Los renglones torcidos de Dios

Another great movie by one of the top Spanish directors nowadays. As his other projects you get a fantastic dosis of suspense and will keep asking questions throught the film. A difficult book to adapt but the director manages to do it perfectly well. Really entertaining movie with quality. Eduard Fernández and Oriol Paulo are always a guarantee for movie lovers.. My advice is not to read a lot about the film. I also recommend checking the director's previous films. This has been the best year in Spanish cinema in a long time. Mistery, good acting and entertainment, enough for me. Turn on the tv and Enjoy...

Loved it - Up until the last second. Unnecessary. Incredible protagonist with a compelling story and mysteries. I really hope they pull off the sequel or sequels. I want it.

I gave it a 10 out of 10 and then the last second happened. I had to bring it down.

I don't understand the need, but am willing to let the writers tell the rest of the story as it comes.

I'm disappointed because now it brings the story back to where we were instead of taking us into the next chapter... I suppose we will see.

Wonderful characters, wonderful weave, incredible production design, incredible acting and directing. Overall a great production. Hollywood, take notes. This is how you create a strong protagonist, one with flaws - flaws we all have.

The Mystery concept is on full display in this film, though unfortunately it is not a new, refreshed, or novel mystery. Here we have the typical madhouse film that questions the sanity of the protagonist mixed with the story of the typical crime story without a clear culprit.

But don't get me wrong, this movie is good and entertaining, despite its slow pace and excessively long footage. It is somehow a good mystery that if you plunge into the plot, you will fall into the confusion that the story presents and you will be motivated to unravel this mess with the smell of old parchment. The last plot twist can be felt a little bit forced, but after all, it's expected.

The movie starts with a bird's-view of a mountainous landscape. A car drives down a road. We know our heroine is going to be alone in this journey.

Alice is a private detective set to investigate the events that lead to the death of the son of her client. Her client does not agree with the final report: suicide. She decides to enter sanatorium where her client's son was institutionalized to conduct her investigations on the source. Once there, who can judge sanity over insanity?

The plot follow two storylines: we see Alice's perspective and investigation, and then we shift into a breakout event that led to the death of one of the sanatorium's patients. The story keeps us hooked until the very end, a great who-and-whydunit story that leaves us guessing until the very end.

The ending is good too, although people who read the book where screenwriters based this movie's story on can argue which ending is the best. I personally think both takes are good.

For a mystery story, it's possible to defend that the movie is too long, dragging a bit. I feel that this is not true; the movie is long, but the story is good. I don't mind being hooked for over 2 hours if the story is good.

At the end, I felt rewarded: the movie delivered. One could debate that there are some really messed up stuff that happens, and that the police seems a bit lost in this whole mess, but you need to remember this story happens in 1979.

If you are a fan of mystery dramas and don't mind the time spent on this movie, God's Crooked Lines is recommendable.

What an amazing mind-blowing psychological thriller making the easily the year's best screenplay flick... Oriol Paulo of "THE INVISIBLE GUEST" has crafted a briiliant screenplay that keeps u guessing with its past and present mode of storytelling... Quite creepy in the beginning 30 mins or so later plunges into deep heart every minute with twist and turns keeping us edge of seat, convincingly told in such a way that one can't predict who is pretending or who is real and does indulge in shocking act often... Barbara Lennie does carry the whole movie single handedly with her smart,manipulative gesture...truly Oscar worthy in every sense... Overall a perfect movie for every movie buffs.