La gran escapada

A fabulous cast with amazing performances demonstrating why Jackson and Caine are so highly regarded. Covers many difficult topics - longevity, friendship, guilt, trauma, illness, alcoholism, forgiveness and redemption. My husband and I both cried on a number of occasions, but there was also some great humour - we laughed, we cried, we enjoyed the cinematography. I'm not sure it was a true reflection of the average care home, it all seemed a bit too lovely. An effective juxtaposition with the couple as their younger selves, which was well cast. My only criticism was I felt the shoe horning into the plot of the traumatised much younger modern soldier didn't really work and for some reason those scenes jarred. It felt like an editor had requested the writers add them in later and it didn't quite work. A lovely film, but take some tissues.

This is one of those contemporary, really quite touching, dramas that we won't be able to make for too much longer. It centres around an elderly couple, who have been together for seventy years, and live a semi-independent life in a care home. During a routine chat with their nurses, "Rene" (Glenda Jackson) discovers that her husband "Bernie" (Sir Michael Caine) had wanted to go to the impending celebrations for the 70th anniversary of the D-Day landings, but that all the tickets had gone. She makes it pretty clear that if he wants to go, well then he ought to just go! Armed with a only a carrier bag and a few quid, he takes a ferry and heads off on a trip that is going to induce some fairly horrific memories of events in 1945 - which we sparingly see in flashback - but is also going to provide him with a degree of fulfilment and closure on issues that have dogged him ever since. Snag? Well he didn't actually tell anyone he was going, so the home are worried, the police are looking and the media soon get hold of his tale of determination and a degree of celebrity beckons. It's a very characterful story, this, with a gentle chemistry between Jackson and Caine, and also between Caine and his newfound travelling companion "Arthur" (a proud performance from John Standing) as they both have to face their demons past and present. There's plenty of humour - a decent soupçon of sarcasm; along with a spirit of optimism and reconciliation that works well, without drifting into cheesy sentiment, for ninety minutes. It reminded me of the equally poignant BBC drama "A Foreign Field" (1993) and is a good, at times thought-provoking watch.

A film that is quite emotional as a D-Day veteran 'escapes' the confines (not in a jailbreak sense) of his care home to attend the 70th anniversary in France, causing a media frenzy in the process!

Michael Caine and the late Glenda Jackson give wonderful performances as the elderly couple in the care home, Caine playing Bernie the veteran in question and Jackson, Rene his devoted wife who covers up for him as much as possible and encourages him to follow his destiny.

I am used to seeing the two actors in their pomp in sixties and seventies films so this is quite a change.

Look out for good supporting performances from the care home staff and fellow D-Day veterans some with their own demons.

The film uses brief flashback timelines to show the horrors of the D-Day events in the Second World War. However the film is not all excising demons and dwelling on past stressful events. There is plenty of humour as Bernie (Caine) makes the trip and meets up with fellow vets both Allied and German.

This is mainly going to be remembered as Glenda Jackson's last movie, and what a glorious swansong it is. Her ancient, heavily lined face - far removed from the face of Elizabeth the First, the role that sealed her stardom in 1971 - conveys shades of emotion that not all actresses can hint at. She's playing Irene Jordan, the wife of Bernard (Michael Caine) who has gone AWOL from the care home in which they live, taking himself off to Normandy to attend the 70th anniversary commemoration of the D-Day landings.

This is another of those small movies with a big heart. Nothing very dramatic happens (apart from brief flashbacks to D-Day which Bernard's best pal did not survive). John Standing has a nice supporting role as another veteran who takes Bernard under his wing; there was a hint of camp in Standing's performance, which made me think an LGBT 'attitude' moment could and should have been shoe-horned in.

Michael Caine has weathered the years better than Jackson (or he's had some work done, which Glenda very clearly has not). His performance is not quite as subtle as hers, but this is a beguiling and totally believable reconstruction of an episode which made the papers back in 2014. A couple who have loved each other for seventy years are two people you have to take your heart.

RIP Glenda, one of the finest actresses Britain ever produced. And Happy Retirement to Sir Michael, who has given us a great deal of pleasure in a long and splendidly wide-ranging screen career.

So much to enjoy in this film. Caine and Jackson are superb. Glenda died soon after completing work on the film and Michael has more than hinted that this might be his final film. That being the case, what a tremendous film for them both to go out on. The film is beautifully photographed on the English south coast and in France and has a gorgeous score by Craig Armstrong that supports and enhances the narrative. A story of determination, love, life, death and hope. The story is simple but none the worse for that. Set in 2014, Bernie and Rene live in a carehome in Hove. Bernie decides to attend the 70th anniversary of the D-Day landings in Normandy despite missing out on a place on the offical trips. So he gets a bus from Hove to Dover and travels by ferry to france. The film tells the story of the people he meets and places he goes. Poignent and sad but also life affirming this is a fabulous film. However, when we saw it we were the only people in the cinema and I read it has so far failed to find a distributor for the US market. I sense this could find it's audience when shown on TV and it wouldn't surprise if BBC are saving it to show next June as part of the 80th anniversary celebrations.