Sarah es una adolescente que ansía cumplir los 18 años para alejarse de su controlador padre, Don. Pero antes de que pueda siquiera apagar las velas, Don la encierra en el sótano.Sarah es una adolescente que ansía cumplir los 18 años para alejarse de su controlador padre, Don. Pero antes de que pueda siquiera apagar las velas, Don la encierra en el sótano.Sarah es una adolescente que ansía cumplir los 18 años para alejarse de su controlador padre, Don. Pero antes de que pueda siquiera apagar las velas, Don la encierra en el sótano.
- Premios
- 1 nominación en total
Michael Lawson
- Investigative Police Officer
- (as Mac Wells)
Alnisa Chislom
- Hospital Reception
- (sin acreditar)
Shayla Harris
- Nurse Giving CPR
- (sin acreditar)
Reseñas destacadas
This movie is a must watch, so that people can finally wake up and see that life is not only sunshine and rainbows.
This movie tells the story in a very good way, that keeps your attention throuout the very end.
I live in Austria, so this hits even harder. If this movie/story taught me anything ... it is to not trust anyone, even your closest ones.
Always question everything.
This movie tells the story in a very good way, that keeps your attention throuout the very end.
I live in Austria, so this hits even harder. If this movie/story taught me anything ... it is to not trust anyone, even your closest ones.
Always question everything.
I knew something was off the moment our main antagonist delivered his first line of dialogue. He was such an atrociously bad actor throughout the entire film that it genuinely felt like a school project at times. It wasn't until the first cut to black during a tense moment that I realized this is a Lifetime made for TV type movie. With that taken into consideration, it held my attention well enough. What trumps even the poor acting and cinematography was the method of story telling. They attempt the classic move where they show a scene from near he end of the movie and then jump back 20 years earlier, slowly building back up to that moment to continue from it. The problem is that this particular scene shows us that any attempt at escape we see throughout the first hour will be unsuccessful, killing any tension and momentum. This was based off the harrowing real story of Elisabeth Fritzl, and more justice could have been done with it in the film realm.
Why would they hire actress Elisabeth Röhm, to direct this film, when she's never been behind a camera before? This was such a troubling and horrific true story event, it needed professionals to tell it. The screenplay was on point, but Röhm's failure to direct her cast and scenes properly, really failed this film. Performances were adequate to decent, but that was strictly from the merits of the actors following a screenplay. Stefanie Scott's performance got better as the movie progressed, but I'm sure that was due to her getting comfortable with her character. Even Judd Nelson's performance was stale and amateurish, that with a better director, he would've shined. Had a seasoned director been involved, this could've been much more gut-wrenching and epic film. Nevertheless, it's a story that needed to be told, and I'm glad it was; It was a bold move for Lifetime to produce this. I just wish it was told in a better way. It's a generous 6/10 from me.
My comments on this movie:
1. This was not the typical LMN or Lifetime movie - good performances by all. 2. Shocking violence, though there was not very much. 3. Disturbing implication of incest between the father and daughter. 4. Judd Nelson's portrayal of the father seemed disturbingly real. 5. The ending took some of the edge off the movie, but left some questions.
Do not watch this if you are in a depressed mood.
1. This was not the typical LMN or Lifetime movie - good performances by all. 2. Shocking violence, though there was not very much. 3. Disturbing implication of incest between the father and daughter. 4. Judd Nelson's portrayal of the father seemed disturbingly real. 5. The ending took some of the edge off the movie, but left some questions.
Do not watch this if you are in a depressed mood.
The delivering through a low budget standardized package of generic tv drama prevents the implications of such events to be fully developed for its own flaws of mediocre acting, underdeveloped plot and neglected atmosphere.
Still, there's something remaining that may make the movie watchable but the disappointment that it should've been much better exists.
Still, there's something remaining that may make the movie watchable but the disappointment that it should've been much better exists.
¿Sabías que...?
- CuriosidadesBased on the infamous true story of Elisabeth Fritzl, who was locked up and abused for 24 years (from 1984 to 2008) by her father Josef in Amstetten (Austria). In these years of imprisonment she became the mother of seven children as a result of these abuses.
- PifiasWhen the police officer is investigating Sarah's "disappearance", Chris is named as the person who last saw Sarah. When the officer says he wants to go talk to him, Amy says she's going to get Chris' number. The cop then leaves the house before Amy can come back with the phone number, an important lead when conducting an investigation. When Chris comes to bring Sarah the motorcycle helmet, he mentions to Don that the police did question him.
- Citas
Don Cody: When you live in my house, you follow my rules!
Sarah Cody: Get off me!
Irene Cody: Hey! Hey! What's going on here?
- ConexionesFeatures Wolf! Wolf! (1944)
- Banda sonoraWherever I May Go
Performed by Jake Etheridge and Stefanie Scott
Written by Jake Etheridge and Marie Hines
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