaudación en todo el mundo
- 9188 US$
- Duración1 hora 28 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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What is the Canadian French language plot outline for Frank & Lola (2016)?
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