Òran na h-Eala

"The Red Shoes", an English classic from 1948, has endured as an unforgettable film for several decades since its release. Directors, Michael Powell and Emeric Pressburger made a film star out of the ever-gorgeous Moira Shearer, an up-and-coming Ballerina of the time. Her casting made perfect sense because their protagonist was also an aspiring Prima Ballerina. Moira was their ideal fit to the point of obsession. They pursued her for over a year before she finally agreed to accept the part.

The short film is just under 15 minutes long, yet it manages to touch our hearts by echoing the atmosphere of the role of Vicky Page and comparing it expressionistically to the very woman who brought her to life on the screen. Playing that pivotal role of Moira Shearer is Shannon Davidson, who seems to embody the character totally.

The use of mirror shots allows the audience to share her memories, reflecting on each moment with her. The theatrical lighting and stylized cinematography add to the dreamlike quality of the piece, achieving an authentic period look reminiscent of the original three strip Technicolor film.

"The Red Shoes" was a huge success at the time and went on to win Oscars, but Moira's struggle to choose between her passion for the world of ballet or the allure of cinema stardom, is what propels writer / director Steve Exeter's "Òran na h-Eala" making it one of the most vital short films of 2022.

This brief film is a rich tapestry of emotions and complexity, remarkably capturing a wide range of feelings within its short run time. The director has skillfully woven this nuanced yet clear story. The opening scene is particularly striking, drawing inspiration from "The Red Shoes" and laying the groundwork for a riveting and emotionally resonant experience. Shannon Davidson's portrayal of Moire Shearer is a standout, infusing the character with elegance and realism. It's a demanding role, but her execution is so authentic that it feels like watching the events happen in real time. Congratulations to Steve Exeter and the entire crew for their exceptional work. As someone who deeply appreciates "The Red Shoes," I found this film thoroughly enjoyable. It's highly recommended for everyone, even those not familiar with the original, particularly for fans of Òran na h-Eala.

This film comes incredibly close to perfection. The main lead's performance as Moira Shearer was stunning. The meticulous attention to detail in aligning this film with The Red Shoes deserves its own award. The color grading and soundtrack added another layer, making this short film feel almost like a feature-length production. However, I felt that some scenes could have benefited from tighter editing to maintain a more consistent pacing.

I do wish for a continuation with the same actors and director; maybe we'll see one this year. For the rating, I'm giving this a solid 9. Everything was almost perfect, making it a real treat to watch. This is a homage to one of the greatest films ever made, and even if you're unfamiliar with The Red Shoes, this is still a fantastic film to dive into.

The acting was flawless in this short film with lots of emotions that had me deeply invested into every word she spoke. I'm glad they got the right actress for this, it's some big shoes to fill and she deserves awards just for this performance alone. The story is easy to follow along if you have no idea about Michael Powell and Emeric Pressburger's, The Red Shoes thankfully you can still understand what's happening but it's still neat to watch The Red Shoes either before or after this film to really appreciate it all. I'm so impressed and loved everything this short film. From the soundtrack, props and to the ending. Such detail, such love put into this film. I'm inspired.

Fascinating! I've always loved red shoes and thankfully this short film didn't disappoint. I liked the use of the zoom at certain shots to emphasize certain moments of her situation. The angles were done just right, felt like I was there watching her. I also think this wouldn't have been as big without Shannon Davidson - the resemblance to Moira Shearer is uncanny. Director did great! Can't wait to see what they get up to next.