Brian y Charles

In quirky Brit dramedy "Brian And Charles" oddball 'inventor' David Earl (of Brit tv fame) is lonely living outside a beautiful, rural, but somewhat rough Welsh village - so he builds a full-on AI robot (voiced by co-witer (with Earl) Chris Hayward) out of a washing machine, rubber gloves, a mannequin's head, etc (as you do). As the robot's intellect & character grows & evolves (like an accelerated child's) so does his relationship with Earl as he learns of love (via Louise Brealey), perilousness (via local bullies Jamie Michie, Nina Sosanya & kids) & dreams. It's an undeniably strange little movie that certainly won't appeal to all - but those who 'get' it's weirdness will love it.

BRIAN AND CHARLES is a gentle and deeply silly movie that is surprisingly touching when it's all said and done. Coming in at a brisk 79 minutes, the movie-makers knew they had a slight story to tell, and haven't padded it. Tell your quirky story and get out. Yet, in this brief time, it says some pretty touching things about the need for friendship and connection, the impact of finding it, and also, strangely, reminds us that being a home-body who doesn't want to leave the local valley or a wanderer who wants to see the world are both valid and fulfilling choices, if freely chosen.

Brian is a middle aged Welshman living in a gorgeous but harsh area of Wales. Rolling hills, sheep herds, quaint villages and a stunning river. But Brian lives alone is his ramshackle home and adjacent workshop. Unkempt and shy, Brian occupies his time mostly with his nusto inventions that never work. For example, he crafts a flying machine made with a bicycle that has a grandfather clock strapped to it so that he can fly over his village and shout out the time to anyone who needs it. It's a failure, of course. But his construction of it shows us how eccentric he is and how much he wants to be of use to his fellow man; the fellow man he struggles to connect with. Other constructs of his are equally unsuccessful, and of dubious need.

One day, finds the head of a mannequin, and decides to build himself a robot. And stunningly (and without any explanation whatsoever), the robot works. This is Charles (or as Charles dubs himself "Charles Petrescu", surely the most random name a Welsh robot has ever given himself). A friendship of sorts forms between the two, but it's a bond that grows and evolves in gently surprising ways. And Charles is just the "social lubricant" that Brian needs to engage more in the world around him.

Minor dramas ensue, and poor Charles has some unfortunate adventures...but none of it is too taxing. This is not a film to get your heart rate up to much. But it never takes an easy path in telling its story. Charles can be extremely funny at times, but also a frustrating pain in the neck at others. And Brian can be a great "father figure" at times, and a churlish brat at others. It all has the air of a forgotten folk tale, yet there's real heart here.

Although devoid of belly laughs (and not trying for any), I found myself smiling throughout almost all the film, chuckling aloud a few times, and as I said, being surprisingly touched by the conclusion of this film.

And I must say that the "design" of Charles is remarkable. A mannequin head with hair attached, with a torso made of an old washing machine and wobbly but almost human looking legs, all wrapped in comfortable sweaters and brown tones. He's a sight-gag that never stops being amusing. Yet coupled with the outstanding voice performance of Chris Hayward, Charles Petrescu is a robot for the ages.

BRIAN AND CHARLES is destined to be a minor cult movie at best, and probably, realistically, it will mostly be forgotten. That is a shame. This is a tiny, independent robot movie with heart that punches above its weight, and deserves a broader audience.

Beautiful film.beautifully acted & shot, with a real heart warming story of love & friendship with the amazing David Earl as the inventor Brian & the fantastic robot he creates Charles... go see it & love it, don't listen to the negative comments by small minded people....

If you like "Lars and the Real Girl" you'll love Brian and Charles.

Brian and Charles is a mockumentary about socially awkward hoarder and oddball inventory named Brian who builds a companion robot from a pile of junk.

He names his robot Charles who soon takes on a life of its own becoming more adventurous than his safe creator Brian.

Charles informs himself by reading the dictionary and becomes quite curious about the outside world -- the world beyond the borders of Brian's isolated Welsh quarters.

Charles craves adventure, unlike Brian who wants to live a boring and obscure life -- free from heartbreak and danger.

Brian's an endearing creature who collects junk which he uses to alter household appliances that he claims as new innovations -- totally oblivious that these contraptions are made worse.

This is a metaphor for how Brian sees himself and how he presents himself to this phantom documentary crew that's documenting his mundane life. Brian's a disheveled hermit, obtuse and discard, like a pile of junk that nobody wants. That's how Brian sees himself.

So he builds a better Brian from that pile of junk. A robot who's willing to experience life.

This is a heartwarming story about fear, loneliness and the importance of human connection.

I highly recommend this film.

In this dry season, I looked to some dry UK humor to accompany my dry martini. In director Jim Archer's brilliant Brian and Charles, wit and heart are the essential ingredients as small-town Welch citizen Brian (David Earl) is all beard and glasses inventing useless objects like an egg-carrying belt and a flying cuckoo clock, which he launches from a bicycle with disastrous results.

Brian's my kind of eccentric, a quirky introvert lucky to find a lady, Hazel (Louise Brealey), an equally introverted heart who loves Brian for the reasons others find him weird.

With nothing better to do, he creates robot Charles, seven feet of rubber head and box chest and the sarcastic inquisitiveness of a teen waiting for the chance to escape and see the world. Being led around town virtually on a leash, Charles is ready to bolt while retaining a loving attitude toward his maker.

It's a bit of Frankenstein mixed with Iron Giant, peppered with R2-D2 love and C-3PO attitude. The glasses give him a smart impression and the blue eye a sinister suggestion. But he, too, is all heart. As in any summer comedy worth anything, conflict finds its place in the town bully, Eddie (Jamie Michie), attacking meek Brian and his creation.

What happens is not so much a surprise as it is a satisfying resolution fitting a sleepy town enfolded in white clouds, grey days, and simplicity. Murren Tullett's crisp cinematography will convince you to book a flight to Wales, and Daniel Pemberto's energetic electronic score will make you forget Danny Elfman's musical genius but remind you of Pemberto's Spider-Verse compositions.

Daniel and Charles has a soothing, loving humanity to take you out of Top Gun, Jurassic World, and Thor and give you a walking stick to explore little UK towns that contain lo-fi conflict enough for multiverses. One of the best movies of the year and arguably the best so far this summer.