Kompromat: El expediente ruso

A tale of fateful mysterious encounters. A promoter of culture a work horse is very well portrayed by Gilles. Something that's frequently remarkable about European cinema is quietness that builds up anxiousness. Kompromat got that distracting silence to which the thrills gets bombarded. A beautiful love story that's ill-fated yet pure and childish. Joanna Kulig was perfect in portraying the woman lost between worlds. Rest of the cast put up sincere performances too. Cinematography is excellent adapting to the mood of each moment. Kompromat is a simple story that's told right. Worth the time spent.

The term "kompromat" refers to a form of blackmail used by the Russian authorities to gain leverage over individuals, and it's a concept at the heart of this gripping thriller which is very loosely based on actual events.

Mathieu (Gilles Lellouche), a member of the French institute in Irkutsk, is arrested overnight by the Russian authorities and accused of a crime he did not commit. He soon realizes he is being used as a scapegoat in an elaborate setup orchestrated to frame him for a crime that never happened.

Left alone and isolated with no one to turn to, Mathieu must find a way to prove his innocence and escape. The journey is filled with tense moments as he navigates through corrupt officials, threats of violence, and an atmosphere of despair.

Gilles Lellouche gives a powerful performance in the lead role, conveying Mathieu's emotions with nuance and intensity. His performance is complemented by a top-notch supporting cast, making the movie an engaging experience. The cinematography is also noteworthy as it captures the claustrophobic atmosphere and oppressive mood of the setting.

The themes of KOMPROMAT also have a contemporary immediacy given the currently tense relationships between Russia and other European countries. It tells an important story about a system designed to control and manipulate its citizens and gives us insight into how our liberties can be taken away.

KOMPROMAT did feel a bit too long, but its intricate plot and detailed character development created a compelling narrative that kept me riveted until the very end.

I am personally a self-avowed Russia watcher and have been since the 70s so anything to do with Russia especially society and the way in which it has evolved in some ways and not in others is of utmost interest to me

So this one here was always going to be of great interest. It basically shows institutions functioning the way they were under the Czars of old times (The Cheka begat the NKVD which begat The KGB which begat the current FSB) the modus operandi has not really shifted much ...

It also shows on the other hand the spinelessness of the French diplomatic corps in this case but admittedly could be cut and pasted to almost any diplomatic corps anywhere in the world at any time.

I was fortunate enough to catch the original account of the real hero of this piece the Alliance Française Director to whom this story really happened on radio. Two of the more dramatic events in the film I do not recall happened in real life or the "help" but then again the filmmakers here had to have a punchy story and they certainly do. So they added grittier elements.

The drummed-up charges and the Kompromat (cool terrifying word) were described pretty much as were. Insofar as I know the man to whom this happened still does not know exactly to this day who was responsible but it is pretty much give or take what is recounted here .

As we said before this could be Czarist Russia and or any other fine work Georgian Stalin produced in his finest hour.

So here they got the storyline spot-on and added dramatic events they got the dialogue really good in French and Russian they used actors who could possibly be seen as Russians and many of them actually were Russians.

As regards the acting the main protagonist Gilles Lellouche is fairly good here but personally I have seen him mostly in comedy and he has a pi..-taker face which doesn't really suit drama you expect him to say something inappropriate at any time and when it comes to crying scenes as someone else has pointed out he doesn't pass muster. See him in Los infieles (2012)

The Polish actress here Joanna Kulig is thoroughly excellent maybe a tad too torrid for the role and she does the misery bit to a tee

The main FSB baddie of the peace Michael Gor a true muscovite actor is also really excellent here good sense of menace

All in all when I realised it was the tale of the story I'd heard on the radio only a few months ago maybe even a few weeks I thought oh no they are going to make a mess of this; and then I realized they hadn't this is really really gripping...

The use of streets and locales is excellent too you really get a sense of Siberia I do not know exactly where it was filmed I see from the credits many Lithuanian names and maybe this indicates some of it might have been filmed in Lithuania but in the credits it also mentions Russia so I do not quite understand how they could've got the green light to film this in Russia but maybe when I find out more I will come back and correct if I got the wrong end of the stick.

Highly recommended for any Russia-watcher any person interested in the way in which Russian society is moving forward or not also a great indictment of the diplomatic corps in this case the French but as mentioned before probably would be the same with many other countries.

Jerome Salle seems to be specialized in adventure thrillers: LARGO WINCH 1 and 2, ZULU, only THE ODYSSEY was not a thriller. But this movie definitely is. And the Russian element in this film released just during the war in Ukraine sounds very strange, what a coincidence. Well this is a classical international thriller with no great surprise, except an excellent directing and acting, but where nothing is done to attract tourists to visit Russia and its tolerance, his friendly behavior towards foreigners; I mean the authorities, not the common folk. Gilles Lelouche is awesome, as usual. A bit long, though and I repeat, unfortunately predictable.

I have seen most of the films that won Oscars this year, 2025. I will not mention them, because they are so bad that they do not deserve to be mentioned. I almost lose faith in the art of cinema and even in human being, because of the banality of these films. Meanwhile, high-quality films like this french one are forgotten in some streaming system and few people watch them. This is a suspense film that has all the requirements of a great film, everything about it is top notch: Acting, photography, editing, soundtrack, script. In short, it is a film that shows that the art of cinema still has a lot of breath and will not die any time soon. Thank you to the producers who made this gem, it is really good.