Pacto de silencio

The acting by a stream of well known faces who were young I when I was also young are very good, and being a similar age as them I could relate to some of what they were experiencing in the story. I listened to a review on the radio criticising the movie because of the difficulty of enjoying watching people past their prime in a suspense movie. Maybe the reviewer should have stuck to the Bourne movies to get their kicks.

Well age has nothing to do with it but maturity certainly does. The appealing theme here is that we don't leave our past so far behind us that it doesn't exert any major influence on us years later. In fact the more years that pass the more significant the past can become. I suggest you don't be put off by the negativity of what some others say and see the movie.

Forty years ago, members of the Weathermen robbed a bank in Michigan, killing a woman in the event. The people involved scattered into the wind. Now Susan Sarandon, has been arrested by the FBI for her part in the murder, and the police are looking for her accomplice, Robert Redford. For the past quarter of a century he has been keeping his head down as a lawyer in Albany, New York, raising his daughter, mourning the death of his wife. Plus he wasn't at the robbery, but the only person who can prove that is Julie Christie, and he has no idea where she is.

As the movie progresses we see former campus radicals, and the staid individuals they have become. Judging by the quality of the actors, they are a minorly distinguished bunch: Nick Nolte, Chris Cooper, Stanley Tucci, Richard Jenkins, Sam Elliott.... it's the sort of cast that Sundance founder, director/producer Robert Redford could assemble for a meditation on right and wrong and issues about whether the ends justify the means, and what punishment can be added to four decades in hiding, terrified that you'll be sent to jail.... and wriggles out of the dilemma by making Redford innocent. Of course we're on his side! He's Robert Redford! He's a good dad! He didn't do anything!

Still, it's good to watch these expert thespians at work.

Robert Redford stars with a wonderful cast of golden oldies in "The Company You Keep," a 2012 film.

Redford plays Jim Grant, an attorney and widower, who is contacted by a friend to help a former activist (Susan Sarandon). Now a housewife, she has just been arrested for the murder of a bank guard during a robbery many years earlier.

At that time, she was a member of the notorious underground Weathermen group, which protested the Vietnam war, the killings at Kent State, and were part of the violence and chaos of the time. She was intending to turn herself in, but the FBI got to her first.

Grant says he can't help, but that puts an ambitious reporter, Ben Shepard (Shia LeBoeuf) onto him. It doesn't take long for Shepard to find out that Jim Grant is in reality Nick Sloan, part of the Weathermen, who has changed his identity. Grant/Sloan goes on the run, leaving his 11-year-old daughter with his brother (Chris Cooper).

This tells the reporter that Sloan is not intending to go underground and take on a new identity, or he would have taken his daughter. Shepard thinks that Sloan is trying to clear his name once and for all, and is attempting to locate other Weathermen in order to help him.

The cast includes, besides those listed above, Julie Christie, Stanley Tucci, Sam Elliot, Nick Nolte, and Brit Marling.

I had two major problems with this film, which was actually good if not terribly suspenseful. The first is, I was around during the era talked about in the film; and the second thing is, I remember what Robert Redford used to look like.

This film I believe is supposed to take place in the present day, yet everyone talks about these events that occurred "thirty years ago." Well, not to be picky, but "thirty years ago" is what, 1981, since the film was made in 2011.

Youthful uprisings, protests against Vietnam, the Kent State killings -- I'm sorry, those happened 40-45 years ago. What happened thirty years ago? Dynasty. Ebony and Ivory. Diana and Charles got engaged. Reagan.

The second issue I had is this: Susan Sarandon, Richard Jenkins, and Stephen Root were the right age to play aging hippies (so is Chris Cooper but he didn't play one); Christie I could buy - first of all, she's fabulously beautiful and doesn't look her age - and secondly, her character was a Jane Fonda type, so she would have been active in her early thirties, as the character still was an activist. Nick Nolte - I'm not totally convinced that his character was an activist in his late twenties and thirties.

But Robert Redford is 76. Now, I've read where people think he looks good. I think he looks every millisecond of 76. He's obviously supposed to be playing someone 10 years younger, and to me, he doesn't pull it off.

And the 11-year-old daughter - I find that interesting. They cast women as mothers who in real life are one year older than the person playing their sons, but no one blinks when Redford or Eastwood have children under ten.

Unfortunately, those distractions took away from this film for me. If I hadn't lived through that time, I could have gotten into it more. I admire Robert Redford, I like that he does this type of film, but he needs a small reality check. He wasn't a hippie then, and he's not an aging hippie now.

Although not one of Redford's best, "The Company You Keep" is still way better than the majority of so called thriller/dramas produced these days in my humble opinion...excellent acting all round, Redford is good as usual (if looking a little too old maybe for this role) and the supporting cast (Cooper, Tucci, Christie and Gleeson in particular) are a credit as well. Whilst there are not a lot of twists and surprises that you can't see coming, it's the way the story is told and unfolds, and it makes you think about your ideals and sacrifices and plotted that really counts. Although I'm a Brit in my 40's and the material is not familiar to myself at all I really enjoyed the ride. Solid, if not spectacular, but definitely worth the time to view.

The first thing I would like to say about this film is that it kept me entertained for two hours without once glancing at the clock.This in itself is no mean achievement in an age where many movies are unnecessary long. Hollywood obviously believes length is important if you want to be successful. Entertaining as it was I'm not so sure it was plot that kept me watching as much as the parade of veteran actors on display. A rather disparaging comment and maybe one that should have been reserved for the confusing historical context of the storyline itself. Being of an age that remembers the activities of the Weather Underground I was under the impression that their acts of terrorism had ceased by the time the Vietnam peace agreement was signed in 1973 since the Vietnam War had been the organisation's raison d'etre but in this film the Weather Men are still on a mission as we approach 1980. The film also has amusing parallels with another piece of Redford left-wing theatre, 'The Way we were'. In this 1973 film the Redford character, a talented screen writer, backs away from confrontation with the Communist witch-hunt in Hollywood and seeks respectability by compromising his ability and forsaking the woman he loves in the process. His 2012 alta ego also loses his passion for the cause and sacrifices love and a daughter by walking away, 'I grew up'. In both films Redford played people much younger than himself. I'm not sure what this says about Robert Redford but I think my wife summed it up when she remarked after watching an early scene in 'Company, 'He's not the father of that young girl, is he?' Exactly, a 75 year old unconvincingly playing somebody twenty years younger while in 1973 film he was a 36 year college student! Anyway,enough of Redford who otherwise gives a competent performance. It was good to see Julie Christie again and who along with Nick Nolte, Susan Sarandon and Chris Cooper and still capable of teaching the young pretenders a thing or two. All in all and enjoyable and nostalgic evening's viewing.