En el West End del Londres de los años 50, los planes para una versión cinematográfica de una obra de teatro de gran éxito se interrumpen bruscamente tras el asesinato de un miembro fundamen... Leer todoEn el West End del Londres de los años 50, los planes para una versión cinematográfica de una obra de teatro de gran éxito se interrumpen bruscamente tras el asesinato de un miembro fundamental del equipo.En el West End del Londres de los años 50, los planes para una versión cinematográfica de una obra de teatro de gran éxito se interrumpen bruscamente tras el asesinato de un miembro fundamental del equipo.
- Nominado a 1 premio BAFTA
- 4 nominaciones en total
Reseñas destacadas
It's a movie that talks about itself throughout, it's a whodunnit film and as mentioned in the movie, once you see one you've seen them all. The plot of the movie is the plot of the theatre play and movie, that's inside the movie, so when a clue is revealed in one story you know it's the same for the other.
It's suspenseful throughout but not really engaging enough to keep you on your seat. You're not really invested in any of the characters unless you're already a fan of the actors playing them, which I was. I've seen it compared to "knives out" but I don't think it's that good. Nothing really special about it because it just doesn't click, feels like it's supposed to though. There's a lot of funny bits that carry the film, but those feel like an accessory, not actually what the movie is supposed to be about, just something to elevate it. It's meant to be a mystery but the mystery doesn't do much.
It's made to be pretty simple and quirky, I think it would've been better if it took itself a little more seriously and maybe slowed down a bit. Funny and 1950's retro so there's things to love about it, but confused about what's it's meant to be so it feels all over the place.
The film moves at a leisurely pace, almost like a British afternoon tea on a rainy day. Or drinking hot cocoa while watching an Agatha Christie murder mystery as the snow falls outside. That kind of vibe, and I'm here for it.
Oh, and we get to see Adrien Brody in a Grand Budapest Hotel-like rich jerk role, and it's pretty great.
Sam Rockwell gives a great lead performance as the calm amongst a very chaotic storm of over the top performances with an impressively strong accent that never slips. Saorsie Ronan is the standout though with fantastic comedic timing and an always lovable presence.
Tom George's direction is really good, thankfully not too focused on homaging Wes Anderson and instead delivering a stylish film with some snappy editing and nice split screen. The music by Daniel Pemberton is good, matching the films quirky nature.
A. See How They Run.
I was so looking forward to this that i can't help feeling a tinge of disappointment. Towards the end of See How They Run, i was feeling almost nauseous with the use of split screen. It's every 5 minutes, and i'm not joking.
The movie thinks it's a lot cleverer than it is (telling us how the movie will end, the clever wink winks all the time). Some of the humour is great, mostly involving Saoirse Ronan who shows she's gifted in physical comedy and slapstick as well as everything else she puts her mind too.
The movie, for a whodunit, fails to fill the story with credible suspects and towards the end i had mostly lost interest in who the murderer was even going to be. Adrien Brody is great for the amount of screen time he receives but whenever he, Sam Rockwell or Saoirse aren't on screen, the movie drags.
Tom George's direction isn't the best and it makes me wonder what the film could look like if in better hands. Outside of the split screen issues, quick cuts are another constant but just makes me think of better directors and the lifting Tom George is taking from superior movies.
I went in to this hoping for another Knives Out but sadly this is nowhere near it.
It was exciting in the beginning and it kept me entertained as it progressed, till some events happened that were strongly related to the plot and did not make any sense to me. That was disappointing in addition to the movie's ending.
The acting of the main characters was not perfect but was not bad either. There was a lot of sarcastic comedy some throughout the movie of which made me laugh.
I am sad that my rating had to drop from 7 to 6 as I liked the movie but I wish if it was executed in a better way.
After all, it was a fun experience and I do not regret watching it. If you are looking for a silly movie with a mystery to solve, watch it.
¿Sabías que...?
- CuriosidadesRichard "Dickie" Attenborough greets the detectives as "Darling." This was a real-life quirk of Attenborough's which he admitted he would often use if he forgot someone's name.
- PifiasAt the end, Inspector Stoppard is awarded the King's Medal for police etc. This movie is set in 1953; while Queen Elizabeth ascended to the throne in February 1952, the name of the King's Medals were not changed to Queen's Medals until May 1954, so it is accurate that the award Stoppard received would be called "King's."
- Citas
Max Mallowan: Better make that eight for dinner, Fellowes, and let Agatha know.
Fellowes: Yes, sir.
Max Mallowan: And get a shovel to clear the path.
Fellowes: Yes, sir.
Max Mallowan: And do we have enough coal?
Fellowes: Yes, sir. Three bags full, sir.
- ConexionesFeatured in 2023 EE BAFTA Film Awards (2023)
- Banda sonoraPrendi, Prendi, Per me sei libero
From the opera "L'Elisir d'Amore"
Written by Gaetano Donizetti
Performed by Magyar Állami Operaház Énekkara és Zenekara (as Hungarian State Opera Chorus and Orchestra)
Conducted by Pier Giorgio Morandi
Courtesy of Naxos
By arrangement with Source/Q
Selecciones populares
- How long is See How They Run?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- See How They Run
- Localizaciones del rodaje
- Freemasons' Hall, 60 Great Queen Street, Covent Garden, Westminster, Greater London, Inglaterra, Reino Unido(The Ambassadors Theatre, bar)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 40.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 9.586.237 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 3.007.657 US$
- 18 sept 2022
- Recaudación en todo el mundo
- 21.966.634 US$
- Duración1 hora 38 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1