Un polvo desafortunado o Porno loco

Awesome movie, but I don't think a person not familiar with Romanian culture and history will understand it properly. I generally don't like artsy films, but this was an example of one done right. It has kept me interested throughout, with minor exceptions. Sometimes you laugh, sometimes you get sad, ashamed, bored, confused. It cycles you through these emotions in a dynamic way.

I also liked the fact that they've advertised some of the sponsors straight on, without trying to hide it in any way.

Because of a leaked sex tape, a teacher finds herself scrutinized and reviled by the system.

Rade Jude is an iconoclast but not a gratuitous director and writer. Halfway through he film he references Pasolini, and that makes perfect sense, the Bunuel from "le charme discret de la bourgeoisie", would have been at home too. This movie is an indictment of our moral hypocrisy, be it pertaining to sexual behavior, but also to social and political constructs, and in a very contemporary manner to all the lies and pretense surrounding our individual ways of handling the Covid pandemic.

This movie is graphic, VERY graphic! If you're easily shocked, see something else. But if you don't mind being provoked, being made uneasy, or even challenged in what you consider proper, as long as it is for a reason, go for it.

I don't want to go in spoiler mode, the movie deserves to be discovered as you see it. However it has three parts, each with its own cinematographic language and esthetics. Each part invites us to consider a different angle of the same issue: our relationship to images, their meaning, and the value, or infamy, we attach to them.

From the opening right in your face use of them, through a contemplative approach of the disconnect between what we see and what we're told we see or what we're told to watch, through an exploration of the lies or over-meaningfulness we create when we associate images and comments on these images, to the absolute hypocrisy of the morally woke and conservative puritans alike when it comes to confronting ourselves to the beyond the surface value of images.

And despite the content it is not at all a boring intellectual movie, it is fun, it is in your face, it is masterfully shot, and it solicits your eyes as much as your brain.

Jude is the most experimental, controversial and radical romanian filmmaker: his films never cease to offer a poignant satire of society, irredentism, or his country.

His latest film is a prime example of his peculiarities. The subject is a leaked sextape of a teacher, and the scandal it rises among parents.

The opening of the film features the actual footage of an explicit, unsimulated sextape, not for the purposes of realism (as it could have been with any other Romanian New Wave director), but to force the viewer in the act of voyeurism that will be very blatantly shown in the third act: this chapter of the film features a sort of "trial", in which the teacher is forced to face the parents of her students. When one of the parents shows the video to the others with the purpose of "showing things for what they are", the other parents mock the teacher, laugh, or watch with perverse passion. Through this external sight, the viewer is thus confronted with the reaction they probably displayed at the beginning, a very clever way to involve the audience.

The previous two chapters of this three-chapter story each have their own purpose. The second chapter is a sort of glossary/collection of anecdotes, which introduces briefly all the notions that are later mentioned in the discussion of the third act: not only sex or equality related concepts, but domestic violence, history and romanian historical episodes (as that is the teacher's subject), philosophical concepts, even a metacinematic consideration, all with the goal of preparing the viewer for the final act. It is not only a way to put all viewers on the same page, but also to make explicit the thematic range of the film.

The first chapter features Emi (the teacher) walking around Bucharest doing chores. Through her journey, Jude shows the city as it is under the pandemic (the film was entirely shot last year) and its effects of distress on people, more and more nervous, without disdaining some subtle visual digressions.

While Jude makes very clear which side he supports in the debate of the third chapter, he chooses to give three different endings to the story, which I won't disclose, maybe to thus imply that the viewer has to judge for theirself.

The point is clear: our society is shallow and stupid. But the way it was delivered was... Well, shallow and stupid as well. Chaotic scenes, vulgarity just for the sake of 'art', no emotion triggered whatsoever (except a little bit of a disgust actually. Maybe that was the point). Even the quasi-intellectual criticism didn't help. And the third part was intensely tiring trying to fill 30 mins with every typical political discussion full of reading articles from the smartphone. And the three different endings should have been the best part?

Sorry, didn't work out for me. But must say my friend gave it a 10 so... Not for anyone, I guess.

'Bad Luck Banging or Loony Porn' is an unorthodox, provocative, scathing piece of moviemaking that due to its low crowd-pleasing coefficient will likely not be for everyone. Since I have no problem with significant amounts of in-your-face-attitude on the director's side, I quite liked it.

Architecturally, the movies borrows from some examples of French Nouvelle Vague Cinema - if I had a better memory, I could tell you exactly which ones - in that the camera frequently and in its center piece completely deviates from the dealings of its protagonists. In this way, a film that starts off with a story about an instance of accidental pornography widens its scope dramatically to become nothing less than a satirical portrait of a pornographic (Romanian, but just Romanian?) society. Using 'pornography' as an abstract (anti-)moral topos reminded me of Samuel Maoz' 'Foxtrot'.

While I think that the dramaturgic fundamentals of the movie are well thought through, I also think the movie could have been even better. Especially in the third part, the discussion of the matter at hand meanders quite a bit, can be tedious, and will probably not escape all charges of weisenheimery.

Bottom line is, that most viewers will probably switch it off at one point in complacent disgust. If you make it to the end, though, you will not see its explosive, weapons-grade finale coming, which is again well in line with its subversive intentions.