The Breach

I had never heard about this 2022 movie titled "The Breach" from writers Nick Cutter and Ian Weir prior to sitting down to watch it. But I have to admit that I was initially drawn in by the movie's cover right away when I stumbled upon it by random chance here in 2024. Suffice it to say, that with it being a horror movie that I hadn't already seen and an interesting cover, of course I opted to sit down and watch what director Rodrigo Gudiño had to offer.

The storyline in "The Breach" had potential, I will say that much. However, writers Nick Cutter and Ian Weir just never really tapped fully into the potential readily available within the concept of the story. A shame really, because "The Breach" could have been so much more than what director Rodrigo Gudiño managed to deliver.

I was not familiar with any of the cast members in the movie. And that is something that I actually do enjoy when I sit down to watch a movie. And I will say that the cast ensemble in "The Breach" were good, and the actors and actresses put on good performances throughout the course of the movie.

Now, something that I really enjoyed about "The Breach" were the special effects. There were some nice special effects in the movie, and that definitely helped to make up for an otherwise bland script and storyline.

While I did manage to sit through the entire movie, I can honestly say that it is not a movie that I will ever return to watch a second time. It just simply was a bit too mundane, bland and without much of anything thrilling or scary for the audience to enjoy.

My rating of "The Breach" lands on a generous four out of ten stars.

There are some kind of cool practical effects but they're shown in bright light and the digital enhancement is not good. It reminded me very much of From Beyond but with a drastically lower budget.

Some monsters near the end just kind of seem like zombies stumbling around outside, which is disappointing. The idea isn't bad but as a horror fan, I really want a lot more practical effects and the lighting is rather flat.

You can see elements of The Fly in there too but it's not really unique enough on its own. The pacing is a tad slow too although I was entertained enough. The ending was great. I probably wouldn't watch it again though.

I'd heard of The Breach back in 2022 and certainly found the basic premise to be intriguing. A small town police chief (played by Alan Hawco) is investigating the apparent death of a former CERN physicist after a corpse is discovered upon a drifting boat. As he explores the man's remote home, he makes horrific discoveries about his experiments...

Written by Nick Cutter of The Troop fame, with clear Lovecraftian influences, the story is solid and sets up a nice mystery. The effects are mostly well executed (though, please, can horror films reduce their use of smoke machines?), the creature designs are suitably detailed and revolting, Hawco is cleary charming in the lead and the film is brave enough not to bombard the viewer with gore from the start. It is, however, not without its problems, some minor, others not so minor. The film would have benefitted from more focus on the central mystery and trying to build more intrigue around it. Whilst the pacing is reliable throughout, it doesn't create the energy and haste needed during its finale. And, probably my biggest complaint is the ending: it's too predictable and left me feeling dissatisfied. I think they could have been braver without some of their choices in final act.

I do feel it is necessary, however, to point out that it maintained my interest for 90 minutes, didn't decide to draw itself out for a wholly unnecessary 2-plus hours and, for an indie production, it looks excellent. Worthy of a rental for horror fans.

If you watch a lot of movies influenced by the stories of William Hope Hodgson, H. P. Lovecraft and August Derleth, you might rate this a point or two higher because on some weird level you enjoy having your hopes dashed. For anyone else, this score might even be too generous.

It's a real shame, because the early setup of the film is great. It makes you think you're actually going to get a good Lovecraft-esque film (there's the ol' masochism again!). The opening titles are stylish. The actor who plays Connie has immediate charisma (sadly, she is underused). There's an intriguing early discovery which legitimately leads on to the next stage of the story. Sure, it's a tiny bit shaky, a little bit goofy, but that's par for the course in indie movies of the type; overall it looks like it's shaping up to be one of the good ones in the cosmic horror genre. You'll even see an actor who might recognise if you're a glutton for punishment: her from The Strain, yes (along with Connie's actor, the best performances here).

But there's a point where the wobbles suddenly escalate and soon after that the project completely falls on its arse. Any enthusiasm I had for the film ebbed away to nothing. It's as if an evil film crew came through the veil and replaced the original crew, wickedly sabotaging and unpicking all the good work that went before. Even Slash's soundtrack, which is never good, gets noticeably worse throughout.

There are some interesting ideas here, to be sure. Unfortunately, it feels like it borrows heavily from numerous different sources, fails to deliver a coherent storyline, well defined characters, good pacing, or a satisfying conclusion. Apparently, this is the directorial debut of one of the head honchos at Rue Morgue magazine. I can cut a little slack for lack of technical experience; not so much for failures of execution in areas that really shouldn't have been that hard to fine tune. It does feature some excellent creature effects toward the end; it just doesn't really explain why the creatures are there or why they appear when they do. All in all, not horrible, but not really worth watching either, IMO. Maybe this direcor will do better next time.