Sarah es una adolescente que ansía cumplir los 18 años para alejarse de su controlador padre, Don. Pero antes de que pueda siquiera apagar las velas, Don la encierra en el sótano.Sarah es una adolescente que ansía cumplir los 18 años para alejarse de su controlador padre, Don. Pero antes de que pueda siquiera apagar las velas, Don la encierra en el sótano.Sarah es una adolescente que ansía cumplir los 18 años para alejarse de su controlador padre, Don. Pero antes de que pueda siquiera apagar las velas, Don la encierra en el sótano.
- Premios
- 1 nominación en total
Michael Lawson
- Investigative Police Officer
- (as Mac Wells)
Alnisa Chislom
- Hospital Reception
- (sin acreditar)
Shayla Harris
- Nurse Giving CPR
- (sin acreditar)
Reseñas destacadas
The true story behind this film , just proves ones again ,that humans are the terrible creatures , capable of unspeakable things ... Film itself is not bad , just feels that something missing ...
Well done and definitely toned down for TV. I personally think people need to start making movies that actually depict the true horror of the reality we live in. Her true events were 1,000 times more horrific. It doesn't do the victims justice by making the father out to be better than he was. He is pure evil. Men like her father should be tortured every second for the rest of their life.
This did not come off like the usual Lifetime movie - my comments:
1. Nice to see Judd Nelson working, though the part of the dad is light years away from the Breakfast Club. 2. Though there was not a lot of it, the violence was shocking. 3. The dad character was completely unsympathetic. 4. The ending was satisfying, yet left a lot of questions.
1. Nice to see Judd Nelson working, though the part of the dad is light years away from the Breakfast Club. 2. Though there was not a lot of it, the violence was shocking. 3. The dad character was completely unsympathetic. 4. The ending was satisfying, yet left a lot of questions.
I knew something was off the moment our main antagonist delivered his first line of dialogue. He was such an atrociously bad actor throughout the entire film that it genuinely felt like a school project at times. It wasn't until the first cut to black during a tense moment that I realized this is a Lifetime made for TV type movie. With that taken into consideration, it held my attention well enough. What trumps even the poor acting and cinematography was the method of story telling. They attempt the classic move where they show a scene from near he end of the movie and then jump back 20 years earlier, slowly building back up to that moment to continue from it. The problem is that this particular scene shows us that any attempt at escape we see throughout the first hour will be unsuccessful, killing any tension and momentum. This was based off the harrowing real story of Elisabeth Fritzl, and more justice could have been done with it in the film realm.
The delivering through a low budget standardized package of generic tv drama prevents the implications of such events to be fully developed for its own flaws of mediocre acting, underdeveloped plot and neglected atmosphere.
Still, there's something remaining that may make the movie watchable but the disappointment that it should've been much better exists.
Still, there's something remaining that may make the movie watchable but the disappointment that it should've been much better exists.
¿Sabías que...?
- CuriosidadesBased on the infamous true story of Elisabeth Fritzl, who was locked up and abused for 24 years (from 1984 to 2008) by her father Josef in Amstetten (Austria). In these years of imprisonment she became the mother of seven children as a result of these abuses.
- PifiasWhen the police officer is investigating Sarah's "disappearance", Chris is named as the person who last saw Sarah. When the officer says he wants to go talk to him, Amy says she's going to get Chris' number. The cop then leaves the house before Amy can come back with the phone number, an important lead when conducting an investigation. When Chris comes to bring Sarah the motorcycle helmet, he mentions to Don that the police did question him.
- Citas
Don Cody: When you live in my house, you follow my rules!
Sarah Cody: Get off me!
Irene Cody: Hey! Hey! What's going on here?
- ConexionesFeatures Wolf! Wolf! (1944)
- Banda sonoraWherever I May Go
Performed by Jake Etheridge and Stefanie Scott
Written by Jake Etheridge and Marie Hines
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