Spy Kids: El armagedón

"Spy Kids: Armageddon" is a colossal disappointment, a film that crashes and burns spectacularly despite the potential of its exciting premise. The film is an incoherent mess, struggling to find its identity amidst a chaotic blend of half-baked ideas and poorly executed action sequences.

Rodriguez's direction further exacerbates the film's issues. The action sequences lack excitement and creativity, relying heavily on CGI that feels dated and unimpressive. There's a distinct lack of innovative choreography or visual flair, making the movie visually unappealing despite its supposed 'spy' theme. It's a shame to see a director of Rodriguez's caliber produce something so lackluster and uninspired.

In conclusion, "Spy Kids: Armageddon" is a prime example of how a once-beloved franchise can be tarnished by careless filmmaking. Roberto Rodriguez's direction, which was once celebrated, has now become a liability, leading the series into a downward spiral of mediocrity. This film is a disheartening reminder of what can happen when creativity takes a back seat, and commercial interests drive the filmmaking process.

If your looking for a movie to watch with your family about cool spy's saving the world.... Well find a different one this on sucks definitely don't recommend the director should probably rethink his career choices honestly he shouldn't make movies anymore nothing against him personally this movie was just annoying and hard too watch. Terrible movie also who you gonna have a secret agency where anyone can find you cuz it's literally labeled in the middle of the city that didn't make sense tbh the whole movie makes no sense they tried tho they could have tried harder in my opinion thats a whole 1 and 40 minutes im never getting back kinda disappointed in myself for watching it now.

How many years has it been since the franchise ended. Many you may say or not enough you may think. Well fear not as Netflix now presents a reboot of the series containing everything you didnt miss about the others. Tony and patty's parents are spies. Of course they don't know and after Tony downloads and tries to beat a new game. A evil man steals the universal code to unlock things and tried to enslave the world. You know the usual. I didnt think much of the child actors and thought they seemed a little annoying. Gina and John were good but cheesy in the subject of this film. I missed the thumb people but we do get skeletons that kinda reminds me of the Argonauts ones we got in the second film. Overall this film did seem a little too childish and wasent really in the spirit of the original. Still a good watch though.

The trilogy was silly and good in some way and the fourth part was bad but this reboot fails to match the level of the original. The movie is little bit entertaining and enjoyable but overall, it is just a average movie with forgettable story and characters. The story was average and ineffective, the screenplay was uneven, the direction was below average and the performances were okay. The family bond, which should have been an important part of the movie was totally missing.

Overall, you will not love this movie and I would recommend you to just watch the first two parts. They are enough to entertain you. This reboot was literally not needed.

"Spy Kids: Armageddon," the much-anticipated reboot of the beloved franchise, is a catastrophic failure in every sense of the word. Roberto Rodriguez seems to have lost his touch entirely, delivering a film that not only tarnishes the legacy of the original movies but also leaves the audience questioning the very essence of storytelling.

From the beginning, it's evident that Rodriguez has abandoned the heart and soul of the Spy Kids series. The once-charming child spies, Juni and Carmen Cortez, are reduced to mere caricatures of their former selves. Their witty dialogues and endearing sibling dynamics are replaced by cringe-worthy one-liners and forced chemistry, making it painful for fans of the original films to watch.

The plot, if it can even be called that, is a convoluted mess. The storyline jumps erratically from one poorly executed action sequence to another, leaving the audience bewildered and disconnected. The introduction of new gadgets and gizmos feels forced and uninspired, lacking the innovation.

Rodriguez's direction further exacerbates the film's problems. The action scenes, which should have been the movie's saving grace, are plagued by shoddy choreography and sloppy editing. The once-impressive visual effects are now laughably outdated, making it seem like a desperate attempt to cash in on nostalgia without putting in the effort to update the film for modern audiences.

Moreover, the performances from the cast are uninspired at best. It's almost painful to watch talented actors sleepwalk through their roles, delivering lines with a lack of conviction that further emphasizes the overall lack of effort put into this project.

In conclusion, "Spy Kids: Armageddon" is a prime example of how not to revive a beloved franchise. Roberto Rodriguez's direction, paired with a lackluster script and uninspired performances, results in a film that is not only forgettable but also deeply disappointing for fans who were hoping for a worthy successor to the original Spy Kids movies. Instead of breathing new life into the series, Rodriguez has managed to bury it even deeper, leaving audiences to wonder why this ill-conceived reboot was ever made in the first place.