PUNTUACIÓN EN IMDb
6,4/10
5,4 mil
TU PUNTUACIÓN
Alain y Marie se han mudado a la casa suburbana de sus sueños. Pero el agente inmobiliario les ha advertido: lo que hay en el sótano podría cambiar sus vidas para siempre.Alain y Marie se han mudado a la casa suburbana de sus sueños. Pero el agente inmobiliario les ha advertido: lo que hay en el sótano podría cambiar sus vidas para siempre.Alain y Marie se han mudado a la casa suburbana de sus sueños. Pero el agente inmobiliario les ha advertido: lo que hay en el sótano podría cambiar sus vidas para siempre.
- Premios
- 1 premio y 2 nominaciones en total
Léna Laprès
- Mimi - l'hôtesse de l'air
- (as Lena Lapres)
Michel Hazanavicius
- Le photographe de mode
- (sin acreditar)
Reseñas destacadas
Starting with as implausible a premiss as "Mandibles", this follows what logic there is into (in my mind) an interesting set of conclusions. Indeed, there are two separate ridiculous bases to the plot, both of which cause serious implications for the core characters as they follow their dreams and fantasies to unfortunate (or at least disappointing) ends.
There are lots of lovely comic touches throughout and appropriate awkwardness, particularly as the wife's self-image as a supermodel is gradually punctured.
I'm guessing that the core theme is that being happy with one's lot is not necessarily a "failure" and change isn't always for the good - but having this message wrapped up in such bonkers packaging is quite fun, and I'm glad that Quentin is out there doing "not normal" stuff like this alongside more generic fare.
Worth a look.
There are lots of lovely comic touches throughout and appropriate awkwardness, particularly as the wife's self-image as a supermodel is gradually punctured.
I'm guessing that the core theme is that being happy with one's lot is not necessarily a "failure" and change isn't always for the good - but having this message wrapped up in such bonkers packaging is quite fun, and I'm glad that Quentin is out there doing "not normal" stuff like this alongside more generic fare.
Worth a look.
If you have watched other Quentin's Dupieux movies, you know what to expect. This is another comedy/drama/fantasy movie, surreal, bizarre, funny and weird. His movies are like a Parallel World, it's looking like ours, but it's not.
This movie is more coherent than his previous ones, there are some understandable messages here. It's a satire of modern way of living/of our shallow ambitions. Viewer gets what Dupieux try to say. Vanity is an unseen enemy of our happiness.
This is a better movie than Le daim (2019), better than WRONG (2012), a little bit worse than REALITY (2014).
I can't rate it higher because it didn't amaze me. It's clever, not brilliant. Enjoyable, not exciting. You will not think about this movie after you watch it, just like almost every other movie of him. In any case, if you haven't heard of this director, and you find it interesting as it was described, watch it.
This movie is more coherent than his previous ones, there are some understandable messages here. It's a satire of modern way of living/of our shallow ambitions. Viewer gets what Dupieux try to say. Vanity is an unseen enemy of our happiness.
This is a better movie than Le daim (2019), better than WRONG (2012), a little bit worse than REALITY (2014).
I can't rate it higher because it didn't amaze me. It's clever, not brilliant. Enjoyable, not exciting. You will not think about this movie after you watch it, just like almost every other movie of him. In any case, if you haven't heard of this director, and you find it interesting as it was described, watch it.
One thing I've learned from Quentin Dupieux's films, is it's best to go into them totally cold. I knew nothing of Incredible But True, other than it was a Dipeoux creation, and that Arrow Video saw fit to give it a proper Blu-ray release. That's enough for me, knowing his movies carry a totally left-field level of bizarre intrigue. The first movie of his that I saw was Rubber, and I knew I had to see a movie about a killer tire, but at the same time, I would have liked to have known less! And it was still full of WTF surprises, so I guess I shouldn't complain.
Ultimately, Incredible But True is about two couples drifting apart... under Dupieux's trademark fantastical plot elements. Of which... I can't go into. One circumstance is particularly hilarious, yet both situations, though surreal, are steeped in the reality of the human condition. This movie has elements of comedy, drama, sci-fi, and fantasy, leaning heavily on all of them, at times. Dialogue is particularly strong, which is something I always enjoy (spoken French, subtitled). Strong performances from all four main actors (oh yeah, the realtor as well), apparently very well-known in France.
The one complaint I have of this film is the final act. I'm not sure why Dupieux leans on brevity in his films. I get that (possibly) he's trying the audience's patience on (possibly) absurd gimmicks. I don't know if he actually feels that way, but I really felt the final act was needlessly carried out in a narrative shorthand. It's a (very) long montage that plays out what happens to the four main characters, and I honestly thought he could've fleshed out this portion of the film properly, to go from an abbreviated 75-minute running time, to a full-length 90-95 minute proper film. Though it concludes on both hands amusingly and poignantly (...and bizarrely), I couldn't help but feel cheated. I felt like I was dropped off a cliff when the credits came up, and had to immediately reevaluate. Not that there was a cliffhanger, or he didn't follow the story through, but you're left with an extended rapid-fire montage that abruptly ends, to process.
I would still highly recommend Incredible But True, as this filmmaker is a true original, with intriguingly out-there ideas, and a proficiency for crackling dialogue. I just disagreed with what he did with the concluding portion of the plot, leaving me a little baffled (and when I should actually be baffled by his oddball concepts!).
Ultimately, Incredible But True is about two couples drifting apart... under Dupieux's trademark fantastical plot elements. Of which... I can't go into. One circumstance is particularly hilarious, yet both situations, though surreal, are steeped in the reality of the human condition. This movie has elements of comedy, drama, sci-fi, and fantasy, leaning heavily on all of them, at times. Dialogue is particularly strong, which is something I always enjoy (spoken French, subtitled). Strong performances from all four main actors (oh yeah, the realtor as well), apparently very well-known in France.
The one complaint I have of this film is the final act. I'm not sure why Dupieux leans on brevity in his films. I get that (possibly) he's trying the audience's patience on (possibly) absurd gimmicks. I don't know if he actually feels that way, but I really felt the final act was needlessly carried out in a narrative shorthand. It's a (very) long montage that plays out what happens to the four main characters, and I honestly thought he could've fleshed out this portion of the film properly, to go from an abbreviated 75-minute running time, to a full-length 90-95 minute proper film. Though it concludes on both hands amusingly and poignantly (...and bizarrely), I couldn't help but feel cheated. I felt like I was dropped off a cliff when the credits came up, and had to immediately reevaluate. Not that there was a cliffhanger, or he didn't follow the story through, but you're left with an extended rapid-fire montage that abruptly ends, to process.
I would still highly recommend Incredible But True, as this filmmaker is a true original, with intriguingly out-there ideas, and a proficiency for crackling dialogue. I just disagreed with what he did with the concluding portion of the plot, leaving me a little baffled (and when I should actually be baffled by his oddball concepts!).
"Incredible But True" is a Drama - Fantasy movie in which we watch a couple moving to their new suburb house but their real estate agent informs them about their unique basement and what it can do, this will change their lives.
I liked this movie because it had a simple but interesting plot and the direction which was made by Quentin Dupieux who is also the writer, it was good. He succeeded on presenting very well his main characters and their connection while he made clear the plot of the movie. The interpretations of both Alain Chabat who played as Alain Duval and Léa Drucker who played as Marie Duval were very good and the difference of their characters created a nice result. To sum up, I have to say that "Incredible But True" is a nice movie and I recommend everyone to watch it.
I liked this movie because it had a simple but interesting plot and the direction which was made by Quentin Dupieux who is also the writer, it was good. He succeeded on presenting very well his main characters and their connection while he made clear the plot of the movie. The interpretations of both Alain Chabat who played as Alain Duval and Léa Drucker who played as Marie Duval were very good and the difference of their characters created a nice result. To sum up, I have to say that "Incredible But True" is a nice movie and I recommend everyone to watch it.
"INCREDIBLE BUT TRUE commences with an intriguing question mark hanging over audience's heads, only when the answer is revealed (in a two-fold step implemented through slightly confusing montages), the story goes less fantastic than it promises, the immemorial obsession of a woman gets her youth back (so she can be a model, no less) is tiring and its 'skin deep' revelation also feels too facile. The ensuing marital discord never reaches its boiling point, and the entire third act is composed of dialogue-less, fast-forward, rapidly spliced shots that condense years of story into one predictable combo, it seems Dupieux himself has lost patience to the banality of the script and just wanted to reach the finish line as quickly as possible."
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Incredible But True
- Localizaciones del rodaje
- La Celle-Saint-Cloud, Yvelines, Francia(villa exteriors: Avenue André Le Notre)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 4.340.000 € (estimación)
- Recaudación en todo el mundo
- 2.329.813 US$
- Duración1 hora 14 minutos
- Color
- Relación de aspecto
- 2.39:1
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