En un páramo postapocalíptico, una mujer se rebela contra un gobernante tiránico en busca de su patria con la ayuda de un grupo de prisioneras, un adorador psicótico y un vagabundo llamado M... Leer todoEn un páramo postapocalíptico, una mujer se rebela contra un gobernante tiránico en busca de su patria con la ayuda de un grupo de prisioneras, un adorador psicótico y un vagabundo llamado Max.En un páramo postapocalíptico, una mujer se rebela contra un gobernante tiránico en busca de su patria con la ayuda de un grupo de prisioneras, un adorador psicótico y un vagabundo llamado Max.
- Director/a
- Guionistas
- Estrellas
- Ganó 6 premios Óscar
- 245 premios y 234 nominaciones en total
Iota
- The Doof Warrior
- (as iOTA)
- Director/a
- Guionistas
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
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Resumen
Reviewers say 'Mad Max: Fury Road' is acclaimed for its intense action, groundbreaking stunts, and practical effects. The post-apocalyptic desert setting and scarce resources are pivotal. Tom Hardy and Charlize Theron's performances are lauded for their chemistry and depth. The film's feminist themes and strong female characters are highlighted, though some critique the story's simplicity and lack of backstory. The visual style and cinematography are frequently praised. Despite minor criticisms, it is often hailed as a modern action classic.
Reseñas destacadas
Pure action spectacle
MAD MAX: FURY ROAD is the finest piece of pure action spectacle that I've watched since THE RAID 2 and JOHN WICK. It feels like the MAD MAX film that George Miller always wanted to make, and in many ways it's a virtual remake of MAD MAX 2: THE ROAD WARRIOR, except with a grossly inflated budget and CGI effects used to enhance rather than dominate. Now, I love THE ROAD WARRIOR and always will, but MAD MAX: FURY ROAD truly is an action film for our times.
I know that some will hate it; the story here is action and action alone and there's little else to get in the way. It's one long chase film and the amazing thing is how they manage to sustain the momentum for a good two hours. Exemplary cinematography and quite wonderful direction is what makes this work. With bad direction it would have been a real chore to sit through, but instead we get tons of suspense, great fight scenes, and incredible spectacle. This is the kind of film you watch to see stuff that's never been done before.
Tom Hardy feels like an obvious fit for the role and brings some working class style charisma to the part. As many have commented, Max is often a supporting player in his own film, but Charlize Theron as the real lead is excellent too, so that's not important. Even Nicholas Hoult in support is fantastic. I loved the way that the bad guy is played by Hugh Keays-Byrne, who was the villain in the first MAD MAX all those years ago. Overall, though, this is a film not about the people, but the Namibian desert landscapes, the modded vehicles, the speed, the violence, the overall thrill of the chase. And it's pretty much my idea of a perfect film.
I know that some will hate it; the story here is action and action alone and there's little else to get in the way. It's one long chase film and the amazing thing is how they manage to sustain the momentum for a good two hours. Exemplary cinematography and quite wonderful direction is what makes this work. With bad direction it would have been a real chore to sit through, but instead we get tons of suspense, great fight scenes, and incredible spectacle. This is the kind of film you watch to see stuff that's never been done before.
Tom Hardy feels like an obvious fit for the role and brings some working class style charisma to the part. As many have commented, Max is often a supporting player in his own film, but Charlize Theron as the real lead is excellent too, so that's not important. Even Nicholas Hoult in support is fantastic. I loved the way that the bad guy is played by Hugh Keays-Byrne, who was the villain in the first MAD MAX all those years ago. Overall, though, this is a film not about the people, but the Namibian desert landscapes, the modded vehicles, the speed, the violence, the overall thrill of the chase. And it's pretty much my idea of a perfect film.
A Vehicular Magnum Opus That's Short on Plot But Heavy on Everything Else
Rewatching this before Furiosa felt like a cornucopia of action, eye candy and quite simply, madness. It's a film that has a simple plot and premise but is heavy on pretty much everything else from dedicated actors sinking into the madly written lines and plot, gorgeous cinematography, an excellent audio score and the excellent use of practical effects. Seriously it uses such a blend of practical effects within special effects that compliment each other so well you start to believe they're actually in these crazy chase sequences including a ridiculous one through a live sand storm that was wicked to watch unfold. My only complaints would be it could have used a little more complex plot and Max himself could have been in the movie more as a protagonist instead of feeling like a supporting character in a movie with his name in the title. Other than that it's a wild ride from start to finish with almost near non stop action to keep you invested until the climactic, while partially abrupt, finish.
A blockbuster that dark, gritty, brutal and bloody? Right here.
I was left speechless when this finished. It can be hard to describe indeed.... but I'll go for it... Sheer madness that isn't sullied by bad acting or laughable lines. A blockbuster that is gritty and doesn't have a sense of humour that could be equated to a fluffy kitten. No 'lets all hug' sentimental BS. This is seriously a movie I thought I'd never see: a CGI-filled blockbuster that I flat out loved. The stunts are so much fun, the FX so great, it is the first movie I have seen where I have thoroughly enjoyed all this type of stuff - probably because the cinematography for once doesn't suffer cos of it. It is all incredibly shot. The action is so brutal and appropriately high-octane. I thought to myself more than once, 'I think I am loving this more than Terminator 2' but other than that, there wasn't time to think. It kicked off fast and barely stopped, and the lulls were amplified by the insanity preceding them. Plus it is a dark film, which made it even better. I many people do an Aussie accent even close to well, was Hardy actually trying for that? Either way, he didn't talk much so it didn't really matter. This is more Theron's movie than Hardy's, he doesn't say much and does next to nothing for the first third or so. Theron's Furiosa is more of the hero is the story, if there were to be a hero in such a grisly and dark world. I don't even like this type of movie but the execution is everything. I'm gonna go see this again, soon. 4.5/5
Well made and mindlessly entertaining....
"Mad Max: Fury Road" is not the sort of film I enjoy and I after watching it, I am not a huge fan though I deeply respect the filmmakers. The reason I even saw it was the insane reaction the public had to this one...and the critical reviews were all surprisingly good. I wanted to see what all the hubbub was about...and try to understand why folks liked it so much. My take on it is that if you enjoy a film that is non-stop amazing action, then this one is for you. As far as the story goes, it's plot is super-thin--but the movie is handled so well and the stunts so amazingly insane that you don't mind. Worth seeing--but I sure wouldn't like to see a lot of films like this. Additionally, it was VERY refreshing to see a film where so many women are NOT mindless objects to be killed or protected--several are about as strong and heroic as Max himself--and no doubt this is why women seemed to like the film so much.
What A Lovely Day!
The rationale behind the success of 'Fury Road' predominantly lies with director George Miller whose commitment and love for the film series that he's been developing since its first outing in 1979 is evident throughout, and it's pretty obvious that he knows how to craft a damn fine action sequence. Without this passion, the film would have likely stooped as there's not much else in the way of a plot or character development, even though Theron tries her hardest to give us an enthralling new action heroine to be revered. Aside from the aforementioned writing setbacks, 'Fury Road' is a powerhouse in the technical categories. With stunning contradictory cinematography from John Seale giving us a post-apocalyptic world of lavish colour rather than your typical muted tones, a heart-pounding score from Junkie XL and exquisite production design work that rightfully earnt the film an Oscar (one of six) for its spectacular vehicle design.
Banda sonora
Obtén una vista previa de la banda sonora aquí y continúa escuchándola en Amazon Music.
¿Sabías que...?
- CuriosidadesThe flame-shooting guitarist is Australian artist/musician Sean Hape (his father is Maori so his surname would be pronounced "hah-peh"), better known as Iota. In an interview on Vice (2013), he said the guitar weighed 132 pounds and shot real gas-powered flames, which he controlled using the whammy bar.
- PifiasThere are several scenes in which people, including The Splendid Angharad, grab onto the vertical exhaust pipes for support while crawling around on the outside of cabin of the War Rig. Truck exhausts can often reach temperatures greater than 350 degrees Fahrenheit, which would have made holding onto them with bare hands impossible.
- Créditos adicionalesNear the end of the credits there is a memorial dedication that reads "Lance Allen Moore II, May 24, 1987 - March 10, 2015." Apparently Moore was a Mad Max fan killed in a motorcycle accident near Silverton, New South Wales, Australia, where Mad Max 2: The Road Warrior (1981) was filmed.
- Versiones alternativasA "PG-13" version was created, but only screened for American test-audiences. Positive feedback towards the "R-rated" version convinced Warner Bros to release it, theatrically.
- ConexionesEdited into Terror Nullius (2018)
- Banda sonoraElegy For Rosa
Composed by Eleni Karaindrou
© ECM Records/Verlag GMBH
Licensed courtesy of J. Albert & Son Pty Limited
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Mad Max: Furia na estrada
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 150.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 154.280.290 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 45.428.128 US$
- 17 may 2015
- Recaudación en todo el mundo
- 380.456.026 US$
- Duración
- 2h(120 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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