Cuando la piloto de la Royal Air Force, la teniente Kate Sinclair, es derribada en Afganistán, encuentra refugio en un búnker subterráneo donde se despiertan armas biológicas creadas por el ... Leer todoCuando la piloto de la Royal Air Force, la teniente Kate Sinclair, es derribada en Afganistán, encuentra refugio en un búnker subterráneo donde se despiertan armas biológicas creadas por el hombre, mitad humanas, mitad alienígenas.Cuando la piloto de la Royal Air Force, la teniente Kate Sinclair, es derribada en Afganistán, encuentra refugio en un búnker subterráneo donde se despiertan armas biológicas creadas por el hombre, mitad humanas, mitad alienígenas.
- Dirección
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- Premios
- 1 nominación en total
Reseñas destacadas
The script seemed choppy and unconvincing but I'm not entirely sure if it was actually bad or if I just couldn't get past the atrocious accents.
The story was slow and dragged it'd feet, the monsters felt repetitive, the entire premise felt forced and had no natural flow to it.
But seriously, in case I haven't hit this point enough, couldn't they cast people with authentic accents if they were unable to find anyone able to convincingly deliver on them?
. The set-up, story and conclusion, or pretty much everything, is by-the-numbers, run-down-the-mill B actioneer that also can't decide if it wants to be a horror movie or action comedy. We have an army base, a secret soviet (not nazi?!) bunker, cardboard soldiers throwing an overwhelming amount of weak one-liners, and a depthless, tired protagonist, and, of course, some monsters craving a fight with humans. About the only really decent factor of "The Lair" are the special effects, although used in abundance and leaving a taste for more. Acting wise I can only commend Hadi Khanjanpour, the Afghan prisoner on the road to being a badass, and having the only character with any sort of arc. Rest of the cast are having a lazy sunday stroll. There's a grain of an interesting horror movie idea in "The Lair", but it's all lost in a weak script and flat direction. "The Lair" gets dull and mindless already 10 minutes into it, and struggles to build any tension during the next 80, and whatever tension there might've been, is destroyed by frequent tiresome comedy.
. There really isn't much to say about this forgettable suBpar action horror film, the most fun you'll have is if you crack t least a couple beers and have some company, other than that, pass on this one, even if you love creature features. My rating: 4/10.
This is a solidly middle of the road action horror movie. The creature costumes are pretty good for a low budget movie but the CGI blood is pretty bad. I will have to say that Jaimie Barber did a good job since I didn't even recognize him until about an hour into the movie. The rest is the cast is mostly pretty decent. The main exception is the female lead. She's very pretty but not much of an actor. I didn't believe for a second that she was an RAF pilot or even British for that matter. The action scenes are pretty well done and entertaining. The plot is mostly a pile of various tropes cliches but it's serviceable.
If you want an action horror movie where the characters fight monsters, this one is perfectly okay. It's not great but I have seen far worse.
The movie is obviously influenced by the mercenary and sci-fi flicks of the 80s and 90s, and well constructed in three acts at 30 mins each. Act 1, the bunker is discovered. Will the army take heed of the warning of an unknown enemy? Act 2, battle at night with the creatures, then more information is gathered, from obduction of a creature's body to unexpected help from a local guy. Act 3, trying to stop the invasion from below. Because also Taliban forces attack, really an action-packed situation. The movie has a few weaknesses, some characters remain shallow as cardboard, some scenes are "we've seen it all before", but it was fun.
Nothing really new here. Pretty much by the numbers.
The special effects are just as average as everything else. Nothing too special. Not terrible, just your usual rubber suits and squibs.
The acting is... alright. The characters are all very one note. Everyone has their role, the muscle, the ass, the doc, the heart, etc... again, all as expected. The acting is serviceable.
The writing... meh. Tons of stupid decisions being made. Lots of nonsensical stuff and contradictions. The monsters are both nigh invulnerable and able to be knocked out by a punch. They can take countless rounds from high powered rifles, but a hammer to the head takes them out.
There's also a lot of magically teleporting moments. Like when a monster is there to grab someone when they weren't there a second ago. Or how there's a ton of them everywhere, then suddenly the place is empty, then it's full again when they need more action. Just very badly directed.
If you turn your brain off, it makes an adequate action flick to waste time with. But not really worth bothering with if you're looking for something beyond made for TV trash.
¿Sabías que...?
- CuriosidadesIn a 2022 interview with Icon Vs. Icon, Neil Marshall spoke about some of the challenges of doubling Budapest for Afghanistan and bringing the script to life: "Trying to recreate Afghanistan and Russian bunkers in Budapest was certainly challenging. There is a sequence involving an elevator shaft. We knew we couldn't film it in a real elevator shaft, so we had to figure out how to shoot something like that. There are always those types of creative challenges. Also, finding US Army vehicles in the middle of Budapest isn't the easiest thing to do! We managed to find a Humvee from Romania, which belonged to a private collector, and drove it to the locations. You write things like these into scripts so easily without thinking about how you're going to pull them off. It's only when you get into production that you start to think, 'Oh, what was I thinking when I wrote that.' We only have ourselves to blame at the end of the day!"
- PifiasAt about 35 mins, the letter Finch receives from the US Army uses British spelling.
- Citas
Major Roy Finch: Last words, after falling on a grenade: "How's that for a voluntary discharge?"
- ConexionesReferences Zulú (1964)
Selecciones populares
- How long is The Lair?Con tecnología de Alexa
Detalles
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- The Lair
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- Recaudación en todo el mundo
- 156.597 US$
- Duración1 hora 37 minutos
- Color
- Relación de aspecto
- 2.35 : 1