Hinterland

What I really liked about the film was the background story (espeacially the time frame) and the choice of the cast.

The plot itself sometimes feels draggy and some parts are completely unnessecary, whereas other fragments are not logical or didn't got enough of attention/development

The art style (or should I say the CGI) in the background sometimes is very distracting or doesn't mix well with the real life elements of the scene.

The last thing I want to mention is, that many aspects of the film feel very forced. Either the director/screenwriter didn't believe in his own creation/the cast or the producers were interfering in his work. What do I mean by that?

Giving or showing the audience extra scenes for things should've already figure out themselves (if they were paying attention) and the name dropping typical austrian/vienesse culutural speacialties, like locations, food or local terms.

All in all, it was an average film experience. Not very entertaining but far from bad.

A POW and his comrades return home to defeated and depraved Vienna immediately at the end of World War I. Everything has changed, and for the worse, in his eyes.

Since Expressionism was still big by 1918, the movie's skylines and buildings are deliberately distorted to reflect the feelings of the protagonist. It's ugly and a bit distracting, but for me, it worked. It was one of the more original and interesting things about the movie.

The main plot line revolves around the hunt for a sadistic serial killer, but this was neither particularly interesting nor credible. It was no worse than in many movies, but no better.

The main actor is big and very charismatic, dominating every scene. I hope we see more of him.

Questions remain. If they were POWs on the Russian front, wouldn't they have been home sooner, after the Bolsheviks made a separate peace with Germany? And why is a movie set entirely in Vienna called 'Hinterland'?

First off the visuals are remarkable. Yellowish colour tone used for daytime scenes adds a comic book like character and has a gloomy nature at the same time. This goldy skies and the gloomy buzzing streets of the post-war Vienna is shown as a beast waiting to swallow the defeated soul of Perg. More than just a murder mystery Hinterland succeed in becoming a commentary on the society that any soldier is forced to encounter and the unjust treatments in society. Chilling and graphic imagery adding some edge to the movie. Great performances by the cast with a lot of solid personalities. A movie with a freshness to it that's easily make it worth watching.

It has taken some time, but Peter Perg leads a group of soldiers back home to Vienna after the end of Great War. They had been brutalized while imprisoned in Russia. Perg finds the old social order in chaos. The Austro-Hungarian Empire had collapsed. He left his beloved wife and daughter behind to fight for the Emperor, but they are now gone. His aristocratic home is empty. He is forced to return to his police work when one of his soldiers gets ritualistically murdered. To many, he is the prime suspect.

I really like the style. It's half German silent film, half Se7en, half comic book. I would add some more rain, but it's got a cool look. I like diving into this time and place. I like the general premise and the lead character's suffering. I would probably just kill off the family. He would move heaven and earth to find them. He wouldn't care about anything else including the murder of his men. Finally, I have an issue with the ending. It has a big coincidence that really bugs me. Aside from those two issues, I really like this movie.

Worth seeing historical thriller about the time shortly after the First World War! The world is out of joint in "HITLERs WIEN / Hitler's Vienna" (see the book of the same name by Brigitte Hamann). ACADEMY AWARD winner Stefan RUZOWITZKY ( DIE FÄLSCHER ) has made a brilliant film whose special style is reminiscent of the great Eric Rohmer film "La Anglaise et le Duc / Die Lady und der Herzog / The Lady and the Duke".

Murathan MUSLU plays a war returnee who returns to Vienna almost broken. A crazy series of murders soon begins, leading inexorably into the bowels of post-war VIENNA. Liv Lisa FRIES (BABYLON BERLIN), Aaron FRIESZ, EUROPEAN FILM AWARD nominee Margarethe TIESEL (PARADIES: LIEBE and DER GOLDENE HANDSCHUH) and the new global star Matthias SCHWEIGHÖFER impress in other roles. You won't see such a blast from German-speaking countries. It's a shame that only 10,000 tickets were sold at the German box office.