Mufasa: El rey león

Pleasantly surprised. It wasn't the soulless cash grab people claimed-the movie has heart and plenty of story.

People love to hate on things and they will make this movie a target. This is why I feel obliged to tell you it's not that bad. If you like this type of movies, blockbusters, you will probably enjoy it; I know I did.

I feel like the CGI was on par with the first but they've definitely improved the expression of the animals (one of the biggest complaints from the first one).

One of the most obvious mistakes is that the movie should have been longer; the story feels cramped, and you can feel it on the pacing.

"less childhood trauma, more meerkat" is what I want for the threequel.

The score always delivers emotionally. What I noticed is that Disney is losing, with the latest products, that double layer, the message under the surface that only adults can decipher. Maybe it's because of the story and the circumstances, but I found it too exclusive for children, especially from a director like Jenkins.

Everything else is okay. Nothing big, nothing great. You get what you go in for, emotion, fun, something that could make you feel again the feelings that you felt the first time you watched the original thing. I don't know if they're going to expand the cinematic universe.

Italian dubbing sucked. Singers can't dub. Period.

As a huge fan of The Lion King, I can honestly say this movie is excellent. The cinematography and music, especially in 3D IMAX are absolutely stunning. There wasn't a single boring moment and the visuals are breathtaking, you can read the animals' emotions much more clearly compared to the first live action film, the pacing is smooth and the plot holds up well. While I occasionally struggled to distinguish some lion characters, the voices made it easy to follow. A bit more humor would've been nice though but overall, it's a well crafted prequel that delves into Scar's origin beautifully. People seem too critical these days instead of just enjoying things.

Visuals are great, but it can't hold up an overall subpar movie. Fine for kids and families but leaves originality at the door.

It does fit together some fine lore to bring us up to speed with what we know from the original movie. How it does it is rehash story elements, themes and plenty of conveniences to forcibly make the pieces fit into the original. It has similar flaire to Solo where it's just fine and uninterestingly shows or tells us where things come from in this fanfiction. Sometimes it's best to leave things a mystery if the progenitor is unceremoniously bland.

The music is fine but doesn't have the same force of fun or majesty as the original score. They're kind of just there like Moana 2's music. Not bad, but certainly not memorable.

The 3D glasses also did nothing. It felt like just a regular movie instead of them trying to do anything with with 3D.

The worst part IMO was no James Earl Jones in the actual movie. I know he's sadly passed, but they've brought back voices from other people before. If they didn't want to synthesize, they could've used unused clips or even just reused a voice clip from previous Lion King works. I can't get behind a movie called Mufasa without Mufasa's actual iconic voice somewhere in the movie.

Feels like a made for TV movie, and probably worth a watch on Disney+. But not really one I'd recommend for theatres or purchase.

Mufasa: The Lion King is so much better than the soulless remake it has to act as a prequel to. All of the biggest issues have been rectified instantly and it has a greater purpose by telling a new story, even with some classic prequel issues. Everything set after the events of the first film could've been easily cut out to let the main story breathe however they are thankfully brief whenever they do interrupt and it comes to a nice conclusion.

Aaron Pierre makes the role of Mufasa his own with a strong performance that has him feeling reluctant to accept his destiny and becoming more stoic as it goes along. Similarly, Kelvin Harrison Jr. Gets more deceitful throughout and chooses to make his voice work sound closer to Jeremy Irons than Chiwetel Ejiofor. The only occasionally distracting element is some of the line readings sounding rushed.

Director Barry Jenkins is massively over qualified for this and held back by the photo real animation that comes with this but his direction is still more ambitious and exciting than Jon Favreau's was. He isn't afraid to sacrifice a pointless commitment to realism to create a beautiful looking film where the locations are more varied, the visuals are more creative and the cinematography is infinitely more dynamic.

The CGI is always faultless and thankfully all the lions now show a much wider range of emotions, enhanced by the massive increase in close ups. The songs by Lin-Manuel Miranda are definitely some of his weakest, they're very repetitive without his usual level of catchiness and it's a testament to how strong everything else is that this isn't a major issue. Dave Metzger's score only stands out when referencing Hans Zimmer's work, which it does constantly.