Asteroid City

As much as I love the artistic visuals and whimsical charm of a Wes Anderson film, this one was mildly disappointing. There were long speeches that didn't land with humor, weird pacing issues, and a nested framing device of a TV broadcast, the play, and its real-world creators that didn't do anything for me. Maybe it would take a repeat viewing, because the intention behind this was confusing, and it overshadowed the fine little moments that were scattered throughout the movie. As with The French Dispatch, the cast is jam-packed with stars, but unnecessarily so, as many seemed underused, and it felt like there were too many characters. This one needed simplification, a better story, and more heart.

Those who thought this was a "boring" film, should not be criticized for thinking this. Asteroid City is a visual wonder and treat of world building. Wes Anderson's productions are easily well-known for their impressive artistic visual structure and camera work. No disappointment in any of these categories. Featuring a massive array of talent which included a cast of 4 Oscar winners and 9 Oscar nominees, all giving solid theatrical-style performances. The setting is an absolute delight, and ranks as one of the top production designs in any Wes Anderson film. All the characters are carefully pieced, selected, and framed. All building up to a finale which I considered a pretentious, underwhelming, and slightly dissatisfying. It's hard to not see this particular story as Wes Anderson being unsure about which direction to go in. This was easily a story Anderson wrote/worked on while stuck in quarantine during COVID. The themes of loss, uncertainty, entrapment, search for answers, childhood into adulthood are all well-received and present. However, once the themes completely over take the narrative and substance, that's when the movie starts to disappoint. All these themes could've fit well into a story which resulted in a fun gimmicky alien invasion story, just like in "Mars Attacks!" which the film even makes a hidden reference to. Or a narrative which leads into alien abduction. Something....anything. Any conflict better than simply, "they're all stuck in quarantine". Another problem with Asteroid City is the story's massive number of characters. I love a story which gives every little character a unique presence to the story. Problem is, there are enjoying scenes with these characters, but when the movie ends I was still pondering if these scenes were needed. They added little to the narrative, took time away from the main conflict, and resulted in a unbalanced flow of the narrative. A successful balance of adults and children in the narrative was achieved far better in Moonrise Kingdom than in Anderson's effort this time. While the character payoffs do make sense, some of the key payoffs feel shallow than unsatisfying. The payoffs you would easily imagine the film going in simply do not happen. Asteroid City is easily one of my favorite world buildings in a Wes Anderson film. I was hooked within the opening minutes, and yet it felt unused to its full potential. Shame too, because this could've easily have been a great film.

There is enjoyment to be found throughout Asteroid City, but in the end the descriptive words used regarding the narrative would have to include, "underwhelming" and "cheated".

Wes Anderson drummed up a magnificent cast. At least ten of them could carry a triple A movie by themselves. Unfortunately, Wes forgot that a good movie needs a good plot as well.

The visuals are outstanding, almost every shot is also an award winning photo. The acting is superb. The setting is magnificent and almost everything about this movie is perfect.

Everything but the plot. If you like humor, you'll like this film. If you come for the visuals, you'll love this film. If you're into acting, you'll have an excellent time. But if you want to be engaged? Look elsewhere.

Dear Wes, your dialogues are hilarious and witty. Your plots lack substance. Work on your plots.

People were laughing in the quaint historic theater I watched this film in. But I was not. I laughed one time, when you watch it you'll know the time.

The striking thing about these last couple of Wes Anderson movies is how they're becoming a parody of themselves. I can appreciate film as art vs film as entertainment. This takes entertainment disguised as art and commercializes it to a degree I find distasteful.

It was a pretty film. I loved the colors. I can respect it's aesthetic and that's where all the stars came from. I also love Schwartzmann.

The way the story was told as some kind of slowly unfolding meta-melodrama of a play within a film managed to completely chop the film into indigestible pieces. Ive rarely been that disinterested in the plot of a film.

Last thought. What on earth makes all of these famous actors want to be in these films??? Is it money? Is it the desire to see your own face with some pretty symmetrical colors in the background? Wes Anderson hasn't made a good film in years. We can continue to respect him from afar for doing something unique. Far enough away we don't have to watch....

Wes Anderson has always been a favorite director of mine. I have seen all his movies - but for me, the magic is gone.

I feel like The Grand Budapest Hotel was his masterpiece. Where every aspect that makes his films special was at its peak. The characters, the cast, the sets and, of course, the visuals were up to an 11. His craft was perfected - and it's one of my top 5 films of all time.

When I saw Isle of Dogs, I started to feel full. I felt like I had seen Wes's style a bit too much. And now this.

I feel that Asteroid City is pretty bland. The visuals are fantastic - but we've seen this all before. Instead of a compelling lead who has an interesting problem to solve - we get several bland characters who are quirky, and that's it. The acting is great though. But it's not that funny nor intriguing.

We were eight friends who saw this film together. Every one of us was pretty bored after a while. One of us really liked it though - but she had only seen 50% of a Wes Anderson film before. The rest of us felt... full.