Una convención de jóvenes astrónomos se ve alterada por unos acontecimientos que van a cambiar el mundo de todos los presentes.Una convención de jóvenes astrónomos se ve alterada por unos acontecimientos que van a cambiar el mundo de todos los presentes.Una convención de jóvenes astrónomos se ve alterada por unos acontecimientos que van a cambiar el mundo de todos los presentes.
- Premios
- 4 premios y 84 nominaciones
Steve Park
- Roger Cho
- (as Stephen Park)
Wes Anderson Films as Ranked by IMDb Rating
Argumento
¿Sabías que...?
- CuriosidadesJason Schwartzman used the incomplete on-ramp freeway as a place to relax on set in between takes. "I would go up there all the time and sit up there. (...) Don't tell anyone. It's my secret spot. My secret spot in Asteroid City. It's kind of a hidden gem."
- PifiasThe newspaper shows a photo of the alien with a shadow, as if taken with a flashbulb, but Augie did not use a flash.
- Citas
Augie Steenbeck: I still don't understand the play.
Schubert Green: Doesn't matter. Just keep telling the story.
- Créditos adicionalesAt the very end of the end credits, over a black screen a voice whispers, "Wicked."
- Versiones alternativasTheatrically, the film is presented entirely within a 2.39:1 frame; the corresponding academy ratio 1.37:1 scenes are windowboxed within that frame. The Blu-Ray, DVD, and streaming version presents everything within a 1.78:1 framing, letterboxing the 2.39:1 segments and pillarboxing the 1.37:1 segments. The opening Focus Features and Indian Paintbrush logos are presented in full 1.78:1.
- Banda sonoraLast Train to San Fernando
Written by Sylvester DeVere, Randolph Padmore, Kenneth St. Bernard
Performed by Johnny Duncan and the Blue Grass Boys
Courtesy of Columbia Records Nashville
By arrangement with Sony Music Entertainment
Reseña destacada
I saw 'ASTEROID CITY' yesterday...and I have a
mixed feelings about it....
As usual, stylistically very impressive, with strong emphasis on ensemble work of actors, as it's usually happens in Wes Anderson's movies.
When movie is considered ensemble piece the pressure of a film success falls on the shoulders of the director. In a normal narrative film the protagonist and antagonist often take the burden of film success on themselves, hoping that the audience will emphasize with our lead characters and their character arc, to be immersed in the story during the full running time.
There is a risk however if the audience doesn't connect with performances the status of leading man or a woman is in jeopardy, with producers in the future not wanting to green light another film with actors, which were unable to handle the "weight" of the movie.
This is why plenty of actors like to work on movies which offer ensemble feel. They don't have to spend many months on filmset, instead they come for few days, shoot their scenes and can move on to the next project. If their performance didn't work they are always supported by other quality actors, so it doesn't ruin the whole film. In ether way Wes Anderson's style always comes on top, as actors who work with him understand the particular speed of lines delivery, as well as dryness of the dialog.
Stylistically it's very much what we expect from Anderson. Cinematography is more interesting then usual with a strong emphasis on production and costumes design. The camera movement feel bit more free then usual and yet the composition is always full of symmetry, which is the calling card of Wes. He even included few inserts (close ups of objects, which normally make thinks appear more cinematic) which for his filmmaking style is rather unusual. As well as few "Dutch angles", which make the audience feel sense of distorted reality in moments of surrealism.
The color correction ranging from black and white to colorful over saturation is rather visually interesting.
There is a lot of quality here, but I am afraid 'ASTEROID CITY' might not be everyone's taste, although fans of Anderson know what to expect and should have a good time.
More casual viewers might feel like this film is a little stylistically disjointed.
For me I appreciate what Wes was trying to accomplish and always admire his stylistic consistency, which has its benefits (you know what to expect), but also it's throwbacks, when Wes just like in this case is trying to explore a new filmmaking narrative techniques.
Recommend! 👍
When movie is considered ensemble piece the pressure of a film success falls on the shoulders of the director. In a normal narrative film the protagonist and antagonist often take the burden of film success on themselves, hoping that the audience will emphasize with our lead characters and their character arc, to be immersed in the story during the full running time.
There is a risk however if the audience doesn't connect with performances the status of leading man or a woman is in jeopardy, with producers in the future not wanting to green light another film with actors, which were unable to handle the "weight" of the movie.
This is why plenty of actors like to work on movies which offer ensemble feel. They don't have to spend many months on filmset, instead they come for few days, shoot their scenes and can move on to the next project. If their performance didn't work they are always supported by other quality actors, so it doesn't ruin the whole film. In ether way Wes Anderson's style always comes on top, as actors who work with him understand the particular speed of lines delivery, as well as dryness of the dialog.
Stylistically it's very much what we expect from Anderson. Cinematography is more interesting then usual with a strong emphasis on production and costumes design. The camera movement feel bit more free then usual and yet the composition is always full of symmetry, which is the calling card of Wes. He even included few inserts (close ups of objects, which normally make thinks appear more cinematic) which for his filmmaking style is rather unusual. As well as few "Dutch angles", which make the audience feel sense of distorted reality in moments of surrealism.
The color correction ranging from black and white to colorful over saturation is rather visually interesting.
There is a lot of quality here, but I am afraid 'ASTEROID CITY' might not be everyone's taste, although fans of Anderson know what to expect and should have a good time.
More casual viewers might feel like this film is a little stylistically disjointed.
For me I appreciate what Wes was trying to accomplish and always admire his stylistic consistency, which has its benefits (you know what to expect), but also it's throwbacks, when Wes just like in this case is trying to explore a new filmmaking narrative techniques.
Recommend! 👍
- j-madej
- 16 jun 2023
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24 Frames From Wes Anderson Films
24 Frames From Wes Anderson Films
Explore the memorable career of Wes Anderson through 24 stills from his movies.
- How long is Asteroid City?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 25.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 28.153.025 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 853.382 US$
- 18 jun 2023
- Recaudación en todo el mundo
- 53.857.743 US$
- Duración1 hora 45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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What is the streaming release date of Asteroid City (2023) in India?
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