La dama del lago

Drama and story-telling for grown-ups.

I can see why some people don't like this. It's not conventional and simple story-telling. The two main characters, Cleo Johnson and Maddie Schwartz are deeply flawed people. Schwartz especially so, as she is quite unsympathetic and unlikeable. Johnson's story is that of a smart person who can't stop making bad choices. I find all this refreshing and relatable. It's so much more like real life. If you're bored with it, good for you - go back to your Marvel movies or 'Emily in Paris'.

I also get to play one of my favorite TV and movie games - spot the twist in advance. I know there's one or two big ones here, but by episode three they aren't revealed, so it's fun to try and guess. Maddie Schwartz was suspiciously quick in finding a murder victim in a very remote location; something tells me that will have a bearing on things.

Kudos also to Jennifer Mogbock in episode 1. Her character is forced to sing on stage while severely intoxicated and manages to turn it into something strange and beautiful. Actually 'strange and beautiful' sums up the best about this show when it's hitting its high notes.

It falls apart fast especially with all the dream sequences. Almost nonsensical by the end. The basic story would have worked fine as a straight mystery without all the additional fantastical elements and the weak social commentary. I know I'm supposed to admire both of those things and the crazy production design but it just does not work. I battled my way to the end of each episode and went on to the next just because I'm a completist and I do like Portman in most of her films. I cant recommend this series and I'm surprised at the range of reviews and ratings for the series here. To each his own.

It's 1966 Thanksgiving in Baltimore. A little Jewish girl gets taken by Santa Claus. Maddie Schwartz (Natalie Portman) has a connection to the girl and has a passing encounter with Cleo Johnson (Moses Ingram). Both women are mothers and struggling with the men in their lives. Both are downtrodden in different ways. Maddie leaves her husband and goes searching for the little girl. Cleo Johnson (Moses Ingram) is the narrator trying to survive her corrupt boss who runs the numbers and a savvy politician looking to clean up the corruption.

This limited series starts with a problem. I don't always like narrations and this one promises something. It's Cleo Johnson talking. She claims that Maddie comes in to write about her but doesn't actually know her life while she's alive. With that opening, I expect Cleo to be dead by the first episode. Instead, it's another character and let's not talk about the twist. Basically, it promises one thing and does a switch or two switches. I actually like the style and the story until the ending. This show has some good elements like Natalie Portman, but it keeps on dropping the ball.

A drama about two women fighting two different battles to achieve a common goal. A drama about freedom told with magnificent visuals supported with great music. Dynamic set of characters that enables a wide exploration into the western society that's undergoing rapid change. Sincere performances by the cast full of expression. There are no heroines even the central characters are criticized for their selfish desperations. It's different not the typical thriller most of us come looking for yet succeeds in keeping any viewer engaged till the very end. Absence of a one central theme makes this watch even more worthwhile.

The characters are strong, deep and the acting is superb. The story is good, as is the adaptation to the format. The main characters are not necessarily to be liked, but rather understood.

I'm only through the fourth episode and would binge the rest if they were available, but now I'll wait for the rest each week. The parallel storylines melt together and double the intrigue. I truly do not understand why anyone could hate on this series. I'm really enjoying it.

Too early to say for sure, but I suspect a couple of additional episodes might have helped. Some of the backstories could have used more development and depth. Overall, I'm glad that we gave it a watch and recommend it.