Pathonpatham Noottandu
- 2022
- 2h 38min
PUNTUACIÓN EN IMDb
6,8/10
1,7 mil
TU PUNTUACIÓN
Arattupuzha Velayudha Panicker, un ardiente reformador social del siglo XIX y su inquebrantable lucha contra la opresión de las castas dominantes por parte de las clases altas.Arattupuzha Velayudha Panicker, un ardiente reformador social del siglo XIX y su inquebrantable lucha contra la opresión de las castas dominantes por parte de las clases altas.Arattupuzha Velayudha Panicker, un ardiente reformador social del siglo XIX y su inquebrantable lucha contra la opresión de las castas dominantes por parte de las clases altas.
- Premios
- 2 premios en total
Senthil Krishna
- Chirukandan
- (as Senthil Rajamani)
Reseñas destacadas
I like the way the mytho-historic genre is treated in this film. There is an element of 'larger than life' persona of a historic figure and also important chapter in the fight of the subalterns against the dominant upper casts who had proclaimed insulting rules such as 'breast tax'. To think that such a 'tax' even existed is shocking these days. One had to fight to even restore the basic human dignity of covering oneself itself will be an eye opener to many in modern India. How much resistance from the upper cast men who wanted to legitimize 'letching' or more way to keep the subalterns humiliated. Definitely an important film to watch for its portrayal of modern social equality movement in India. At the same time the film narrative and visualisation is in the heroic mode, with stylised fight sequence and other 'hero' cinema tropes. On the whole an enjoyable as well as an enlightening watch.
Felt like a good watch, if you don't have much expectations.
The nangeli character really worked for me, especially the climax portion was amazingly shot. The climax scene definitely leaves a impact on us. The production design, costume, cinematography was nice. They nicely set up the 19th century period of Kerala. The music was good. The action sequences were good, especially the climax fight on the boat. It was shot beautifuly with a lot of top angle shots and very stylised with slow motion, that fight scene was pretty cool. The performances were ok, nangeli rocked in the climax.
The issue in the movie is the writing. They messed up in writing of the character of velayudha paniker played by siju vilson. Velayudha paniker is a person from the lower cast and he fights for their rights but he is never affected by any issues the people from that community is facing because he is rich. He has the money to pay all taxes, owns a lot ships, has money to build a temple. He just feels like a saviour who is doing a charity to the community people rather than being one among them. So the stakes involved for him in the story was pretty low. And there were hell lot of other characters which failed to create any kind of impact. I felt there was a proper structure missing in the screenplay. So the movie pretty much fails to create a lasting impact.
The nangeli character really worked for me, especially the climax portion was amazingly shot. The climax scene definitely leaves a impact on us. The production design, costume, cinematography was nice. They nicely set up the 19th century period of Kerala. The music was good. The action sequences were good, especially the climax fight on the boat. It was shot beautifuly with a lot of top angle shots and very stylised with slow motion, that fight scene was pretty cool. The performances were ok, nangeli rocked in the climax.
The issue in the movie is the writing. They messed up in writing of the character of velayudha paniker played by siju vilson. Velayudha paniker is a person from the lower cast and he fights for their rights but he is never affected by any issues the people from that community is facing because he is rich. He has the money to pay all taxes, owns a lot ships, has money to build a temple. He just feels like a saviour who is doing a charity to the community people rather than being one among them. So the stakes involved for him in the story was pretty low. And there were hell lot of other characters which failed to create any kind of impact. I felt there was a proper structure missing in the screenplay. So the movie pretty much fails to create a lasting impact.
This could have been an epic, landmark movie ! In terms of production and costumes the movie might be one, but had the storytelling be tighter, editing a bit more crispier, some insights into main character's origin or struggles or "thoughts" (we only see his final actions and repercussions of those actions.
Now coming to the movie itself - the actions sequences were well shot - but got repeating and quite honestly boring towards the end. I was almost sleeping through some in the Theatre after a while ( yeah there is bunch of similar slow motion action sequences which definitely could have been cut)
The idea of clubbing Nangeli, Kochunni and Velayuda Panikar as a creative liberty would have been fine had they made a significant difference - here these are done in a messy and pretty ridiculous manner. And king asking Panikar to capture Kochunni and Kochunni stealing from a poor priest are really doing injustice and totally wrapping history cruelly and un-necessarily as well ( it doesnt really after the overall narrative other much )
Now coming to the movie itself - the actions sequences were well shot - but got repeating and quite honestly boring towards the end. I was almost sleeping through some in the Theatre after a while ( yeah there is bunch of similar slow motion action sequences which definitely could have been cut)
The idea of clubbing Nangeli, Kochunni and Velayuda Panikar as a creative liberty would have been fine had they made a significant difference - here these are done in a messy and pretty ridiculous manner. And king asking Panikar to capture Kochunni and Kochunni stealing from a poor priest are really doing injustice and totally wrapping history cruelly and un-necessarily as well ( it doesnt really after the overall narrative other much )
Pathonpatham Noottandu is an episodic re-telling of certain events that took place in the 19th century with extreme cinematic liberties taken by writer-director Vinayan. For sure, the visuals by Shaji Kumar, Ajayan Chalissery's production design, Supreme Sundar's stunt choreography, and Santhosh Narayanan's score give the film a strong technical backing but the script lacks the emotional punch required in a film like this. Siju Wilson's presence is imposing and he totally shines in the set-pieces as Ezhava spice merchant turned activist Aarattupuzha Velayudha Panicker. Kayadu Lohar's portrayal of Nangeli is also quite impressive. Chemban Vinod, who plays (a different version of) Kayamkulam Kochunni, is decent. The cast is huge, with prominent names filling up important roles.
For a relatively smaller budget period film, Pathonpatham Noottandu scores better than some of the other entries in this genre in recent memory (i.e. In the Malayalam language). Yet, most characters are uni-dimensional and fail to register as anything beyond good/bad. The melodrama, which is usually on the higher side in Vinayan films, is thankfully balanced out with the action blocks and sub-plots. He reserves it exclusively for the climax, which recalls a folklore we've all read or heard somewhere. There is a very chapter-by-chapter feeling to the film, be it in the way it introduces (and re-introduces) characters or major plot developments. This adds to the emotional disconnect between us viewers and the film's protagonists.
For a relatively smaller budget period film, Pathonpatham Noottandu scores better than some of the other entries in this genre in recent memory (i.e. In the Malayalam language). Yet, most characters are uni-dimensional and fail to register as anything beyond good/bad. The melodrama, which is usually on the higher side in Vinayan films, is thankfully balanced out with the action blocks and sub-plots. He reserves it exclusively for the climax, which recalls a folklore we've all read or heard somewhere. There is a very chapter-by-chapter feeling to the film, be it in the way it introduces (and re-introduces) characters or major plot developments. This adds to the emotional disconnect between us viewers and the film's protagonists.
When i first saw the teaser of pathonpatham nootaandu, I was surprised to see a good level of production quality especially from a director like vinayan whose previous film aakashaganga 2 being a so bad its good film. Such quality I didn't see even in movies like maamangam and marakkar both starring two superstars. I just wanted to see whether the writing too was updated.
The biggest plus point of pathonpatham nootaandu is its uncompromising production values. Hats off to gokulam gopalan for making high quality period films like pazhassi raja, kammarasambhavam, kayamkulam kochunni and now this. Siju wilson spent nearly two years of his career for this film learning horse riding, bodybuilding and martial arts. And it reflects it on screen very well. Hope he becomes a superstar after this film. Another freshness I felt was presenting kayamkulam kochunni with grey shades.
Though the film has good production values, the script is strictly average. The film looses its steam after the capture of kayamkulam kochunni character. And despite having an ensemble cast of talented supporting actors none of them are in their best form. Just an okayish performance from everyone.
On the whole pathonpatham nootaandu had the production quality to become a mini baahubali but writing turned to be just basic.
The biggest plus point of pathonpatham nootaandu is its uncompromising production values. Hats off to gokulam gopalan for making high quality period films like pazhassi raja, kammarasambhavam, kayamkulam kochunni and now this. Siju wilson spent nearly two years of his career for this film learning horse riding, bodybuilding and martial arts. And it reflects it on screen very well. Hope he becomes a superstar after this film. Another freshness I felt was presenting kayamkulam kochunni with grey shades.
Though the film has good production values, the script is strictly average. The film looses its steam after the capture of kayamkulam kochunni character. And despite having an ensemble cast of talented supporting actors none of them are in their best form. Just an okayish performance from everyone.
On the whole pathonpatham nootaandu had the production quality to become a mini baahubali but writing turned to be just basic.
¿Sabías que...?
- Banda sonoraKarumbaninningu Varumo Kaare
Written by Rafeeq Ahammed
Produced by M. Jayachandran
Performed by Nikhil Raj, Narayani Gopan, Arun Gopan, Unni Elayaraja, Poornasree Haridas, Anna Baby and Neethu Naduvathettu
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Detalles
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- Presupuesto
- 250.000.000 INR (estimación)
- Recaudación en todo el mundo
- 220.699 US$
- Duración2 horas 38 minutos
- Color
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