Unos recién casados se mudan a la casa de sus sueños, donde descubren una colección de cartas de hace 100 años de una joven que se suicidó tras ser abandonada por el dueño de la casa.Unos recién casados se mudan a la casa de sus sueños, donde descubren una colección de cartas de hace 100 años de una joven que se suicidó tras ser abandonada por el dueño de la casa.Unos recién casados se mudan a la casa de sus sueños, donde descubren una colección de cartas de hace 100 años de una joven que se suicidó tras ser abandonada por el dueño de la casa.
Domistre Stasia
- DomStasia
- (as Domistre)
Anthony Arrigo
- Officer
- (sin acreditar)
Reseñas destacadas
I watched this last night , not really expecting it to be any good , but , I was very surprised by it .
Now, having said that , it certainly was'nt perfect .
The plot was a bit confusing at times , but the ending explained a lot , I like it when a movie gets you thinking one way , as in predicting the ending yourself , and then turns you in a different direction, unexpectedly !
The house itself was so atmospheric , beautiful and classic .
I did get a little hint of Hitchcock here and there , no harm in directors dipping in and out of classic movies, I have no problem with that !
All in all I thought this was a very good thriller , perhaps not horror , but very captivating .
Now, having said that , it certainly was'nt perfect .
The plot was a bit confusing at times , but the ending explained a lot , I like it when a movie gets you thinking one way , as in predicting the ending yourself , and then turns you in a different direction, unexpectedly !
The house itself was so atmospheric , beautiful and classic .
I did get a little hint of Hitchcock here and there , no harm in directors dipping in and out of classic movies, I have no problem with that !
All in all I thought this was a very good thriller , perhaps not horror , but very captivating .
Most boring newlyweds move into a unique Victorian house, and yes, you guessed it, it's haunted by boring normcores who conveniently are vintage collectors and costume designers to fit perfectly into the tropes needed for the script.
Oh, we found a plate camera in the attic. Let me go and develop the film in my expensive little cellar and print some unprintable pictures from 1895 for you, you know, I love old crinkets! Wow, I was able to obtain a solid image from the 120 year old plate and look! I wonder who this lady is... And the movie unravels below expectations.
The best characters in the movie were Dawn, her boyfriend, and Rimbaud, the dog. Parker needs to get some backbone and acting classes.
Oh, we found a plate camera in the attic. Let me go and develop the film in my expensive little cellar and print some unprintable pictures from 1895 for you, you know, I love old crinkets! Wow, I was able to obtain a solid image from the 120 year old plate and look! I wonder who this lady is... And the movie unravels below expectations.
The best characters in the movie were Dawn, her boyfriend, and Rimbaud, the dog. Parker needs to get some backbone and acting classes.
I almost didn't watch this because of the laughably low rating and bad reviews. But I thought I'd try it out, and if it was horrible I'd just turn it off.
I must have watched a different film than others. I found it to be really interesting, engaging, and creepy (even though I suspected the "twist" long before it was revealed). The mood and music were very Hitchockian. The sets and cinematography were very well done. I even appreciated how the title sequence had a kind of 70s/early 80s/vintage vibe to it that matched the warm SoCal setting.
There were a couple of scenes here and there that were a little too dark (like, I couldn't make out what I was looking at), but not enough to make me feel frustrated with the movie overall.
And again, even though I was pretty sure there was going to be a twist of some sort, I was interested in everything that was unfolding.
I found the acting to be quite good, too. I mean, not Oscar-level or anything, but certainly good enough that I wasn't rolling my eyes at any time. Even the characters that seemed a little cheesy reminded me of ACTUAL people I know who are a little cheesy, so they still felt believable. (It was NOT "Lifetime movie" style acting in my opinion!)
I'm not sure I would actually rate it a 9/10 -- maybe more like a 7. A good movie but one that I probably won't go around telling everyone to watch. Still, I'm giving it a 9 in the hopes of boosting its overall rating so people don't just skip over it like I almost did, because I DID think it was worth my time to watch.
Honestly, with all the tripe on streaming these days, this one is a LOT better than most! The VERY final scene, in fact, hinted that there might have been yet another layer I missed on the first watching, so I might give this one another go around and who knows... I may start telling everyone to watch it, lol.
I must have watched a different film than others. I found it to be really interesting, engaging, and creepy (even though I suspected the "twist" long before it was revealed). The mood and music were very Hitchockian. The sets and cinematography were very well done. I even appreciated how the title sequence had a kind of 70s/early 80s/vintage vibe to it that matched the warm SoCal setting.
There were a couple of scenes here and there that were a little too dark (like, I couldn't make out what I was looking at), but not enough to make me feel frustrated with the movie overall.
And again, even though I was pretty sure there was going to be a twist of some sort, I was interested in everything that was unfolding.
I found the acting to be quite good, too. I mean, not Oscar-level or anything, but certainly good enough that I wasn't rolling my eyes at any time. Even the characters that seemed a little cheesy reminded me of ACTUAL people I know who are a little cheesy, so they still felt believable. (It was NOT "Lifetime movie" style acting in my opinion!)
I'm not sure I would actually rate it a 9/10 -- maybe more like a 7. A good movie but one that I probably won't go around telling everyone to watch. Still, I'm giving it a 9 in the hopes of boosting its overall rating so people don't just skip over it like I almost did, because I DID think it was worth my time to watch.
Honestly, with all the tripe on streaming these days, this one is a LOT better than most! The VERY final scene, in fact, hinted that there might have been yet another layer I missed on the first watching, so I might give this one another go around and who knows... I may start telling everyone to watch it, lol.
There was a more interesting plot with the the blond thot neighbor and the husband, me thinking she would seduce him over the wife only to be subverted for a haunted house plot twist with the wife being the hero; the most boring , bland, annoying, shallow, oblivious, unappealing, useless character in the entire movie. The lace front wig on the best friend was trash. The black women seemed more like trophy wives rather than actual characters. They might have have well been foreign-owned mail order wives from thailand. The plot seemed more consumable following the husband and in figuruing out why hes being stalked or whatever but then the cinematography got more and more confusing as it went on. Also, only white people died or bled which was unbelivable.
The basic story of the movie is really good, couple move into haunted house.....he has had a stalker.....overbearing neighbour.......troubled writer, etc, etc.
John Magaro is excellent as the writer, the interplay between the dreams and real life is good enough and the direction leans heavily on Hitchcock, Giallo and, at times, Kubrick for inspiration.
However the issues come with the execution. The wife of our 'protagonist' is terrible. Absolutely no chemistry with her husband (she may get on well with the furniture as she is that wooden). Several scenes seem to have been created without consideration to the rest of the movie. The wife is angry one minute and cheerful the next, the angry neighbour is angry, errrr.......because? And the pacing is so off it feels like a waltz.....slow, slow, quick quick slow.
John Magaro is excellent as the writer, the interplay between the dreams and real life is good enough and the direction leans heavily on Hitchcock, Giallo and, at times, Kubrick for inspiration.
However the issues come with the execution. The wife of our 'protagonist' is terrible. Absolutely no chemistry with her husband (she may get on well with the furniture as she is that wooden). Several scenes seem to have been created without consideration to the rest of the movie. The wife is angry one minute and cheerful the next, the angry neighbour is angry, errrr.......because? And the pacing is so off it feels like a waltz.....slow, slow, quick quick slow.
¿Sabías que...?
- CuriosidadesThe Queen Anne Victorian mansion in the film is the actual home of the director, Greg Pritikin, and is part of a community of restored Victorian homes in Los Angeles neighborhood Angelino Heights. This house resides on E Kensington Ave.
- PifiasThe darkroom has a window which lets light in. Any such light would cloud and ruin any film or photograph developed while the light was shining. A photographer would have it covered with blackout curtains.
- ConexionesFeatures El extraño (1946)
- Banda sonoraIn the Shadow of the Pines
(uncredited)
Music by G.O. Lang
Lyrics by Hattie Lummis
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Detalles
Taquilla
- Recaudación en todo el mundo
- 61.766 US$
- Duración1 hora 46 minutos
- Color
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