El asesino del ritual

Poor storyline, poor execution. I'm very suprised that Freeman accepted this role. Nothing makes sense, script very badly written, no swat called, no observation, no communication between officers, bad searches and forensic evidence, nothing makes sense. Whole movie looks fake and it is just a waste of time badly directed and acted. Could be so much better if there was more suspension, real police work etc they didn't even bother to watch police activity on YouTube to see how to walk with a gun or watch some real good movies to at least try to make it more professional and concentrate on the quality of the outcome.

Where to begin? The dialog sounds like it was written by someone who is trying to figure out how humans speak. The physical actions - the hand gestures, facial expressions, the movements in general are off - real people don't move, gesture, look, behave like this.

It's almost like writers and director were trying to recreate Bill Shatner's stilted speaking style - overly long pregnant pauses leading into still-born "revelations" (and I use that word loosely). Or maybe they were just trying to pad a 45 minute concept out to an 80 minute movie. The cinematography is weak. Sequences are poorly framed.

There may have been a nugget of a story at the heart of this mess, but this movie doesn't know how to tell that story in an interesting manner.

It's leaden, overly long and boring. I bailed after about 35 minutes and the only reason I didn't bail sooner was that I was making my lunch.

It's definitely a B movie. Like full B. Not sure why Morgan chose to be in this, but he works in his part. This full-fledged B movie has medium to lower side production quality, many plot and editing issues and a flimsy plot with violence.

In all honesty it's not that bad, but it's just not very good. The overall plot is actually a little interesting, ritual murders to gain power by killing innocent people. I think with a bigger budget, more takes (no scene has more than 2-3 most likely) and better, more thought out direction this could have been much better.

I won't be writing any spoilers here, but watch til the end. Overall, it's a basic murder plot and you know Vernon Davis (ex 49er hall of fame tight end) is the bad guy from the start. He's a actually not bad. Go Niners!

If you like B movies with many flaws but watchable this is for you. 5.4/10.

In the past serial killer - thriller movies there has always been some sort of tension or high drama to keep the movie flowing and interesting. Not in this one. Morgan mostly has bit parts here and there and is basically guest starring in this role for hype only.

His history of good performances is used to bolster this film but there just isn't enough action in this to carry much water. A few chase scenes and that's about it.

A decent story and good opening, but fizzles out rather quickly and all the actors are just going through the motions. Predictable and straightforward and not much really to write about. Could have been a lot worse, but held my interest for a while. No twists, no turns, just a basic a-b-c cop vs killer movie. 3/10, no more than that.

Right from the start, I realized this film would be a flop due to the frustratingly amateur-hour directing by George Gallo. The constant back and forth location transitions from Europe to America were poorly executed and edited, and almost every scene screamed inexperienced directing. Gallo also failed miserably to direct his cast effectively, that is seemed like this was Cole Hauser's first ever acting job. His entire tone, demeanor and dialogue was too monotonic. Sure, part blame goes to the actor, but it's the directors job to know when an actor needs to act better or in a certain way. Only seasoned actors like Freeman rarely need cast direction, as he was the only one that was somewhat convincing in his character. Everyone else seemed inconvenienced to be on set.

The next huge disappointment was how three writers couldn't get a fairly decent premise, executed properly. Aside from the writing being cliched and having elements from pretty much every film in this genre with little to no originality, it was the ridiculous ending that the three writers, Bob Bowersox, Francesco Cinquemani and Luca Giliberto gave their viewers. It was by far the laziest, asinine, and idiotic ending I've ever seen. A fifth grade drama class could've done better.

Almost every element of this film - except the score, which was surprisingly fitting, should be examined in film schools on what not to do. It's a generous 3/10 from me, mostly as pity that Freeman has to live with this mess on his resume.