Pobres criaturas

Where to begin with this one....

First off, the performances presented here are top of their class. Absolutely phenomenal! In a film with characters as strange as these, you need a strong cast and every player here was up to the task and more! Just brilliant!

Secondly, the story is insane. I mean padded room, straight jacket type of insane. When reading the synopsis, I was thinking about how wild of a concept it was and did not think they could pull off such an audacious plot. However, Yorgos and company had a specific vision for this film and it shows in the amount of detail in both the screenplay and the visionary artistic decisions. I can say, they completely nailed it!

Thirdly, exploring the human condition through sexuality, in all emotional forms, has been done before. Though, never quite like this. It was refreshing to see it through the eyes of someone reborn and ready for everything life had to throw her, as opposed to the usual timid youthful eyes.

Lastly, the cinematography is wonderfully done. Mixing between black and white to full color, with wild scenery and beautifully detailed architecture. Sometimes the film felt like a dream captured within a painting. It was quite beautiful.

Overall, I would highly recommend it. I don't think it will be everyone's cup of tea. It is very artsy, very sexually uncomfortable, and very strange. However, if you enjoy great storytelling and truly original visions on film, better see this on the big screen.

4.5 surgerys out of 5.

This isn't an easy film to watch and capture everything it tries to convey, on the contrary, it's quite complex.

I'm not a deep connoisseur of Freud, on the contrary, I studied some of his texts when I went to journalism school, but I remember very little, I'm actually unfamiliar with the subject, but clearly "Poor Things" seems to me to work with some points of psychosexual development human developed by Freud.

I may be talking nonsense, but it seems to me that the sexual phases of children described by Freud (oral, anal, genital, etc.) are shown in Bella's development during the projection, as well as her total independence and freedom in relation to the world and in the passage of each of those phases, without being repressed, allowing her to reach the superego.

While working with complex concepts of the development of the human psyche, the film also flirts wonderfully with the frustrations of love, and social, political and human issues, and I honestly couldn't capture everything the work was offering me, a lot of details must have escaped my attention.

So much content, so much complexity, inserted in a spectacular, wonderful cinematography, with exuberant sets, elaborated down to the smallest details, with perfect use of vivid colors and black and white, actors shining on the screen, all of them without exception, incredible direction, and a soundtrack very strange that fits like a glove.

I rate it 8 out of 10 because my ignorance really didn't allow me to capture everything that was being offered to me, and at some moments I felt a little tired from demanding so much of my brain, but it's a great film in all aspects. It's just not for everyone, as it's not what you would call popcorn entertainment cinema, on the contrary, it's the opposite, and perhaps the trailer could mislead certain types of audiences.

Well it was just weird. But I really loved Mark Ruffalo in the movie. He was so funny. And he really made the role very believable. The other actors and actresses were great but their roles didn't have the same kind of acting needed. Ruffalo was able to put more emotion into his role. Emma Stone did her role very well as the lovely Bella. Who was learning more and becoming a more rounded role for her. So her "frankinsteinish" role was well played. Dafoe as the mad scientist who let his creation loose into the world was well played as well! Personally I would have just watched it for Mark Ruffalo though.

Poor things is directed by Yorgos Lanthimos (The Lobster, The Killing of a Sacred Deer) and is supported with a strong cast, namely Emma Stone, Mark Ruffalo and Willem Dafoe.

The first impression you get from this movie is bizarre to say the least. In fact, it takes some time to get used to the ambiance which is nothing short of macabre. And surely, this impression lasts throughout the whole movie; but this feeling of weirdness and incomprehension serves the plot and in this sense, is most welcome. Eventually, there comes a time where, inevitably, and without even realizing it, you are suctioned right in, never to escape again. And you are glad to be trapped in what is essentially pit of limitless pleasure.

Indeed, one of the things the movie does very well is make you, along with the protagonist, embark on an adventure. Sure, you might have been to the places the protagonist went to, but those are presented in a most wonderful way. The aesthetics are magnificient and otherworldly. I do not know how they did it, but I remember being in awe and it is a feeling that I will cherish for a lifetime. It is truly a sight to behold.

It is the kind of movie which makes you feel grateful to be alive.

This is a very unusual movie. I enjoyed watching it, even though it felt awkward at times (as promised by the creators and many reviewers). In my opinion, many users who gave it a 1/10, missed the point. For sure, it is a movie for very mature and sophisticated audiences. It contains a lot of ugly truths about the world, so don't watch it if those bother you. (Don't watch it with teenagers, either, wait until they are 20 or 21.) I appreciated the creative direction, cinematography, and Emma Stone's acting talent. The plot covers multiple aspects of privilege and abuse in thought-provoking ways. On a very high level, you could say that it has some similarities to Barbie, but a very different approach. It is almost the anti-Barbie. The contrast between these two 2023 movies is definitely worth a class discussion in some graduate course of film criticism.