Kill Boy

It's called Boy Kills World, not Boy Meets World. So as not to get those two titles confused. It can happen, until you sit down to watch this one.

It's not going to be confused with any arthouse, fancy cinema fare, either.

There is an audience for this and they will be completely entertained and walk out of this experience totally satisfied.

I'm just not a part of that audience.

It's a decent flick.

Just based on the inspired casting and the look of the whole movie alone, it has to be a six.

But I have to stop there.

If you're well versed in action films that predate, I'd say, 2010, then you've seen this movie before and with better execution and certainly a better, more detailed storyline.

The fight sequences are solid but the rest of it is not.

The protagonist is a deaf mute who's hellbent on revenge.

Only we hear his inner thoughts.

A lot.

He talks so much in voiceover that it gets old super quick and it never stops.

The whole movie.

A quip here.

A deep thought there.

Thoughts on this. Thoughts on that.

He may be kicking major butts but he's a regular chatty Cathy on the inside.

Good grief.

There's still things to love about this movie.

Famke Janssen (Rounders), Michelle Dockery (Downton Abbey) two of my all time crushes.

Love them still and love them both here. Lots.

Yayan Ruhian (The stellar Raid films) and Brett Gelman (The Other Guys, Stranger Things) Love those dudes!

And I totally get Bill Skarsgard trying TJ distance himself from It, and rip himself up for this role.

But as good as this movie looks, and everybody in here is good in their parts.

It's just not a great movie.

It could be great with better writing and less voiceover.

There are far superior movies out there about vengeance.

Boy not only Kills World, he kills this movie.

Oddly enough, as I consumed this film, it reminded me of a few female driven action movies of the last thirty years or so: Tank Girl, Aeon Flux, and Ultraviolet.

I won't even bother to explain it but it just does.

There is an end scene of some substance that's worth sticking around for.

Well, if you enjoy movies with a lot of emphasis on raw action, gunfights and martial arts, such as "John Wick" for example, then you're in luck if you opt to sit down and watch the 2023 movie "Boy Kills World". Director Moritz Mohr delivered a movie that was rather action-packed from start to end.

The storyline in the movie was pretty straightforward, though a bit simplistic, as it was a simple revenge movie. But then again, action movies such as this doesn't really need a complex or cerebral narrative. Nay, you just lean back, munch on the snacks and enjoy the over-the-top action. Writers Tyler Burton Smith, Arend Remmers and Moritz Mohr put together a fast paced action flick.

And over-the-top action is exactly what "Boy Kills World" is. There is an abundance of fight scenes, which I have to admit that I definitely enjoyed. It was choreographed quite nicely and executed nicely as well. So it was like watching a ballet of action and violence. And I have to say that Bill Skarsgård definitely carried the movie quite well.

The movie does have a good cast ensemble, with the likes of Bill Skarsgård, Jessica Rothe, Michelle Dockery, Brett Gelman, Yayan Ruhian, Sharlto Copley and Famke Janssen. And the acting performances in the movie were good.

Something I didn't really enjoy in the movie, and it was there from start to end, was the voice over done by H. Jon Benjamin to give the mute and deaf character Boy an internal voice. I grew very tired of listening to that rather quickly. But of course that is a matter of personal preference.

Visually then "Boy Kills World" is good. The action is nicely brought to the screen in a very dynamic and adrenaline-filled manner, and the special effects look good as well. The wardrobe department also worked their magic quite well in the movie.

I will say that I was rather surprised with the outcome of this movie, because I wasn't expecting a Bill Skarsgård movie to be that much in your face. And I have to say that I was genuinely entertained throughout the entire 111 minutes that the movie ran for.

However, "Boy Kills World" hardly seems like a movie that will make it to my screen a second time, as there just isn't enough contents to the script to make it a movie that I will be watching a second time.

My rating of "Boy Kills World" lands on a well-deserved seven out of ten stars.

Boy (That's his name) witnesses the murder of his family at the hands of goons who work for the dysfunctional crime family who run a dystopian city at an unspecified location and date. Boy is rescued by the Shaman, who subjects him to a brutal regime of martial arts training, so that he grows up to be a lethal killing machine (Bill Skarsgard), whose sole purpose is revenge.

So far, so seen-it-all-before, so yada-yada-yada. Boy Kills World, however, brings enough originality to the old tropes that the viewer is happy to go along with things as they take increasingly-bizarre turns. To start with, Boy is a deaf-mute. He can read lips, and hears a voice-over in his head. He's also haunted by the ghost of his younger sister, who acts as his guide and moral conscience.

Naturally, he embarks on his elaborate revenge, leaving a trail of bodies killed in inventive and extremely bloody ways. There's a lot of John Wick, and a big slice of The Running Man. There are also a surprising number of laughs, with great comedic performances from Brett Gelman, Isaiah Mustafa, Sharlto Copley and Andrew Koji. Gotta love June27 as well.

As you'd expect, there's also a twist at the end, but it's twisty enough to pack a punch.

This is not high art. This is not a film that rewards analysis. Nothing about it is outstanding, and its plot-holes have plot-holes. If, however, you can switch your brain off and go long for the ride, it's a wild and satisfying one.

Boy Kills World is a total blast. A winning combination of brutal violence and weird humour tied together in a story that does enough to make you care about the characters. It moves efficiently, has some clever twists and an unforgettable fight involving a cheese grater. Like all the best action comedies, the zany humour disguises the beating heart at the centre.

Bill Skarsgård proves he doesn't need dialogue to communicate. He can do so much with just his eyes and the fact that it all syncs up really well with H. Jon Benjamin's suitably over the top voice over is just a bonus. Plus he has an adorable rapport with Quinn Copeland. Andrew Koji isn't given a chance to show off his physical prowess but is given the time to show how surprisingly great he is at comedy.

Mortiz Mohr's direction nails the balance between self awareness and sincerity, translating some of the language of video games to cinema effectively. With cinematography by Peter Matjasko, the camera moves with the action rather than against it. It's always fluid and bloody inventive, saving the best fight for last. It's the kind of final fight where the choreography is impeccable, the blows are nasty and it goes on for so long it's exhausting in the best ways.

I wanted to like this more than I did.

The fight scenes were fun, and the gore was excessive, but I couldn't bring myself to care all that much.

I think it might have to do with the mismatch between John Benjamin's voice and the actor playing the boy.

I couldn't quite reconcile them as being the same person so it felt like the entire movie was being narrated like MSTK or something.

Also some of the shaky camera fights were hard to make out in between limbs breaking.

I was relieved to see a new IP and it deserves to be supported, but I would say this was more of a rental or even a matinee movie.