PUNTUACIÓN EN IMDb
6,7/10
9,9 mil
TU PUNTUACIÓN
Después de un invierno duro, Brian cae en una profunda depresión; Completamente aislado y sin nadie con quien hablar, Brian hace lo que cualquier persona en su sano juicio haría ante una sit... Leer todoDespués de un invierno duro, Brian cae en una profunda depresión; Completamente aislado y sin nadie con quien hablar, Brian hace lo que cualquier persona en su sano juicio haría ante una situación tan melancólica. Construye un robot.Después de un invierno duro, Brian cae en una profunda depresión; Completamente aislado y sin nadie con quien hablar, Brian hace lo que cualquier persona en su sano juicio haría ante una situación tan melancólica. Construye un robot.
- Dirección
- Guión
- Reparto principal
- Nominado a 1 premio BAFTA
- 5 nominaciones en total
Morgan Adler
- Villager
- (sin acreditar)
Reseñas destacadas
In quirky Brit dramedy "Brian And Charles" oddball 'inventor' David Earl (of Brit tv fame) is lonely living outside a beautiful, rural, but somewhat rough Welsh village - so he builds a full-on AI robot (voiced by co-witer (with Earl) Chris Hayward) out of a washing machine, rubber gloves, a mannequin's head, etc (as you do). As the robot's intellect & character grows & evolves (like an accelerated child's) so does his relationship with Earl as he learns of love (via Louise Brealey), perilousness (via local bullies Jamie Michie, Nina Sosanya & kids) & dreams. It's an undeniably strange little movie that certainly won't appeal to all - but those who 'get' it's weirdness will love it.
Brian is alone and isolated, to overcome his loneliness, he builds a new robot, named Charles, like cake making he wanted a Victoria sponge, but instead got a blancmange.
I'll be honest, I watched the first five minutes, and I wasn't convinced, ready to switch it off, however, I decided to stick with it, and I'm so glad I did, I really am, and only wish I'd saved it.
Don't expect to learn much about why Brian has ended up in this situation, they don't actually go into it, all we get is what's on the surface, he's definitely a troubled Soul, the focus is more on his newly found sense of companionship, his unquestionable positivity.
It's funny, it's sad, it's quirky, it's like nothing else I've ever seen before. No special effects, no heavy music, it's low budget, but there in lies the charm, it is rewardingly heart warming, it works on so many levels.
I associate David Earl with two shows, two favourites of mine, Afterlife and Derek, you see just what a talented actor he is here, it's such a different, well measured performance, credit to him.
Just lovely.
8/10.
I'll be honest, I watched the first five minutes, and I wasn't convinced, ready to switch it off, however, I decided to stick with it, and I'm so glad I did, I really am, and only wish I'd saved it.
Don't expect to learn much about why Brian has ended up in this situation, they don't actually go into it, all we get is what's on the surface, he's definitely a troubled Soul, the focus is more on his newly found sense of companionship, his unquestionable positivity.
It's funny, it's sad, it's quirky, it's like nothing else I've ever seen before. No special effects, no heavy music, it's low budget, but there in lies the charm, it is rewardingly heart warming, it works on so many levels.
I associate David Earl with two shows, two favourites of mine, Afterlife and Derek, you see just what a talented actor he is here, it's such a different, well measured performance, credit to him.
Just lovely.
8/10.
I was trying to kill some time and take a little break from a boring conference I was attending. There was multiplex cinema next door to conference center and the film "Brian and Charles" was playing there. I had no idea what the film was about but decided to go on impulse. Wow, I couldn't be more delighted with what I experienced. It is a charming film about a relationship between a man and a robot he invented. It is funny and heartwarming with wonderful performances and beautiful cinematography depicting the rugged land and stark beauty of Wales.
The humor in the film is subtle and refreshingly clever. The main characters are well developed and believable. In short if you need a little pick me up and a feel good experience I cannot recommend this little film enough.
The humor in the film is subtle and refreshingly clever. The main characters are well developed and believable. In short if you need a little pick me up and a feel good experience I cannot recommend this little film enough.
In this dry season, I looked to some dry UK humor to accompany my dry martini. In director Jim Archer's brilliant Brian and Charles, wit and heart are the essential ingredients as small-town Welch citizen Brian (David Earl) is all beard and glasses inventing useless objects like an egg-carrying belt and a flying cuckoo clock, which he launches from a bicycle with disastrous results.
Brian's my kind of eccentric, a quirky introvert lucky to find a lady, Hazel (Louise Brealey), an equally introverted heart who loves Brian for the reasons others find him weird.
With nothing better to do, he creates robot Charles, seven feet of rubber head and box chest and the sarcastic inquisitiveness of a teen waiting for the chance to escape and see the world. Being led around town virtually on a leash, Charles is ready to bolt while retaining a loving attitude toward his maker.
It's a bit of Frankenstein mixed with Iron Giant, peppered with R2-D2 love and C-3PO attitude. The glasses give him a smart impression and the blue eye a sinister suggestion. But he, too, is all heart. As in any summer comedy worth anything, conflict finds its place in the town bully, Eddie (Jamie Michie), attacking meek Brian and his creation.
What happens is not so much a surprise as it is a satisfying resolution fitting a sleepy town enfolded in white clouds, grey days, and simplicity. Murren Tullett's crisp cinematography will convince you to book a flight to Wales, and Daniel Pemberto's energetic electronic score will make you forget Danny Elfman's musical genius but remind you of Pemberto's Spider-Verse compositions.
Daniel and Charles has a soothing, loving humanity to take you out of Top Gun, Jurassic World, and Thor and give you a walking stick to explore little UK towns that contain lo-fi conflict enough for multiverses. One of the best movies of the year and arguably the best so far this summer.
Brian's my kind of eccentric, a quirky introvert lucky to find a lady, Hazel (Louise Brealey), an equally introverted heart who loves Brian for the reasons others find him weird.
With nothing better to do, he creates robot Charles, seven feet of rubber head and box chest and the sarcastic inquisitiveness of a teen waiting for the chance to escape and see the world. Being led around town virtually on a leash, Charles is ready to bolt while retaining a loving attitude toward his maker.
It's a bit of Frankenstein mixed with Iron Giant, peppered with R2-D2 love and C-3PO attitude. The glasses give him a smart impression and the blue eye a sinister suggestion. But he, too, is all heart. As in any summer comedy worth anything, conflict finds its place in the town bully, Eddie (Jamie Michie), attacking meek Brian and his creation.
What happens is not so much a surprise as it is a satisfying resolution fitting a sleepy town enfolded in white clouds, grey days, and simplicity. Murren Tullett's crisp cinematography will convince you to book a flight to Wales, and Daniel Pemberto's energetic electronic score will make you forget Danny Elfman's musical genius but remind you of Pemberto's Spider-Verse compositions.
Daniel and Charles has a soothing, loving humanity to take you out of Top Gun, Jurassic World, and Thor and give you a walking stick to explore little UK towns that contain lo-fi conflict enough for multiverses. One of the best movies of the year and arguably the best so far this summer.
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"Brian and Charles will definitely end up as one of the most endearing, funniest, feel-good stories of the whole year. Jim Archer takes David Earl and Chris Hayward's original screenplay and uses their extraordinary, amusing performances to bring to life a narrative about true friendship and authentic human connections.
The light humor consistently forces the audience to let go of strong, loud laughs, either through genuinely hilarious interactions between the two protagonists or using physical comedy and brilliant song selection.
It may not be never-seen-before content or as inventive as expected, but it manages to deliver a memorable, entertaining, heartfelt story with beautiful messages.
A must-watch!"
Rating: A-
"Brian and Charles will definitely end up as one of the most endearing, funniest, feel-good stories of the whole year. Jim Archer takes David Earl and Chris Hayward's original screenplay and uses their extraordinary, amusing performances to bring to life a narrative about true friendship and authentic human connections.
The light humor consistently forces the audience to let go of strong, loud laughs, either through genuinely hilarious interactions between the two protagonists or using physical comedy and brilliant song selection.
It may not be never-seen-before content or as inventive as expected, but it manages to deliver a memorable, entertaining, heartfelt story with beautiful messages.
A must-watch!"
Rating: A-
¿Sabías que...?
- CuriosidadesFeature developed from Jim Archer's short Brian and Charles (2017), which screened at SXSW in 2017.
- Créditos adicionalesThe end credits are accompanied by photos of Charles touring the world and of him performing a rap song about it.
- Versiones alternativasOriginally a short, released in 2017, with the same title.
- ConexionesFeatured in 2023 EE BAFTA Film Awards (2023)
- Banda sonoraHigh Rollers
Written by Robert David Simpson
Performed by Robby D and Heli Sterner
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- How long is Brian and Charles?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Brian and Charles
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 430.635 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 216.220 US$
- 19 jun 2022
- Recaudación en todo el mundo
- 860.850 US$
- Duración
- 1h 30min(90 min)
- Color
- Relación de aspecto
- 2.35 : 1
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