Friends and Strangers

So many long shooting cameras, so many dialogs, so many "strangers"(player s) in the movie. Boring, very boring. What on earth does the movie wanna talk about??

Affluent social masterpiece showcasing the weird socialites of Sydney in niche areas. Great representation on focused landscape I've seen in a while. Heaps real life stuff, with a relatable random storyline.

Kinda good, kinda bad.

I enjoyed 'Friends and Strangers' a bit at the beginning and a lot near the end, though the middle is lame - in my opinion, of course. The start holds intrigue and the whole chilled vibe is cool, though come the midway point it loses all steam. Thankfully, the concluding parts are its best.

It's the scenes at the villa(s) for the wedding that are the best, I genuinely enjoyed those moments. The rest is either forgettable or straight up uninteresting. It might've worked out better if they stuck with Emma Diaz's Alice, who seemed better in the acting department, rather than Fergus Wilson's Ray.

The film is going to derange regular spectators since it seems to be linking unlikely situations, but it moves forward... not in the best way since it is the director's first feature film. Obviously, more experience is needed to make his contribution more attractive and well-finished.

A sudden decision in Sydney of a young woman and man both trying to overcome a breakup, a tenure in the wild, a romance in the brink of being consolidated, a girl afflicted with curiousity, a meddling elder asking for the time, true and unwanted advice from a friend, small everyday catastrophes, random encounters, criticism of pretentiousness, cultured people dwelling in the abstraction to avoid reality... DEEP VOIDS IN LIFE.

The attitude of the female main character is quite similar to her homologous one in Eric Rohmer's LE RAYON VERT and the film shares the basis of such a narrative basis as the one of 4 AVENTURES DE REINETTE ET MIRABELLE. Burgoeisie chasing happiness but without a definite plan about that.

Static camera images are the main visual component of the film as well as dramatic ones such as grim, joy, doubt, humour, a bit of boredom, enigmsatic mystery, and existencial tragedy.

The director has shown his most important points and interests here. May he offer us a next film with a more dynamic content.

There's a lot to like in this offbeat, deadpan comedy that's part Rohmer and part Wes Anderson. Beautifully shot, and wonderful, notable performances by many of the actors, especially Emma Diaz. The character of Ray is at the center of the film, though, and the portrayal is too thin to carry it along. Clearly he's meant to be something of a cypher. But there's too little going on with the portrayal to merit the attention.