PUNTUACIÓN EN IMDb
7,5/10
11 mil
TU PUNTUACIÓN
Un triángulo amoroso, una trampa de seducción fallida y un encuentro resultante de un malentendido. Todo contado en tres movimientos para representar a tres mujeres, quienes trazan las traye... Leer todoUn triángulo amoroso, una trampa de seducción fallida y un encuentro resultante de un malentendido. Todo contado en tres movimientos para representar a tres mujeres, quienes trazan las trayectorias entre sus elecciones y arrepentimientos.Un triángulo amoroso, una trampa de seducción fallida y un encuentro resultante de un malentendido. Todo contado en tres movimientos para representar a tres mujeres, quienes trazan las trayectorias entre sus elecciones y arrepentimientos.
- Dirección
- Guión
- Reparto principal
- Premios
- 10 premios y 20 nominaciones en total
Shôma Kai
- Sasaki (segment "Door Wide Open")
- (as Kai Shôma)
Reseñas destacadas
(Apologies in advance for spending most of this review comparing the film to Drive My Car... I couldn't help it 😔)
The less well-known (but still quite good) 2021 film by Ryusuke Hamaguchi. I understand why Drive My Car has made more of an impact, and overall I enjoyed it more. But this is a different sort of movie and it's interesting to compare and contrast the two.
Apparently Drive My Car blended several short stories, but did it in a way where (to me at least) it felt like one coherent three-hour film. Wheel of Fortune and Fantasy tells three short stories as three short films, each approximately 40 minutes long. Because of this, I'd say it lacked the almost hypnotic effect that Drive My Car had, where it sucks you in and becomes absorbing the longer it goes on.
One other interesting difference: it doesn't make the movie better or worse, but I found it interesting how in Drive My Car, the lead characters keep their emotions held in, whereas in Wheel of Fortune and Fantasy, characters are surprisingly open. Even when they hide the truth, it doesn't take long for them to reveal it (maybe besides the third story, which emotionally feels the most similar to Drive My Car).
This film isn't as beautiful as Drive My Car. Some of it looks a little rough and flat to be honest, but maybe the minimalist style was intentional, and to be fair, there are a few visually arresting shots throughout that really stand out.
The stories themselves are interesting, and the dialogue mostly engaging. Acting is good across the board too, and overall, while it's not always consistently absorbing, I enjoyed it for the most part, and much of it is undeniably well-made.
2021 was a good year for Hamaguchi, and I'm interested to see what he directs next.
The less well-known (but still quite good) 2021 film by Ryusuke Hamaguchi. I understand why Drive My Car has made more of an impact, and overall I enjoyed it more. But this is a different sort of movie and it's interesting to compare and contrast the two.
Apparently Drive My Car blended several short stories, but did it in a way where (to me at least) it felt like one coherent three-hour film. Wheel of Fortune and Fantasy tells three short stories as three short films, each approximately 40 minutes long. Because of this, I'd say it lacked the almost hypnotic effect that Drive My Car had, where it sucks you in and becomes absorbing the longer it goes on.
One other interesting difference: it doesn't make the movie better or worse, but I found it interesting how in Drive My Car, the lead characters keep their emotions held in, whereas in Wheel of Fortune and Fantasy, characters are surprisingly open. Even when they hide the truth, it doesn't take long for them to reveal it (maybe besides the third story, which emotionally feels the most similar to Drive My Car).
This film isn't as beautiful as Drive My Car. Some of it looks a little rough and flat to be honest, but maybe the minimalist style was intentional, and to be fair, there are a few visually arresting shots throughout that really stand out.
The stories themselves are interesting, and the dialogue mostly engaging. Acting is good across the board too, and overall, while it's not always consistently absorbing, I enjoyed it for the most part, and much of it is undeniably well-made.
2021 was a good year for Hamaguchi, and I'm interested to see what he directs next.
This was my second Hamaguchi film of the year (the other being "Drive My Car"), and I'm starting to think I just don't vibe with his style.
To be fair to this movie, I'm not a fan of anthology films, so it was my choice to watch one. And I also watched it assuming that it would be similar in style to "Drive My Car" (it is) and knowing that I wasn't in the mood for a movie like that (it was due back to the library the next day so I felt forced to watch it).
I just get very restless watching Hamaguchi films. They're static and feel very long. Perhaps my favorite movie of 2021 was "Mass," a film that's mostly four characters talking in a single setting for two hours, so it's not like I'm resistant to the kinds of movies Hamaguchi makes. They just don't speak to me for some vague reason, even as I can see that they're objectively very good movies.
Grade: B+
To be fair to this movie, I'm not a fan of anthology films, so it was my choice to watch one. And I also watched it assuming that it would be similar in style to "Drive My Car" (it is) and knowing that I wasn't in the mood for a movie like that (it was due back to the library the next day so I felt forced to watch it).
I just get very restless watching Hamaguchi films. They're static and feel very long. Perhaps my favorite movie of 2021 was "Mass," a film that's mostly four characters talking in a single setting for two hours, so it's not like I'm resistant to the kinds of movies Hamaguchi makes. They just don't speak to me for some vague reason, even as I can see that they're objectively very good movies.
Grade: B+
The beauty of this movie lies in its simplicity and class. This is a classy movie with elegant characters, inspired by French cinema: Actors keep talking like there is no tomorrow. If you enjoy dialogue driven drama movies with some offbeat-comedy elements, you will enjoy it.
There are a few minor twists here and there but this is not a thrilling or exciting movie. Not groundbreaking or some kind of masterpiece either.
7.4/10. A very good movie for this genre.
There are a few minor twists here and there but this is not a thrilling or exciting movie. Not groundbreaking or some kind of masterpiece either.
7.4/10. A very good movie for this genre.
Bookended by fantastic pieces,I would have rated a little lower, but the third act is marvelous. TBH the second story is good but way overshadowed by the other two. What a great treatment of what it means to "love."
With mise-en-scène that strongly resemblance of a stage play, there's an undeniable sort of distance between the viewers and Wheel of Fortune and Fantasy. At least for a while. But then Hamaguchi Ryûsuke was able to break the distance with his direction that felt both intimate and personal. In the end, the film has a lasting impact, even long after the end credit rolls.
¿Sabías que...?
- CuriosidadesThe three stories were actually designed as the three of a group of seven stories, which have all been written already. The first two were shot in late 2019, and the third one was shot in July 2020, in the midst of the long break in the shooting of Drive My Car (2021) due to the COVID-19 pandemic.
- PifiasIn one of the first shots, the photographer and the models review the pictures taken on a laptop. At the right of the screen, a pedestrian can be seen walking on the sidewalk towards the characters, and she suddenly stops and stares off screen, probably at a crew member telling her to act natural or move along.
- Banda sonoraKinderszenen Op. 15 No. 7 Träumerei
Written by Robert Schumann
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
- How long is Wheel of Fortune and Fantasy?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Wheel of Fortune and Fantasy
- Localizaciones del rodaje
- 3 Chome-14-5 Sendagaya, Shibuya, Tokio, Japón(Kazuaki's office exteriors)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 1.552.725 US$
- Duración
- 2h 1min(121 min)
- Color
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta